The Return to <i>Kalokagathia</i>: Curating as Leverage in the Ongoing Dialogues between Aesthetics and Ethics by Suzana Milevska

“…Curating lends out to art its innocent and aspirational belief in such a balance because the ethical concerns in art theory and art criticism have long been toned down while form was prioritized over content. …”
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The individual’s triumph: the eighteenth-century consolidation of authorship and art historiography by David Pullins

“…The eighteenth-century consolidation of authorial identity – apparent in Salon livrets, art criticism, sales catalogs, inventories, the theoretical development of maniera, signing and hanging practices – was crucial to subsequent, nineteenth-century Romantic notions of what constituted individual authorship and to the kinds of eighteenth-century painting that were eventually written into or out of art history. …”
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Fantastic art, Barr, surrealism by Tessel M. Bauduin

“…This article explores several sources, including surrealist lectures, early twentieth-century Belgian art history and art criticism, and art historical debates about form vs. content, south vs. north, and reason vs. fantasy. …”
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<b>O design das idéias propondo sua forma de leitura e suas chances de continuidade</b> by Fabiana Dultra Britto

“…Palavras-chave corpo, evolução cultural, comunicação Abstract The launching of the Leituras do corpo (Reading Body Collection) is a very important initiative for the scientific divulgation on body studies, developed by Cognitive Sciences, Evolutionary Theories of Culture and the Art Criticism, because it add up for the consolidation of the way of understanding the body as media of knowledge, so necessary for to inscribe the discussion about this subject in a theoretical register scientifically supported. …”
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Engelsk socialrealisme reenacted. Slaget ved Orgreave (nu og dengang) by Janna Lund

“…Following this, the reception of Deller’s work in art criticism is deliberated, which forms the vantage point for a discussion of re-enactment as a medium for art. …”
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„Mitglied (kein Amt, kein Rang)“ - Christian Schad im Nationalsozialismus. Ein neuer Blick auf Eigenbild, Fremdbild und Quellen by Keß, Bettina

“…Christian Schad (1894–1982) is regarded as one of the most important representatives of New Objectivity (Neue Sachlichkeit) in Germany and best known as a painter of the Berlin society during the Weimar Republic. Research, art criticism and exhibitions have long classified him as an artist who neither politically nor artistically adapted to the Nazi regime (1933–1945). …”
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Remapping the Constellation of Walter Benjamin’s Allegorical Method by Wong Jack

“…The now-longstanding academic revival of allegory, as well as its import as a perennial buzzword of contemporary art criticism, owes much to a group of essays published in the journal October in the early 1980s. …”
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0210 „Mitglied (kein Amt, kein Rang)“ by Bettina Keß

“…Christian Schad (1894–1982) is regarded as one of the most important representatives of New Objectivity (Neue Sachlichkeit) in Germany and best known as a painter of the Berlin society during the Weimar Republic. Research, art criticism and exhibitions have long classified him as an artist who neither politically nor artistically adapted to the Nazi regime (1933–1945). …”
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Cancer in Performance: An Affective Encounter by Vinia Dakari

“…Lyotard’s interpretation of the Kantian sublime in postmodern art, contemporary performance theories, art criticism, and personal reflections from cancer-related performances I have experienced. …”
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El espejismo del Norte: los Geats y la pasión escandinava en la obra de Alejandro Busuioceanu by Felix Nicolau

“…One of the less discussed figures of the Romanian exile caused by the fraudulent establishment of communism in Romania is the polygraph Alexandru Busuioceanu, who wrote poetry in three languages, but also art criticism, literary criticism, and history. The present research is interested in the ideational intertwining of Busuioceanu's intellectual life. …”
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De Haagse School en het nationale landschap by W. Krul

“…These ideals, however, had already been propagated in Dutch art criticism for a very long time.   Wessel Krul examines the relationship between the changing concept of national identity in the Netherlands and the evolution of landscape painting from the Biedermeier style of B.C. …”
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Images ‘in the air’ in George Moore’s Lewis Seymour and Some Women and Modern Painting by Fabienne Gaspari

“…This paper aims to examine the relationships between text and image in George Moore’s fiction and art criticism. After his failure to become a painter in Paris, Moore started to write novels in the 1880s. …”
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De Haagse School en het nationale landschap by W. Krul

“…These ideals, however, had already been propagated in Dutch art criticism for a very long time.   Wessel Krul examines the relationship between the changing concept of national identity in the Netherlands and the evolution of landscape painting from the Biedermeier style of B.C. …”
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”Men kläder det vill ingen hava på: ’Ack, mamma, låt oss alltid nakna gå!’” Mollie Faustmans gestaltning av nakna barn by Kristin Hallberg

“…The article discusses the naked child body in terms of vitalism and naturism, and within the context of both literary and art criticism. The iconotext reading shows the complexity of how Faustman uses the naked body to embrace a vast spectrum of feelings. …”
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STOCKHOLM SYNDROME IN RUSSIAN SCHOOL: «UCHILKA» BY ALEXEY PETRUKHIN (2015)

“…There is a crisis in art criticism methodology. The author makes a revision of traditional methods of the analysis of social themes in art. …”
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New Approaches towards the Development of an Art EduCation Curriculum in General Education in the Kingdom of Saudi Arabia by Abdulaziz R. Al-Najada f

“…The four components of discipline-based art education.namely art production. art criticism, art his-tory. and aesthetics rcmined us that learning about art inVol.ves a great deal more than looking at prettypictures or trying to paint them- This approach aims to provide a broad historical and cultural context aswell as sound principles and critical standards that could give a richer meaning to art and a discriminatingappreciation of it. …”
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VOLYN ETHNIC COSTUME IN SHAPING UKRAINIAN FASHION by Olena Vynokur

“…Methods of socio-cultural, art criticism, aesthetic and structural-compositional analysis are used. …”
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The Fall of Greatness: Toward an Aesthetics of Co-(re)production by Cecilie Ullerup Schmidt

“…Through an analysis of the aesthetics of reception and its entanglement in post-enlightenment onto-epistemologies of separation, I demonstrate how the “carceral frame of the art work” (Moten qtd. in Harney et al.) is upheld in both art criticism and in the infrastructures of the arts. …”
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<i>Quatre Peintres Belges au Travail</i>: Paul Haesaerts’s Film on Edgar Tytgat, Albert Dasnoy, Jean Brusselmans and Paul Delvaux (1952) by Joséphine Vandekerckhove

“…In the late 1940s, he started experimenting with the medium of film to practice a new form of lens-based art criticism. The understudied documentary <i>Quatre peintres belges au travail</i> (1952) presents Belgian artists Edgar Tytgat, Albert Dasnoy, Jean Brusselmans and Paul Delvaux at work in their studio. …”
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Four Women: The E. Cassirer’s Theory and Its Analytical Potential for Understanding Iraqi Symbolic Painting by J. Saleem by Omar Al-chalabi, Tatiana Bystrova

“…Cassirer, the methodological potential of the theory of the symbol for the art criticism analysis of the regional painting is clarified. …”
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