Art History and Access: The catalogue raisonné as Collaborative Research Site by Elizabeth Alice Honig

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Nuevas aportaciones a la biografía intelectual de Vicente Aguilera Cerni. Reflexiones en el centenario de su nacimiento / New contributions to the intellectual biography of Vicente... by Lydia Frasquet Bellver

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Yugoslav: Toponym or Ideology in Miodrag B. Protić’s Art-Historical Systematization of 20th-Century Art by Jasmina Čubrilo

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From “The New Sculpture” to Garden Statuary: the suppression of Abstract Expressionist sculpture by Meghan Bissonnette

Subjects: “…art criticism…”
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From ‘Portraits d’artistes’ to the interviewer’s portrait: interviews of modern artists by Jacques Guenne in L’art vivant (1925–1930) by Poppy Sfakianaki

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‘Ludwig Hevesi and art in fin-de-siècle Vienna’. Review of: Ilona Sármány-Parsons, Bécs művészeti élete Ferenc József korában, ahogy Hevesi Lajos látta [The artistic life in Vienna... by József Sisa

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“Towards the revival of religious art”.[1] The revival efforts for church art in Polish Lands between 1900–1939 (with particular emphasis on wall-paintings) by Joanna Wolańska

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Corrado Ricci, pragmatico studioso: aspetti di critica d’arte nei testi del ‘decennio museografico’ by Castoldi, Emanuele

Subjects: “…Adolfo Venturi. Art Criticism. Corrado Ricci. Galleria Nazionale di Parma. …”
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Diderot as the critique of art and the translation of time and place: from the pictural composition to the literary decomposition / recomposition by Nadège Langbour

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1964: A Year of Exhibitions by Stephen Bann

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A rose is a rose / One rose and another, kind of rose by Miren Jaio Atela

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Peculiarity of the Origins of Chinese Historiography of the Fine Arts by Andrijauskas Antanas

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Bringing The Land Foundation Back to Earth: a new model for the critical analysis of relational art by Clare Veal

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‘Historical narratives and historical desires: re-evaluating American art criticism of the mid-nineteenth century’: Karen Georgi, Critical Shift: Rereading Jarves, Cook, Stillman, and the Narratives of Nineteenth-Century American Art, The Pennsylvania State University Press, 2013 by Emily Gephart

“…Striving to distinguish their authority as and demonstrate their professionalism, art critics James Jackson Jarves, Clarence Cook, and William James Stillman wrote exhibition reviews, essays, and increasingly self-conscious histories of American art and artists in the mid-nineteenth century. …”
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Zu Bertolt Brechts Sonett „Über Kleists ´Prinz von Homburg´ by Fatima Mokadem

Subjects: “…art-critical sonnets…”
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LE CHIEN SUR LES TABLEAUX DE GREUZE : ACCESSOIRE, SYMBOLE OU MEMBRE DE FAMILLE ? (Dogs in the paintings of Greuze: accessories, symbols or family members?) by Enikő Szabolcs

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К ВОПРОСУ ОБ АТРИБУЦИИ «СТАТУИ ПОЛКОВОДЦА ИЗ ТИВОЛИ» by Чореф, М.М.

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The self-replicating internet machine : exploring contextual shifts through the process of aggregation in new media channels by Effendy Muhammad Ibrahim

Subjects: “…DRNTU::Visual arts and music::Art criticism::Aesthetics…”
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Miserabilism in French Art of the 1940s-1960s. To the Origin of the Concept by Bunkevich Daria A.

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Святослав Николаевич Рерих и его искусствоведческое наследие by Белокурова, С.М.

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