Digital art and the internet. by Ko, Siew Huey., Lim, Michelle Yin Yin.

“…Art, as one of the oldest forms of communication, is one area where this issue is particularly significant, especially at a time when we are seeing a migratory march towards the Internet as a medium for art exhibition. In this paper, four case studies will explore how artists can utilize the unique features of the Internet to communicate more effectively with their audience, and how this new medium has influenced the collective experiences of both artists and viewers. …”
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Art house : an Avant-garde business plan tapping the burgeoning art market in Singapore and the region. by See, Samuel Yong Yaw., Tan, Meng Kwang.

“…Field studies were conducted through attendance of international art exhibition, visitations at art museums and galleries, and informal interviews with gallery owners and artists. …”
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‘Grammars of displacement’: Kojo Laing’s lines of flight by Hankinson, J

“…Departing from the relationship between the texts of the Ghanaian poet and novelist Kojo Laing and a recent international art exhibition, this article traces the relationship between style and the multivalent activity of flight across Laing’s work. …”

Rebranding Athens as the Creative City of European South. The Contribution of Documenta 14. A Critical Approach by Styliani Bolonaki

“…The following article presents a very brief review of the impact of the art institution Documenta on the Athenian urban environment aims to give an answer to the question of how and why the art exhibition “Learning from Athens” gained such popularity in urban and economic developers, locally and globally, that has not yet led to enough critical discussion on the cultural, and political researchers. …”
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The Modern Paradigm, the Exhibitionary Form and Our Epistemological Crisis by Catalina Imizcoz

“…My research proposes to critically appraise the exhibitionary form and its ideological infrastructure, starting from the concurrent birth of Western modernity and the art exhibition as a cultural device, and asking if the exhibitionary form can be used to critique modernity as a socio-cultural phenomenon. …”
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ART AND DOCUMENTARIES IN CLIMATE COMMUNICATION by Liselotte Roosen, Christian Klockner

“…This article details the results of a case study based on an art exhibition and a shortened documentary with the topic earth/soil. …”
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“Emotion is Another Kind of Information” by Ingvil Hellstrand, Aino-Kaisa Koistinen, Nora Simonhjell, Roger Andre Søraa, Hege Tapio

“… This review explores entanglements of the theoretical and affective impacts of an art exhibition called Caring Futures which was part of an interdisciplinary research project. …”
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A – Art, F – Feminism, A Topical Dictionary, Moscow 2015 by Ilmira Bolotyan, E. Susanna Weygandt

“… Selections from the translated dictionary, A -Art; F – Feminism / I-iskusstvo; F-feminizm (published in 2015 in Russian by the Rosa Luxemburg Foundation) appearing here are dictionary terms accompanied by photographs excerpted from an art exhibition (at various venues in Moscow), also called I-iskusstvo; F-feminizm. …”
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On Resisting Global Disposability, Regimes of Death-Making and Accumulation by Rupinder Parhar

“…The British writer Rupinder Parhar gave a talk on feminist acts of resistance at an art exhibition workshop in London in March 2024. While acknowledging the multitude of feminisms that exist today, Parhar in this transcript of the talk asks difficult questions about the relationship between the global forces of violence that should compel us to rethink our own resistance and complicity. …”
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From Kwvtxhiaj and PajNtaub to Theater and Literature: The Role of Generation, Gender and Human Rights in the Expansion of Hmong American Art by Nengher Vang, Jeremy Hein

“…The article shows that this ten-year period began with the first Hmong art exhibition and the first book of Hmong fiction in world history. …”
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Rather Transitional than Transnational: The “meta-pavilions” of Germany and Russia at the 1993 Venice Biennale by Matteo Bertele

“… The 45th International Art Exhibition held in 1993 represents a watershed in the history of the Venice Biennale. …”
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Una “feria masiva” de artes plásticas en el ocaso de la última dictadura argentina by Alejandra Soledad González

“…In 1983, as the last dictatorship in Argentina was in decline, a new art exhibition in the interior of the country was opened: fair known as Art in Córdoba. …”
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Haiti’s first national pavilion at the Venice Biennale: anachronism or illuminating opportunity? by Wendy Asquith

“…This article will explore in detail the debates raised by Haiti’s national pavilion, particularly as they related to the central exhibition theme of ILLUMInations selected by the International Art Exhibition Director for 2011, Bice Curiger. In doing so this piece will consider both: how the national pavilion structure at the Venice Biennale was challenged, and our wider understanding of it deepened, by Haiti’s participation; and what Venice’s national pavilion structure might be able to offer a post-colonial, ‘third-world’ nation like Haiti.…”
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Seni visual dan festival - Festival Seni Visual by Abdullah, Sarena

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"Places of Remembrance": Spaces for Historical and Political Literacy. A Lesson Report by Susanne Offen

“…Findings: Teaching techniques comprise explorative learning through guided city walks, document analysis and expert visits, in-class-discussions, the  and individual student-teacher-conversations and, particularly, contact with exhibits employed as educational media, originating from an art exhibition in public space covering various unsettling steps of exclusion against Jewish citizens before 1942. …”
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The Local Context and the Institutional and International Contributions of the 24th Bienal de São Paulo (1998) by Camila Maroja

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Craters: Between cleared and constructed, between absent and present by Ashley Mason

“…This piece is an opening; an opening outward toward the peripheral, the marginal, and from the crater image to the craterous landscape of post-World War II London, in which the Parallel of Life and Art exhibition took place. It is a series of productive readings about the site of the exhibition, yet, it is also a tracing through etymological origins and mythological tales whose beginnings, like the exhibition itself, exist only as allusive references. …”
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Screened Live: Technologically Reconfiguring Notions of the Author by Bernadette Cochrane

“…The arrival of theatrical performance and the fine art exhibition on cinema screens worldwide, the phenomenon of ‘live relay’ or the ‘as live broadcast’ in the arts, challenges this familiar perception of the author/production/audience relationship. …”
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Creating inter-cultural spaces for co-learning by Kristina Everett, Eloise Hummell

“…The ‘Daruganora’ program involves Indigenous students leading dialogue with nonIndigenous peers and teachers to jointly interpret a purpose-built Indigenous art exhibition. We explain in this paper how spaces created by this dialogue can allow open, honest and respectful interaction between Indigenous and non-Indigenous people relating to Indigenous representations of identity. …”
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Enclosures of Wind: Practice-Led Methods for Visualization of Elemental Media by Abelardo Gil-Fournier, Jussi Parikka

“…This article engages with the aesthetics of air as it becomes spatialized, managed, and rescaled across different material configurations in the context of an art exhibition. The text builds an argument concerning wind, air currents, and cultural techniques of visualization and circulation through a live curatorial and artistic example of Abelardo Gil-Fournier's exhibition *The Raft: Three Acts for an Exposure to the Elements* at the Fundación Cerezales Antonino y Cinia (FCAYC) in León, Spain, in 2023--24. …”
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