'SUPERCARGO', the Art of Peter Moosgaard by Martin Ochsenhofer

“…A student essay for the Special Student Issue of the Journal of Extreme Anthropology accompanying the art exhibition 'Artist's Waste, Wasted Artists', which opened in Vienna on the 19th of September 2017 and was curated by the students of social anthropology at the University of Vienna. …”
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Curadurías y cuerpos expandidos: sobre exhibiciones de arte en espacios virtuales by Guadalupe Baliño, Danila Desirée  Nieto

“…Based on the analysis of two different experiences of art exhibition on virtual spaces, which emerged in 2020 in Argentina, Hábito Galería and Aura NFT, we will propose points of analysis to think about some drifts about the experience of the body in the spectators and users of art in the virtual exhibition spaces, taking into account online and web curatorial operations, and within the framework of a complex context marked by the strategies left by the COVID 19 pandemic in terms of visibility, production and distribution of art, and the new forms in relation to new technologies in communication, the digital art market and its registration in the blockchain.…”
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From Art to Waste and Back: Beate Seckauer and her 'Waves' by Katrin Krottenthaler

“…A student essay for the Special Student Issue of the Journal of Extreme Anthropology accompanying the art exhibition 'Artist's Waste, Wasted Artists', which opened in Vienna on the 19th of September 2017 and was curated by the students of social anthropology at the University of Vienna. …”
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Endless Visions, Virtual Desires, and Broadcasted Emotions. Frederick Kiesler’s Architectures of Immersion by Anna Franceschini

“… The article aims to investigate the salient features of Frederick Kiesler oeuvre – the theatrical mise-en-scene as a multimedia display, the dramatization of the space of consumption and the space of the art exhibition for immersive purposes, cinema understood as a totalizing and spiritual experience, and the intuition of a virtualized, individual and domestic experience of the artwork – through the analysis of a selection of his projects, in light of the most recent categories proposed for the investigation of immersivity. …”
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Interpreting the Natural: Contemporary Visions of Scholars’ Rocks by Donna Dodson

“…The contemporary art exhibition is discussed in relation to the traditional aesthetic. …”
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CURATORSHIP by Laura Rodrigues Noehles

“…Every art exhibition influences the public and leads to a better or worse reception of an artist. …”
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Glocalization: An Analytical Path Towards More Inclusive Contemporary Art? by Lina Abazine

“…A student essay for the Special Student Issue of the Journal of Extreme Anthropology accompanying the art exhibition 'Artist's Waste, Wasted Artists', which opened in Vienna on the 19th of September 2017 and was curated by the students of social anthropology at the University of Vienna. …”
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ANALISIS NASKAH “KERETA KENCANA” KARYA W.S. RENDRA by Adinda Adinda

“…This research is aimed how the creative process analyzed a drama text done through the research to produce a show art exhibition. Through this text this creative process is hoped to explain the way of work before it is showed. …”
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Memories and Records: Thoughts on <i>The Vaccine Archive</i> by Vicki Sung-yeon Kwon, Lathika Sritharan

“…They share challenges and accomplishments of collaborating with multidisciplinary participants and mounting an art exhibition at the UNAIDS building. As Canadians of Asian ethnic and cultural background, Kwon and Sritharan contemplate how vaccines are differently remembered in the Global North and the Global South.…”
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The teacher and the arts educator at the interface of museum and school-based language learning by Lynn Williams, Sinje Steinmann

“…Together, they explore how their different disciplines can complement each other, with the overall aim of maximising the (language) learning effect for students, whilst also motivating them to engage in the art exhibition itself. They discuss the benefits museum learning can offer upper-secondary language learners and what challenges teachers and arts educators may face. …”
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On Zero Waste in Art and the Reproduction of Capitalism with 'Human Face' by Nadine Schneiderbauer

“…A student essay for the Special Student Issue of the Journal of Extreme Anthropology accompanying the art exhibition 'Artist's Waste, Wasted Artists', which opened in Vienna on the 19th of September 2017 and was curated by the students of social anthropology at the University of Vienna. …”
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Landscape as Experience: An Integration of Senses and Soul by Barbara M Cheshire

“…Commentary on the physical representation subsequently tests if a holistic integration of one human’s sensorial response to place and an internal experience of Christian spirituality in that place can be communicated to the viewer through an art exhibition. The analysis found evidence to suggest that a spiritual essence of place - seeing place from inside and out - could be communicated and experienced by viewers of the exhibition.…”
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Translation: From Bench to Brain – Using the visual arts and metaphors to engage and educate by Rhys Bevan Jones, Julia Thomas, Jamie Lewis, Simon Read, Ian Jones

“…The article focuses on the art exhibition Translation: From Bench to Brain , which was the basis for further collaborations, illustrating how the learning from the original event influenced subsequent projects. …”
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Art+Bioéthique : quand la recherche en bioéthique quitte les murs de l’université by Couture, Vincent, Bélisle-Pipon, Jean-Christophe, Laliberté, Maude

“…Guided by this question, we developed a platform for exchange with the community on bioethical issues via an art exhibition and a series of cultural and scientific mediation activities for adults and children. …”
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The multiple interfaces of engagement: towards a new conception of gallery learning by Christopher Whitehead, Emma Coffield

“…Drawing upon longitudinal research undertaken with Further Education students who visited an art exhibition, this article retheorises organised gallery learning. …”
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William Congdon e Fred Licht by Barbieri, Giuseppe

“… Starting from a singular ‘methodological’ note from 1992 by Fred Licht on the Altersstil of American painter William Congdon and from a later art exhibition, the article sheds light on relevant aspects of the late manner of a protagonist of American Abstract Expressionism. …”
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Karaí Arandú in the Mercosul Biennial: guarani education as a possibility for a decolonial aesthetics by Maria Aparecida Bergamaschi, Dannilo Cesar Silva Melo

“…This article discusses education, aesthetics and possibilities for a decolonial aesthetics, based on an experience we call (inter)cultural mediation in a Guarani school and an art exhibition at the 10th Mercosul Biennial. The concept of school (located in the indigenous territory) as a border space contributed to the understanding of a border thinking, which escapes the modern western canon. …”
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Das Museum als Schauplatz reflexiver anthropologischer Situationen by Jörn Schafaff

“…Completed by artworks from the museum’s collection, the scenery thus oscillated between art exhibition, ethnographic museum and everyday life. …”
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The hybrid art identity framework through artists’ practices in integrating hybrid art knowledge in the Malaysian arts scene by Michael, Valerie

“…In Malaysia, the first hybrid art exhibition was held in 2005 at National Visual Art Gallery (NVAG) followed by a second exhibition in 2007 at Sabah Art Gallery. …”
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Computer art in the Italian critical and curatorial debate of the 1980s by Vincenzo Di Rosa

“…The essay aims to reconstruct the critical and curatorial debate around the emergence of Computer art in Italy through the analysis of four seminal exhibitions: Technology and Informatics (1986), organized as part of the 42nd edition of the Venice Biennale’s International Art Exhibition; Arte e Computer (1987), curated by Renato Barilli; Computer Image (1987) curated by Franco Masotti and Claudia Ricci; and I frattali: la geometria dell’irregolare (1988), held at Palazzo Braschi in Rome, curated by Maurizio Calvesi and Michele Emmer. …”
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