Aberrations in the Heartland. An interview with Rachel Chavkin, Artistic Director of T.E.A.M. by Fabienne Collignon

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Contributing to the Culture ━ Interview with Tony Taccone, Artistic Director, Berkeley Repertory Theatre; playwright by Lissa Tyler Renaud, Tony Taccone

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Andreas Sønning – Keys to Concert Productions and Creative Entrepreneurship by Crina Leon

“…Andreas Sønning is a Norwegian flute soloist, an Associate Professor at the Norwegian Academy of Music and at the same time the owner and artistic director of Sønning Music Performance in Oslo, a company yearly producing more than 100 performances both in Norway and abroad. …”
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Flamenco Lesson in Sacromonte / Affirmations of a Romani Woman by Diana Norma Szokolyai

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Tradition as a condition of development by Boris Goldovsky

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Of Theatre, Stories and Experiences. by Emeline Jouve

“…Dennis is the Associate Artistic Director of the Living Theatre and the New York Directing Fellow of the Drama League. …”
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Erasing Memory and Trauma in Mark Ravenhill and David Chisholm’s The Experiment. The effort of remembering, or how to not fall into oblivion through the use of vestigial forms in c... by Mauricio Carrasco

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Entretien avec Martin Faucher Visite guidée du Festival TransAmériques avec Martin Faucher, directeur artistique by Margaux Szuter

“…Interview with Martin Faucher, artistic director of the Festival TransAmériques in Montreal, Canada. …”
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An Interview with Mark Rylance “It’s important to know how great works of theatre are made” by Mark Rylance

“…The former artistic director of the rebuilt Globe Theatre in London argues, in a 2018 BBC interview, that if great works of theatre are to be made in future, it is important to understand how such works were created in the past. …”
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Un Français à Princeton : Entretien avec Florent Masse, enseignant-chercheur et directeur du Festival Seuls en Scène by Emeline Jouve

“…Interview with Florent Masse, Senior Lecturer, French theatre specialist, at Princeton University; Director of l’Avant-Scène, the French Theater Workshop (Princeton University); Artistic director of Seuls en Scène, French Theatre Festival (Princeton University); actor and director. …”
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Interview with Vallejo Gantner and Jess EdkinsNew York Scene: Inside Performance Space 122 by Margaux Szuter

“…Interview with Vallejo Gantner and Jess Edkins, Artistic Director and Senior Producer at Performance Space 122. …”
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THE POST-INTERNET CONDITION by Ana Teixeira Pinto, Anselm Franke

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ISIDOR BURDIN AND SERGHEI LUNCHEVICI: ARTISTIC LINKS by Brînzila-Coşleţ Zinaida

“…It is about Serghei Lunchevici (1934-1995) — violinist, pedagogue, first conductor and artistic director of the folk music orchestra Fluieraş and Isidor Burdin (1914-1999) — violinist, conductor, faithful promoter of Bassarabian folklore.…”
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THE POST-INTERNET CONDITION by Ana Teixeira Pinto, Anselm Franke

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‘Study Is Like the Heaven’s Glorious Sun’—Learning through Shakespeare for Men Convicted of Sexual Offences by Rowan Mackenzie

“…Constructivist educational methodologies are employed by the Artistic Director to encourage those involved to develop their own sense of autonomy and ownership of the artistic work created.…”
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Staging Shakespeare. Renato Sarti’s “rude mechanicals” (tragic) comedy by Maddalena Giovannelli

“…Renato Sarti, director of Milan's "Teatro della Cooperativa" (Cooperativa Theatre), artistic director and playwright, seems to embody, through his own theatrical productions, the versatility of genre Socrates advocated.…”
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“Senza il mio corpo lo spazio nemmeno esisterebbe”. Riflessioni dall'ultima Biennale Danza di Virgilio Sieni by Laura Sciortino

“…This work is meant to investigate the underlying thoughts on which the florentine choreographer Virgilio Sieni, Biennale Danza artistic director from 2013 to 2016, structured the international dance festival mentioned above. …”
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Gone With the Wind, 80 ans d’images. Entretien avec Pierre Berthomieu by Pierre Berthomieu, Emmeline Gros, Marie-Pierre Burquier

“…In an interview with Gaumont’s artistic director Denis Peyrat, a journalist came to the conclusion that “film posters do not obey any miracle recipe.” …”
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Boa Companhia e a composição de Primus: “encontros” que geram procedimentos criativos by Daves Otani

“…As an example, the author speaks about how capoeira was used throughout the play as a result of the group's own history in the State University of Campinas (Unicamp), the history of capoeira in the Department of Performing Arts, where the group was formed, and the approach of the artistic director and the repertoire company, which add elements based on "chance encounters".…”
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Wiggling the Frame: “Philadelphia Assembled” and “Trainings for the Not-Yet” by Jeanne van Heeswijk, Maria Hlavajova, Damon Reaves, Mick Wilson

“…In a conversation between the artist Jeanne van Heeswijk, the artist and educator Damon Reaves and the organizer, educator, and Artistic Director of BAK, basis voor actuele kunst, Utrecht Maria Hlavajova, moderated by Mick Wilson, the methodologies, dynamics, circumstances, effects and challenges of two exceptional and highly considered exhibitionary processes–“Philadelphia Assembled” (Philadelphia Museum of Art, 2014-17) and “Trainings for the Not-Yet” (BAK, 2019-20)–are explored with particular reference to forms of becoming collective, and diverse modes of agency within exhibition.…”
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