Subjective disturbance perception of various ambience noise levels of a mosque : a mathematical modelling analysis / by 486260 Mohamad Ngasri Dimon, Ahmad Khan Said, Mohamad Yunus Jaafar, Convention of Audio Engineering Society (96th : 1994 : Amsterdam)

Digital system intergration in the studio monitoring environment/ by 266413 Gelow, William J., Gander, Mark R., Eargle, John M., Australian Regional Convention (5th : 1995 : Sydney)

Subjective perception of speech loudness and intelligibility at 50 dB(A) Ambient noise level of a speech hall : modelling approach / by 246182 Ahmad Khan Said, Md. Yunus Jaffar, Mohamad Ngasri Dimon, Convention of Audio Engineering Society (93rd : 1992 : San Francisco)

Acoustics and sound system of Shah Alam mosque : a review and computer modelling analysis / by 486260 Mohamad Ngasri Dimon, Azawana Abd. Jalil, Ahmad Khan Said, Convention of Audio Engineering Society (97th : 1994 : San Francisco)

Second International Conference on Advanced A-D and D-A Conversion Techniques and their Applications, 6-8 July 1994, venue Robinson College, Cambridge, UK / by International Conference on Advanced A-D and D-A Conversion Techniques and Their Applications (2nd : 1994 : Cambridge, UK), Institution of Electrical Engineers (Great Britain). Electronics Division, Audio Engineering Society (Great Britain)

Promoting Contemplative Culture through Media Arts by Jiayue Wu

“…Realized by a group of multinational media artists, computer engineers, audio engineers, and cognitive neuroscientists, this work preserves, promotes, and further explores contemplative culture with emerging technologies.…”
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Prediction and Controlling of Auditory Perception in Augmented Environments. A Loudness-Based Dynamic Mixing Technique by Nikolaos Moustakas, Andreas Floros, Emmanouel Rovithis, Konstantinos Vogklis

“…This study presents a novel approach of a dynamic ARA mix that facilitates a smooth adaptation of the virtual environment to the real one, as well as dynamic control of the virtual audio engine, by taking into account the inherent characteristics of both ARA technology and binaural auditory perception. …”
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Ultrabroadband sound control with deep-subwavelength plasmacoustic metalayers by Stanislav Sergeev, Romain Fleury, Hervé Lissek

“…Such bandwidth and compactness are required in a variety of applications, including noise control, audio-engineering, room acoustics, imaging and metamaterial design.…”
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Populating the Mix Space: Parametric Methods for Generating Multitrack Audio Mixtures by Alex Wilson, Bruno M. Fazenda

“…The creation of multitrack mixes by audio engineers is a time-consuming activity and creating high-quality mixes requires a great deal of knowledge and experience. …”
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Learning to Build Natural Audio Production Interfaces by Bryan Pardo, Mark Cartwright, Prem Seetharaman, Bongjun Kim

“…Rather than force nonintuitive interactions, or remove control altogether, we reframe the controls to work within the interaction paradigms identified by research done on how audio engineers and musicians communicate auditory concepts to each other: evaluative feedback, natural language, vocal imitation, and exploration. …”
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Automatic music signal mixing system based on one-dimensional Wave-U-Net autoencoders by Damian Koszewski, Thomas Görne, Grazina Korvel, Bozena Kostek

“…Mixes created using the proposed system are compared with amateur, state-of-the-art software, and professional mixes prepared by audio engineers. The results obtained prove that mixes created automatically by Wave-U-Net can objectively be evaluated as highly as mixes prepared professionally. …”
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Study of the Optimal Waveforms for Non-Destructive Spectral Analysis of Aqueous Solutions by Means of Audible Sound and Optimization Algorithms by Pilar García Díaz, Manuel Utrilla Manso, Jesús Alpuente Hermosilla, Juan A. Martínez Rojas

“…In the audible range, such studies are generally devoted to audio engineering applications. Ultrasonic sound has evident advantages, but also severe limitations, like penetration depth and the use of coupling gels. …”
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Voice effect utility by Ng, Linus JunJia

“…Engineers, researchers and scientists began to work on applications like digital signal processing, audio data compression and speech processing, which led us to the advancement of audio engineering we are exposed to in our daily lives today. …”
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Broadcast Engineering & Radio Electronics / by Easton, Keshia, author 643776, Shell, Dean, author 645091

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Algorithmic interactive music generation in videogames by Alvaro E. Lopez Duarte

“…Finally, I propose a compositional tool design based in modular instances of algorithmic music generation, featuring stylistic interactive control in connection with an audio engine rendering system.…”
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BattleSound: A Game Sound Benchmark for the Sound-Specific Feedback Generation in a Battle Game by Sungho Shin, Seongju Lee, Changhyun Jun, Kyoobin Lee

“…However, providing haptic feedback for appropriate sound effects involves specialized audio engineering techniques to identify target sounds that vary according to the game. …”
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Sonification mappings: Estimating effectiveness, polarities and scaling in an online experiment by Axon, L, Goldsmith, M, Creese, S

Microcontroller-Based Spectrum Analyzer System by Kritharan, Rajandran

“…The role of the spectrum analyzer becomes very important for song editors and audio engineers to assess their work; however, it turns out that spectrum analyzer for these needs is still difficult to find, which generally exists only for needs with a limited frequency range for other needs besides song correction needs that require a 32-band audio signal spectrum. …”
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Extrasynaptic glutamate receptor activation as cellular bases for dynamic range compression in pyramidal neurons by Katerina D Oikonomou, Shaina M Short, Matthew T Rich, Srdjan D Antic

“…Extrasynaptic NMDA receptors provide pyramidal neurons with a function analogous to a dynamic range compression in audio engineering. They limit or reduce the volume of loud sounds (i.e. strong glut. inputs) and amplify quiet sounds (i.e. glutamatergic inputs that barely cross the dendritic threshold for local spike initiation). …”
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Influence of parametrically-decoded First-order ambisonics reproduction in cinematic virtual-reality-based soundscape evaluation by Lam, Bhan, Hong, Jooyoung, Ong, Zhen Ting, Gan, Woon-Seng, Kang, Jian, Feng, Jing, Tan, Sze-Tiong

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