Alan Nadel, The Theatre of August Wilson by Konstantinos Blatanis

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Cotillion of Loss: Summoning August Wilson’s African American Century by Lissa Tyler Renaud

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Self-Definition: The Historical Legacy of the Past in August Wilson’s Gem of the Ocean by Raef Sobh Azab

“…For many years, the black race suffered from various forms of deformation and misrepresentation of their image and history; a scheme deftly carried out by both Americans and Europeans. August Wilson is an African American playwright whose dramas evolve out of these historical and cultural dilemmas. …”
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The Liminal Epistemology of Apocalyptic Disability in August Wilson’s Joe Turner’s Come and Gone and Fences by Majda Atieh

“…  This article highlights the African American reconfiguration of the conventional Apocalyptic perception of disability in two plays by August Wilson, Joe Turner’s Come and Gone (1988) and Fences (1987). …”
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The Liminal Epistemology of Apocalyptic Disability in August Wilson’s Joe Turner’s Come and Gone and Fences by مجدة عطية

“…  This article highlights the African American reconfiguration of the conventional Apocalyptic perception of disability in two plays by August Wilson, Joe Turner’s Come and Gone (1988) and Fences (1987). …”
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Interweaving Pittsburgh’s Black Cosmogony: Transgenerational Trauma, African Cultural Affiliation and Spiritual Restoration in August Wilson’s Joe Turner‘s Come and Gone (1988) by Mariame WANE LY & Faguèye SECK

“…Abstract : In his ten-play chronicle of African American experience in the twentieth century, August Wilson examines the sway of enslavement in Black Americans’ contemporary condition. …”
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Drama for Students : Presenting Analysis, Context, and Criticism on. by Greve, Jennifer, editor 652274, Milne, Ira Mark, editor 652037, Gale Group (Online service) 651863

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O jogo do patriarcado em Um limite entre nós by Débora Spacini Nakanishi, Cláudia Maria Ceneviva Nigro

“…A peça de teatro analisada é Um limite entre nós (em inglês, Fences), originalmente publicada em 1985, um texto pungente da literatura norte-americana criado pelo dramaturgo August Wilson (1945-2005). Na obra, o protagonista Troy encontra-se amarrado ao sistema racista americano, comportando-se conforme as regras rígidas do beisebol. …”
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The middle passage: an esoteric pilgrimage in Wilson’s Gem of the ocean by Yao Katamatou KOUMA

“…Cependant, dans sa pièce théâtrale, August Wilson (2006) donne une autre version par la métaphore de la ville aux os localisée sur une cartographie imaginaire de l’océan. …”
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A mulher negra criada na ausência: dinâmicas de representação e a composição de visualidade de Rose Maxson em Fences by Luciana Soares de Medeiros, Alessandra Soares Brandão

“… Este artigo busca refletir sobre dinâmicas de relações entre representação e representatividade a partir da análise da composição visual da personagem Rose Maxson em Fences (2016), de August Wilson. As reflexões têm origem em pesquisa documental que examinou os elementos visuais — cabelo, maquiagem e figurino — que expressam a ideia de feminilidade e materializam a personagem, tanto no texto da peça teatral quanto em sua adaptação para o cinema, descrevendo semelhanças, diferenças e possíveis ausências de descrição de visualidade, analisando o conteúdo coletado segundo o conceito de Imagens de Controle, desenvolvido por Patricia Hill Collins. …”
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