Harold Nicolson, Ulysses, Reithianism: censorship on BBC Radio, 1931 by Dawkins, C

“…In late 1931, Harold Nicolson’s plan to discuss James Joyce’s Ulysses on BBC radio was quashed at the last minute. Some weeks later, this edict was lifted and Nicolson was permitted to speak, subject to certain restrictions. …”

“A claim to be heard”: voices of ordinary people in BBC radio features by Lewis, Peter M.

“…The BBC radio feature, originally influenced by the documentary film movement, combined music and sound with speech that at first was scripted, later recorded on location, along with ‘actuality’. …”
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Dinkas of the Sudan [text first broadcasted on BBC Radio, 1.3.1957] by Lienhardt, GR

Radio geopolitics: imaginative geographies of Europe's migration ‘crisis’ on BBC Radio 4 by Watson, A

“…This article reflects on the power of media to represent people and places, and regulate imagined communities of identity and belonging by exploring how BBC Radio 4 constructs imaginative geographies of forced migration to, and refugee settlement in, Europe between January 2014 and March 2019. …”

Plato and the Vailala madness [text first broadcasted on BBC Radio 3, 16.2.1965] by Lienhardt, GR

"And now on BBC Radio 4…": imaginative geographies of forced migration and refugee settlement in Europe on the airwaves by Watson, AE

“…This thesis addresses this research gap by exploring how imaginative geographies of forced migration and refugee settlement in Europe were constructed on BBC Radio 4 between January 2014 and March 2019, and by examining how broadcasts were produced by journalists and are heard and imagined by listeners. …”

The production of ‘From Our Own Correspondent’ on BBC Radio 4: a popular geopolitical analysis by Watson, A

“…This paper redresses this imbalance by examining the production of <i>From Our Own Correspondent</i> (FOOC), one of BBC Radio 4's longest-running programmes which has broadcast dispatches from journalists around the world since 1955. …”

Simpler societies in an industrialized world [first broadcasted on BBC Radio 3 on 12.4.1965] by Lienhardt, GR

Listening to Europe's migration ‘crisis’: the discursive, affective and imaginative responses of audiences to BBC Radio 4 broadcasts by Watson, A

“…An innovative ‘playlist-diary’ method is used to reveal how listeners hear, interpret and imagine BBC Radio 4 broadcasts on Europe's migration ‘crisis’ between 2014 and 2019; a novel approach which answers calls for geographers to engage with sounds and methodologies of listening, and better understand audience responses to journalistic storytelling on migration. …”

Radio and the anti-geopolitical ear: imaginative geographies of a Syrian family's migration to Europe on BBC Radio 4 by Watson, A

“…This paper examines imaginative geographies of forced migration and refugee settlement in a BBC radio series that follows and gives voice to a Syrian family as they journey to Europe. …”

LOOK WHO'S BACK / by Vermes, Timur, author 644296, Bulloch, Jamie, translator 644295

“…THE SMASH-HIT HITLER SATIRE - MORE THAN 3 MILLION COPIES SOLD "A brilliant book" RUSSELL KANE "Brilliant and hilarious" KEN FOLLETT A box-office-hit film now available on NETFLIX A two-part BBC Radio 4 Dramatisation directed by and starring David Threlfall (Shameless) Berlin, Summer 2011. …”

Le discours rapporté dans un corpus d’anglais oral : formes et frontières by Sylvie HANOTE

“…It is based on the acoustic analysis of an oral corpus drawn from the radio (BBC Radio for British English and National Public Radio for American English) which has been compiled at Poitiers University. …”
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Digital Attraction : from the real to the virtual in manuscript studies by Peter Ainsworth

“…In a BBC Radio 4 programme broadcast on 26 April 2011 (Tales from the Digital Archive), archaeologist Christine Finn explored some of the ways in which the digital revolution has changed writers’ working methods, and the consequential impact that these have had on librarians, curators and conservators. …”
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Digital Attraction : from the real to the virtual in manuscript studies by Peter Ainsworth

“…In a BBC Radio 4 programme broadcast on 26 April 2011 (Tales from the Digital Archive), archaeologist Christine Finn explored some of the ways in which the digital revolution has changed writers’ working methods, and the consequential impact that these have had on librarians, curators and conservators. …”
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Methodological reflections on radio and podcast listenership in political geography by Watson, A

“…The paper heeds calls in critical and popular geopolitics to move away from the site of representation towards audience reception and presents the ‘playlist‐diary’ method as an innovative way of exploring listener responses to BBC radio journalism on migration. This method is then used as a springboard to think more broadly about everyday encounters with radio and podcasts. …”

Courting Gentility: Handel at the Bank of England by Harris, Ellen T.

“…Perhaps one of the most surprising events of the 250th anniversary year of Handel’s death, in both its content and method of delivery, occurred on a BBC Radio 3 program devoted to the composer’s investments: John Keyworth, Curator of the Museum of the Bank of England, revealed that Handel had opened his first South Sea Annuities account in 1723, five years earlier than previously known.1 The discovery of this early investment activity offers important new information about Handel’s investment practices and their financial outcomes. …”
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Constructing and addressing the 'ordinary devoted mother': Donald Winnicott's BBC broadcasts, 1943-62 by Karpf, Anne

“…Donald Winnicott’s 50 BBC radio talks, broadcast between 1943-62, constitute the heart of his oeuvre and were later published in the bestselling book, ‘The Child, the Family and the Outside World’. …”
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On providing semantic alignment and unified access to music library metadata by Weigl, D, Lewis, D, Crawford, T, Knopke, I, Page, K

“…We further demonstrate the value of our approach through a case study providing aligned access to catalogue metadata and digitised score images from the British Library and other sources, and broadcast data from the BBC Radio 3 Early Music Show.…”

Polish musical life in Great Britain during the Second World War by Jolanta Guzy-Pasiak

“…The organisation was instrumental in the founding of the London Polish String Quartet. The BBC Radio played a huge role in the popularisation of the Polish repertoire and Polish artists, broadcasting complete performances. …”
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A Five Star Flop: The Collision of Music Industry Machinations, Genre Maintenance, and Black Britishness in 1980s Pop by Anthony Kwame Harrison

“…In a 1987 interview with BBC Radio 1 DJ, Mike Read, members of the British pop group Five Star collectively stated that their hopes and wishes for 1988 were “to crack America” – that is, to achieve comparable success in the US music market to what they had in the UK. …”
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