Bass guitar for dummies / by 290367 Pfeiffer, Patrick

Subjects: “…Bass guitar…”

Bass guitar for dummies [compact dis] / by 290367 Pfeiffer, Patrick

Subjects: “…Bass guitar…”

The Use of Virtual Platforms in Teaching Bass Guitar by Alexandr VITIUC

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FORMATION OF THE MEDIATOR TECHNIQUE ON THE BASS GUITAR: SOME ASPECTS by VITIUC, ALEXANDR

Subjects: “…bass guitar…”
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The acoustical behavior of a bass guitar bridge with no saddles. by Jonathan A Kemp

“…The acoustics of a bass guitar bridge without saddles was tested experimentally and the results contextualised. …”
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CONTINUUM BY JACO PASTORIUS FOR BASS GUITAR: CONCEPT, COMPOSITION PECULIARITIES, SPECIFICS OF EXPRESSIVE MEANS by VITIUC, ALEXANDR

“…The article is devoted to the analysis of the musical work of Jaco Pastorius for bass guitar “Continuum”, which is distinguished by its original composition concept and a vivid presentation of the musical texture. …”
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PORTRAIT OF TRACY FOR BASS GUITAR SOLO BY JACO PASTORIUS IN THE CONTEXT OF THE APPLICATION OF FLAJEOLET TECHNIQUE by VITIUC, ALEXANDR

Subjects: “…bass guitar…”
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Neural electric bass guitar synthesis framework enabling attack-sustain-representation-based technique control by Junya Koguchi, Masanori Morise

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BassNet: A Variational Gated Autoencoder for Conditional Generation of Bass Guitar Tracks with Learned Interactive Control by Maarten Grachten, Stefan Lattner, Emmanuel Deruty

“…In this work, we present BassNet, a deep learning model for generating bass guitar tracks based on musical source material. …”
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”Den helande länken i en felande tankekedja” by Anders E. Johansson, Maria Jönsson

“…How do you put together the given components drum, bass, guitar and keyboard in constellations that make something new appear? …”
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Attitune music: The econometrics of jazz by Soon, Jan Jan

“…The protagonist, Michael, focused predominantly on teaching the piano (jazz improvisation and classical), although his musical prowess went beyond that of the piano to other instruments such as the keyboard, electric guitar (electric and finger style), bass guitar, and the drums. Amond, another musical maestro with 30 years of experience, taught the drums and the guitar (the entire range) at Attitune. …”
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Idiom Musikal Minangkabau dalam Komposisi Karawitan, Sebuah Analisis Konteks Adaptasi Musikal by Erizon Koto

“…(b) There is the use of Western musical elements and instruments in musical works in the form of harmonious harmonies, homophonic textures and polyphony and the use of flute instruments, alto saxophone, tenor saxophone, trumpet, trombone, tuba, guitar, bass guitar, keyboard and drum set. (c) Minangkabau Karawitan adapts to Western music in an academic context, in ISI Padangpanjang on musical forms.…”
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Effects of spectral manipulations of music mixes on musical scene analysis abilities of hearing-impaired listeners. by Aravindan Joseph Benjamin, Kai Siedenburg

“…The target that was to be detected in the mixes was from the instrument categories Lead vocals, Bass guitar, Drums, Guitar, and Piano. Our results show that both hearing loss and target category affected performance, but there were no main effects of EQ-transform. yNH performed consistently better than oHI in all target categories, irrespective of the spectral manipulations. …”
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Aransemen Lagu Lembaga Kita Dalam Ansambel Campuran by Hary - Murcahyanto

“…Terdapat 88 birama pada lagu Lembaga Kita secara keseluruhan oleh beberapa instrument biola 1, biola 2, biola3, piano, bass, guitar elektrik, guitar klasik, drum dan paduan suara dan dimainkan dalam tangga nada E minor atau tangga nada 1# yang berarti G mayor. …”
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Steingo, Gavin. 2016. Kwaito’s Promise: Music and the Aesthetics of Freedom in South Africa. Chicago: University of Chicago Press by Emily Hansell Clark

“…Bound to the township by poverty and segregation, one of Steingo’s main interlocutors is further restricted to the space of his own home because leaving his music equipment (desktop computer, speakers, and bass guitar) unguarded almost guarantees its theft. …”
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Characteristics of Worship Music at HKBP Simpang Limun Medan Church by Ezra Susilawaty Pangaribuan, Mauly Purba, Pulumun Peterus Ginting

“…This transformation can be clearly seen in the use of modern musical instruments such as keyboards, acoustic guitars, bass guitars, drums and saxophones which have replaced the monotony of a single organ in the presentation of worship music. …”
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