Dramaturgies of the Gaga Bodies: Kinesthesia of Pleasure/Healing by Biliana Vassileva

“…Gaga is a movement language which Israelian choreographer Ohad Naharin developed since 1990s and which is applied in daily practice by the Batsheva Dance Company members. Gaga has two tracks: Gaga/dancers, which is the daily training of Batsheva Dance Company members, now taught also for other dancers in Israel and abroad, and Gaga/people, open to the public and available for anyone at any age. …”
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Per un teatro trans (-disciplinare e -culturale) by Antonio Attisani

“…This article is devoted at first to a book which collects the proceedings of an important Italian symposium concerning the theurapetic implementation of theatre protocols, and then to the Batsheva Dance Company. The ensemble leaded by Ohad Naharin is presented as a combination of singular biographies, and the analysis of its genuine theatre is proposed side by side with Embodied Philosophy in Dance, the essay by Einav Katan that among others inaugurate a new theatrology.…”
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Mr. Gaga: Embodying the Exceptionalism of Ohad Naharin by Meghan Quinlan

“…With nearly a decade of footage from following Naharin’s work with the Batsheva Dance Company, the documentary celebrates Naharin’s life with abundant footage from his choreographic successes. …”
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