Bharatanatyam Dance by KALPANA MUKUNDA IYENGAR

“…Dance, especially Bharatanatyam, culturally codified and schematized contributes to literacy learning in school. …”
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Motion Recognition in Bharatanatyam Dance by Himadri Bhuyan, Jagadeesh Killi, Jatindra Kumar Dash, Partha Pratim Das, Soumen Paul

Subjects: “…<italic xmlns:ali="http://www.niso.org/schemas/ali/1.0/" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">Bharatanatyam</italic>…”
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Evaluation of auditory working memory in Bharatanatyam dancers by Praveen Prakash, Anjana M. Nath, Mereena Joy, Prashanth Prabhu

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An Automated Method for Identification of Key frames in Bharatanatyam Dance Videos by Himadri Bhuyan, Partha Pratim Das, Jatindra Kumar Dash, Jagadeesh Killi

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Exploring queer spaces in and through the Indian classical dance Bharatanatyam by Sara Azzarelli

“…In the Indian classical dance Bharatanatyam, dancers use their body as a means to tell stories. …”
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Evaluation of Contralateral Suppression of Otoacoustic Emissions in Bharatanatyam Dancers and Non-Dancers by Joel Joseph, Ankita Suman, GK Jayasree, Prashanth Prabhu

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Postural analysis in female Bharatanatyam dancers: a cross-sectional study by Vrushali P. Panhale, Prachita P. Walankar, Aishwarya Sridhar

Subjects: “…Bharatanatyam…”
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What Dance taught a Doctor: A resident’s perspective on the role of humanities in psychiatry training by Deva Priya Appan

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„Teatr będzie na świecie źródłem nauki dla wszystkich” (Natjaśastra) – o edukacyjnych aspektach indyjskiego tańca klasycznego by Agnieszka Wójcik

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Rupture and Disruption: Reflections on “Making” and “Knowing” Dance by Hari Krishnan

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Le “corps du poème”. Pour une approche phénoménologique des liens entre poème et expression corporelle dans le bharatanatyam, style de danse traditionnelle de l’Inde du Sud by Federica Fratagnoli

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Kafka’s Ape Meets the <i>Natyashastra</i> by Shanti Pillai

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The Classical Music Culture of South India by Mohan Ramanan

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The Classical Music Culture of South India by Mohan Ramanan

Subjects: “…Kutcheri; Bharatanatyam; National discourse; Bhakti (devotion); Tyagaraja’s songs…”
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Expert Event Segmentation of Dance Is Genre-Specific and Primes Verbal Memory by Paula M. Di Nota, Michael P. Olshansky, Joseph F.X. DeSouza

“…A total of 112 participants in six groups (ballet, Bharatanatyam, and “other” dancers, athletes, musicians, and non-experts) segmented a ballet dance, a Bharatanatyam dance, and a non-dance control sequence. …”
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AI and augmented reality for 3D Indian dance pose reconstruction cultural revival by J. Jayanthi, P. Uma Maheswari

“…Abstract This paper delves into the specialized domain of human action recognition, focusing on the Identification of Indian classical dance poses, specifically Bharatanatyam. Within the dance context, a “Karana” embodies a synchronized and harmonious movement encompassing body, hands, and feet, as defined by the Natyashastra. …”
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Single hand Indian classical gesture recognition based on discrete wavelet transform and discrete cosine transform feature extraction by Jaganathan, Kavitha

“…Hand gestures in Bharatanatyam dance carry valuable information. Learning the meaning of hand gesture, mimic and practice them with the best way and high matching for the people who want to be expert in this field is necessary. …”
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Uni- and Multisensory Brain Areas are Synchronised across Spectators When Watching Unedited Dance Recordings by Corinne Jola, Phil McAleer, Marie-Hélène Grosbras, Scott A. Love, Gordon Morison, Frank E. Pollick

“…We used intersubject correlation to investigate which brain areas are synchronised across novices for uni- and multisensory versions of a 6-min 26-s recording of an unfamiliar, unedited Indian dance recording (Bharatanatyam). In Bharatanatyam, music and dance are choreographed together in a highly intermodal-dependent manner. …”
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Tradição como transgressão: Kalanidhi Narayanan e Chandralekha by Joana Pinto Wildhagen

“…O artigo apresenta uma reflexão sobre o teatro-dança indiano bharatanatyam e o contexto pós-colonial a partir da trajetória de duas artistas: Kalanidhi Narayanan (1928-2016) e Chandralekha (1928-2006). …”
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Digital Techniques for Heritage Presentation and Preservation / by Mukhopadhyay, Jayanta, editor 518135, Sreedevi, Indu, editor 642824, Chanda, Bhabatosh, editor 399240, Chaudhury, Santanu, editor 642825, Namboodiri, Vinay P., editor 642826