-
1
Teaching diversity, questioning representation
Published 2022-12-01“…This paper will explain how students may use these maxims and modes of thinking as a means of mapping out how they might move towards more inclusive representation in both their own productions as well as their mediamaking practices by using examples from documentaries such as The Celluloid Closet (Rob Epstein and Jeffrey Friedman, 1995), Ethnic Notions (Marlon Riggs, 1987), The Slanted Screen (Jeff Adachi, 2006), Reel Arabs (Jeremy Earp and Sut Jhally, 2006), Reel Injun (Neil Diamond, Catherine Bainbridge, Jeremiah Hayes, 2009), Latinos Beyond Reel (Chyung Sun and Miguel Parker, 2012), Horror Noire: A History of Black Horror (Xavier Burgin, 2019), and Disclosure (Sam Feder, 2020). …”
Get full text
Article -
2
La question intersectionnelle à travers trois exemples du cinéma anglophone contemporain. Entre invisibilisation, revendication et discours contradictoires
Published 2023-01-01“…In a second step, beyond intersectionality as an analytical tool, the concept can be solicited on the side of the production or on the side of the audience in the reception, operating different discourses on a film: Antebellum bases its script and promotion on an intersectional discourse, striving to examine the intersection of different discriminations through the lens of the Black Horror genre, while Suffragettes makes the choice to invisibilize the parameter of race oppression in favor of class. …”
Get full text
Article