Blade Runner 2049 by Ulrich Kumher

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Reading Like A Replicant: Blade Runner 2049, Pale Fire, and the Archival Embodiment of Literature by Lee Campbell

“…In the dystopian sci-fi world of Blade Runner 2049 (2017), literature plays a complex role. …”
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Posthuman Emotion Artificial Intelligence in Postcyberpunk Cityscape: A Multimodal Reading of Blade Runner 2049 by Nashwa Abdelkader Elyamany

Subjects: “…blade runner 2049…”
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The posthumanist dream of ‘Blade Runner 2049’. Speech on Professor Javier De Lucas’ ‘El derecho guardián de la diferencia’ by Pedro A. Talavera Fernández

“…The paper aims to continue the reflection made by Professor De Lucas on the film Blade Runner about a ‘non-biological’ conception of the human condition, with the one offered by the sequel of that film, Blade Runner 2049, which proposes the emergence of the authentic ‘post-human condition’ from machines that are no longer manufactured but ‘engendered’ by other machines.…”
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No Figures in the Landscape: Post-Anthropocentric Typologies of Architectural Settings in Science-Fiction Films by Maciej Stasiowski

“…This article focuses on the iconography of buildings designed to operate with little to none human interaction, providing an insight into how such settings influenced recent (last decade) science-fiction films like Blade Runner 2049 (dir. Denis Villeneuve, 2017), Captive State (dir. …”
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A dança em torno do concreto: a gestualidade em O universo das imagens técnicas de Vilém Flusser by Marcos Beccari

“…A especificidade do conceito de imagem técnica é ilustrada com o filme Blade Runner 2049, seguindo-se para o delineamento da perspectiva da gestualidade aberta por Flusser no livro aqui revisado. …”
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A dança em torno do concreto: a gestualidade em O universo das imagens técnicas de Vilém Flusser by Marcos Beccari

“…A especificidade do conceito de imagem técnica é ilustrada com o filme Blade Runner 2049, seguindo-se para o delineamento da perspectiva da gestualidade aberta por Flusser no livro aqui revisado. …”
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Estudio sobre la composición de imagen cinematográfica: encuadre, luz y color como elementos expresivos en la obra de Roger Deakins by Ana Isabel Cea Navas, Sergio García Rubio

“…Para ello, esta investigación analiza el trabajo de composición cinematográfica de Roger Deakins en cuatro de sus obras: Fargo, El hombre que nunca estuvo allí, Sicario y Blade Runner 2049. Asimismo, planteamos también si el camarógrafo tiene un estilo definido. …”
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