Blade Runner 2049 by Ulrich Kumher

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Memory at work: an essay on Blade Runner 2049 by Sergio Bruno Martins

“…This essay takes as its starting point the relationship between the treatment of memory in Blade Runner 2049 and what Eric Auerbach famously proposed as the double origin of realism in Western literature, in the first chapter of his book Mimesis, in order to address the political meaning of the film in terms that exceed the logic of representation. …”
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Reading Like A Replicant: Blade Runner 2049, Pale Fire, and the Archival Embodiment of Literature by Lee Campbell

“…In the dystopian sci-fi world of Blade Runner 2049 (2017), literature plays a complex role. …”
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Posthuman Emotion Artificial Intelligence in Postcyberpunk Cityscape: A Multimodal Reading of Blade Runner 2049 by Nashwa Abdelkader Elyamany

Subjects: “…blade runner 2049…”
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The posthumanist dream of ‘Blade Runner 2049’. Speech on Professor Javier De Lucas’ ‘El derecho guardián de la diferencia’ by Pedro A. Talavera Fernández

“…The paper aims to continue the reflection made by Professor De Lucas on the film Blade Runner about a ‘non-biological’ conception of the human condition, with the one offered by the sequel of that film, Blade Runner 2049, which proposes the emergence of the authentic ‘post-human condition’ from machines that are no longer manufactured but ‘engendered’ by other machines.…”
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La ciudad construida y filmada. Influencia de la Arquitectura Moderna en el imaginario distópico de Gattaca y Blade Runner 2049 by Belén Ramírez Barredo

“…De un lado, la proyección de espacios reales como escenario de la distopía (Gattaca, 1997), y, de otro, la construcción de la ciudad distópica a partir de la noción del director sobre la misma (Blade Runner 2049, 2017). Con este fin se realiza un estudio previo del pensamiento que subyace en los estilos arquitectónicos que emanan de los principios de la Arquitectura Moderna y las posibles representaciones de la ciudad en el ámbito cinematográfico enmarcadas en el contexto histórico sociocultural en que nacieron.…”
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Brzmienie Blade Runnera 2049. O przenikaniu się muzyki i obrazu w filmie science fiction by Julia Brodowska

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The disembodied gaze: plays of masks e in science-fiction cinema by João Vitor Resende Leal

“…From A clever dummy (1917) to Blade Runner 2049 (2017), we will l analyze some of the narrative and aesthetic strategies that transform the actor in a machine-like character, also pointing to early manifestations of the figure of the android in Western culture and to some of its recent developments in the work of artists Otávio Donasci, Tony Oursler and Denis Marleau.…”
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L’appel de l’ombre: lumière et blanchité dans les films de Ryan Gosling by Jules Sandeau

“…After a first part dedicated to Drive (2011), which plays a crucial role in shaping the star’s dual persona, the second part of the article examines the different ways in which lighting contributes to building Gosling’s whiteness as “in crisis” in the four following films : The Place Beyond the Pines (2012), Only God Forgives (2013), Blade Runner 2049 (2017) and First Man (2018).…”
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O olhar desencarnado: jogos de máscaras no cinema de ficção científica by João Vitor Resende Leal

“…De A clever dummy (1917) a Blade Runner 2049 (2017), examinaremos algumas das estratégias narrativas e estéticas que transformam o ator em personagem-máquina, atentando também para possíveis origens da figura do androide na cultura ocidental e para alguns de seus desdobramentos na obra dos artistas Otávio Donasci, Tony Oursler e Denis Marleau. …”
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Między nadzieją a paranoją. O post-człowieku w filmach science fiction (na kilku przykładach) by Piotr Gorliński-Kucik

“…Analysed films include: Her (2013), Under the Skin (2013), Lucy (2014), Transcendence (2014), Chappie (2015), Arrival (2016), Blade Runner 2049 (2017), Ghost in the Shell (2017), Alita: Battle Angel (2019), and Netflix animated anthology Love, Death & Robots (2019). …”
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No Figures in the Landscape: Post-Anthropocentric Typologies of Architectural Settings in Science-Fiction Films by Maciej Stasiowski

“…This article focuses on the iconography of buildings designed to operate with little to none human interaction, providing an insight into how such settings influenced recent (last decade) science-fiction films like Blade Runner 2049 (dir. Denis Villeneuve, 2017), Captive State (dir. …”
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A dança em torno do concreto: a gestualidade em O universo das imagens técnicas de Vilém Flusser by Marcos Beccari

“…A especificidade do conceito de imagem técnica é ilustrada com o filme Blade Runner 2049, seguindo-se para o delineamento da perspectiva da gestualidade aberta por Flusser no livro aqui revisado. …”
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A dança em torno do concreto: a gestualidade em O universo das imagens técnicas de Vilém Flusser by Marcos Beccari

“…A especificidade do conceito de imagem técnica é ilustrada com o filme Blade Runner 2049, seguindo-se para o delineamento da perspectiva da gestualidade aberta por Flusser no livro aqui revisado. …”
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Estudio sobre la composición de imagen cinematográfica: encuadre, luz y color como elementos expresivos en la obra de Roger Deakins by Ana Isabel Cea Navas, Sergio García Rubio

“…To do this, this research analyzes the film composition work of Roger Deakins in four of his works: Fargo, The Man Who Wasn´t There, Sicario and Blade Runner 2049. Likewise, we also ask whether the cameraman has a defined style. …”
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Recycled Dystopias: Cyberpunk and the End of History by Elana Gomel

“…The texts addressed include both novels (William Gibson’s Neuromancer, Neal Stephenson’s Snow Crash and Matthew Mather’s Atopia) and movies (Blade Runner, Blade Runner 2049 and Ex Machina).…”
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Blade Runner, de 2019 a 2049. El cine de ciencia ficción como divulgador de la ciencia by Esther Marín Ramos

“…Han pasado treinta y cinco años desde el estreno de Blade Runner (Ridley Scott, 1982) a su secuela, Blade Runner 2049 (Denis Villeneuve, 2017) y, eso, nos proporciona la oportunidad de observar en qué medida los cambios acaecidos en nuestra cultura han modificado el discurso de una de las tramas de ciencia ficción que con mayor énfasis representó el temor a los efectos adversos del progreso. …”
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Estudio sobre la composición de imagen cinematográfica: encuadre, luz y color como elementos expresivos en la obra de Roger Deakins by Ana Isabel Cea Navas, Sergio García Rubio

“…Para ello, esta investigación analiza el trabajo de composición cinematográfica de Roger Deakins en cuatro de sus obras: Fargo, El hombre que nunca estuvo allí, Sicario y Blade Runner 2049. Asimismo, planteamos también si el camarógrafo tiene un estilo definido. …”
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Altri spazi, in controtempo: letture e visioni dalle nuove frontiere della fantascienza by Giovanni De Matteo, Salvatore Proietti

“…Urban environments range from Gibson’s Bridge trilogy to the eco-collapse of Blade Runner 2049; space-travel settings rework the classic motif of the generation starship in Ursula K. …”
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