Willkommen, Bienvenue, Welcome: The Emcee and the Master of Metaphors in Bob Fosse’s Cabaret by Gerrard Carter

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War is a cabaret. Reflections of the German interwar period from literature to musical cinema by Isabel Castells Molina

Subjects: “…Cabaret, Bob Fosse, Adiós a Berlín, Cristopher Isherwood, cine musical, nazismo, estructura en abismo.…”
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Kinems in Cabaret by Marek Hendrykowski

“…<span>There’s more to discover about Bob Fosse’s masterpiece Cabaret (1972) through these two inspiring shots. …”
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Film zakulisowy jako gatunek i zwierciadło społeczne by Wojciech Świdziński

“…W kolejnych dekadach nawiązywali do niego lub dekonstruowali jego struktury między innymi John Cassavetes, Bob Fosse, Carlos Saura, a ostatnio Alejandro González Iñárritu. …”
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The work of an invisible body: The contribution of foley artists to on-screen effort by Lucy Fife Donaldson

“…Drawing on detailed analysis of sequences in Cabaret (Bob Fosse, 1972) and Die Hard (John McTiernan, 1988) which foreground exertion and kinetic movement through dance and physical action, this article considers the affective contribution of foley to the physical work depicted on-screen. …”
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Continuidad y rasgos heterogéneos en la producción: una aproximación a la obra literaria de Christopher Isherwood by José Carlos Redondo Olmedilla

“…Éste es el caso de la obra de teatro de Van Drutten I am a Camera, el musical Cabaret o la película homónima dirigida por Bob Fosse. Sin embargo, muchas de sus primeras y últimas obras no han sido probablemente estudiadas con un sentido de continuidad. …”
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The ethos of the auteur as father of the film craft – on masculinity, creativity and the art of filmmaking by Shlomit Aharoni Lir, Liat Ayalon

“…This qualitative study addresses the lacuna in contemporary research, with reference to three metafictional films that focus on male directors, as an auteur for whom cinema is the pivotal center of their being: the Israeli film Peaches and Cream (2019, directed by Gur Bentwich), the Spanish film Pain and Glory (in Spanish: Dolor y gloria, 2019, directed by Pedro Almodóvar), and American film All That Jazz (1979, directed by Bob Fosse). They all are viewed as having an affinity with the ancient Greek comparison of male creativity with female procreativity, which is still reflected in contemporary studies. …”
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