DENTRO E FORA DE CASA: OUTROS ESPAÇOS DA PEÇA DANCING AT LUGHNASA, DE BRIAN FRIEL by Maria Isabel Rios de Carvalho Viana

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British Linguistic Colonialism in Ireland and India: A Comparison Between Brian Friel’s Translations and Contemporary Anglophone Indian Literature by Costanza Mondo

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« Molly S. » , d’après « Molly Sweeney » de Brian Friel, ou « J’entends plus rien à gauche » by Julie Brochen

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“Is it only a name?” L’intraducibile a teatro by Mariavita Cambria, Francesca Vigo

Subjects: “…Brian Friel…”
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An Outsider’s Eye: The Art of Designing for Theatre by Joe Vaněk

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London Irish Centre newsletter, September 1969 by London Irish Centre, LIC, Sheridan, Patrick

“…Patrick Sheridan and advert for the play 'Lovers' by Brian Friel, being staged at the Fortune Theatre, London.…”
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Doomed volunteers: two great political plays from Ireland by Heinz Kosok

“…Seamus Byrne's Design for a Headstone (1950) and Brian Friel's Volunteers (1975) are some of the most controversial plays in the canon of Irish drama, exceptional in their explicit political implications. …”
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Dancing literature by Chan, Rosemary Xiu Fen

“…Eliot, while the second chapter, Dance in the Theatre, will look at Dancing in Lughnasa by Brian Friel, and several of Samuel Beckett's plays.…”
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"By the Bog of Cats" di Marina Carr, tragedia dell’autoconsapevolezza by Irene De Angelis

“…After an experimental period strongly influenced by Samuel Beckett, between the late 1980s and the early 1990s Marina Carr emerged with the «Midlands trilogy» The Mai (1994), Portia Coughlan (1996) and By the Bog of Cats (1998) as one of the most potent and talented Irish women dramatists, competing with celebrated male playwrights, such as Frank McGuinness, Brian Friel, Martin McDonagh, Dermot Bolger, Conor McPherson, Sebastian Barry, and Enda Walsh. …”
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The Split Identity in Brain Friel’s Play PHILADELPHIA, HERE I COME! ) by Razaq Jumaah Khalaf, Prof.Dr Sabah Atallah Diyaiy

“… Colonized people suffer due to cultural struggle and identity loss. Brian Friel (1929–2015) dealt with the consequences of British colonisation of Ireland. …”
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Language Colonization and English Hybridization: The Use of Irish English Lexis in Twentieth Century Irish Drama by Luppi, Fabio

“…The conclusion, with reference to Brian Friel’s Translations, reflects on the implications of the dominance of English in Ireland following its replacement of Irish Gaelic. …”
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New Uses of Traditional Healing in Contemporary Irish Literature by Patricia A. Lynch

“…These are: two Irish plays, Brian Friel’s Faith Healer, and Jim Nolan’s Blackwater Angel, and two pieces of Irish fiction, P.J. …”
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Fantasmas no palco: Dancing at Lughnasa e o Teatro de Memória de Friel by Maria Isabel Rios de Carvalho Viana

“…É característica marcante da obra do dramaturgo irlandês Brian Friel a representação da memória no palco. Dancing at Lughnasa é uma de suas peças classificada pelos críticos como uma “peça de memória” por apresentar, assim como a peça The Glass Menagerie de Tennessee Williams, um narrador-personagem que narra eventos de seu passado. …”
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“Cultural Bereavement” and an Irishman Stuck in the Past by Ömer Kemal GÜLTEKİN

“…Considered one of the milestones for his career as a playwright, Brian Friel in his play Philadelphia, Here I Come! (1964) , narrates the cultural conict that his young protagonist Gareth (Gar) O'Donnell experiences right before his migration to America. …”
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Jocs de llenguatge en escena by Joan Sellent Arús

“…Shaw (1957), i la de Joan Sellent de <em>Translations</em>, de Brian Friel (2014)— i se’n ressalten les afinitats i diferències, tant pel que fa a la tria dels materials lingüístics com als objectius dramatúrgics i ideològics.…”
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