Brian Friel as Linguist, Brian Friel as Drama Translator by Monica Randaccio

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Liminality in Brian Friel’s Wonderful Tennessee by María Gaviña-Costero

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Rhetoric and History in Brian Friel’s Making History by Manfredi Bernardini

“…This paper proposes an analysis of the rhetorical devices of representation and recording of history, investigated and deconstructed by the so-called "history play" Making History, written by Brian Friel and performed by the Field Day Theatre Company in 1988. …”
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Brian Friel in Spain: An Off-Centre Love Story by María Gaviña-Costero

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The Drama of Naming Ireland: Brian Friel's Translations and The Communication Cord by Glenn Hutchinson

“…Abstract Irish playwright Brian Friel explores the complexity of names as they relate to Gaelic culture and British imperialism. …”
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Landscapes of the mind: postdramatic features in Brian Friel's Molly Sweeney by Anna Stegh Camati

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Instead of an Obituary. Brian Friel’s Silent Voices. Memory and Celebration by Giovanna Tallone

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IRELAND, NOSTALGIA AND GLOBALISATION: BRIAN FRIEL'S DANCING AT LUGHNASA ON STAGE AND SCREEN by Mireia Aragay

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Dal racconto allo stage: percorsi della memoria in Brian Friel by Mariavita Cambria

“…Tra questi, l’irlandese Brian Friel (1929-), che, dopo un’iniziale carriera come scrittore di racconti brevi, si è affermato sulla scena internazionale grazie ai suoi plays. …”
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The Relationship Between Glocalization and Monologue Play in Brian Friel's Faith Healer by احمد شیرخانی, امیر علی نجومیان

“…Ireland has also been challenged by such homogenizing global cultural flows and Brian Friel reflects such a challenge and a solution to it in his Faith Healer. …”
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Universal or provincial?: Early reception of Brian Friel's Philadelphia, Here I Come! by Peter James Harris

“…This article, part of a larger research work that resulted in a Professorship Thesis, presents a survey and evaluation of the early reception of one of Brian Friel's first plays: Philadelphia, Here I Come! …”
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Brian Friel: two recent "translations". The London Vertigo and A Month in the Country by Andrews, Elmer

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The End(s) of Language in Brian Friel’s Translations and Enda Walsh’s Disco Pigs and misterman by Schmitt-Kilb, Christian

“…In my analysis of Brian Friel's modern classic drama Translations (1980) and Enda Walsh's plays Disco Pigs (1996) and misterman (2001), I have chosen not to consider these in order to point towards structural or plot parallels between the plays, nor to emphasise the interdependency of the two authors; I am instead concerned with their differences, particularly with differences in their approach to language as a medium of (often failed) communication. …”
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Memory and Forgetting in a Time of Violence: Brian Friel’s Meta-History Plays by Tony Crowley

“…In the 1980s, Brian Friel, one of Ireland’s most successful twentieth century dramatists, authored two plays – Translations and Making History  – which were concerned with major events in colonial history. …”
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Lingua, traduzione e conflitto <em>Translations</em> di Brian Friel by Fiorenzo Fantaccini

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<b>Landscapes of the mind: postdramatic features in Brian Friel's Molly Sweeney</b><br> by Anna Stegh Camati

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The old lady says "no": the language of denial in Brian Friel's The Loves of Cass McGuire by Giovanna Tallone

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One, Mad Hornpipe: Dance as a Tool of Subversion in Brian Friel’s Molly Sweeney by Katarzyna Ojrzyńska

“…The plot of Brian Friel's Molly Sweeney oscillates around the theme of perception, blindness and eye-sight recovery. …”
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Brian Friel’s Short Stories and Play Revisited: Orientating “The Visitation,” “Foundry House,” and Aristocrats in their Historical and Audience Contexts by Chu He

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The Time and Narrative of Making History: How Brian Friel Presented Hugh O’ Neill as the Leopold Bloom of Historiography by Victor Fermino

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