Stereotip Dunia Ketiga dalam Film Bride and Prejudice by Inayatul Chusna

“…Abstract The focus of this research is to expose the representation of the Third World (India) in a transnational film, Bride and Prejudice. By using the theory of representation and some concepts in postcolonial studies, the representation of the Third World are revealed through the characters of the First and Third World and their relationship. …”
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Bride and Prejudice sebagai Film Transnasional dan Heritage by Elve Oktafiyani

“…Abstrak Fokus penelitian ini adalah membuktikan film Bride and Prejudice sebagai film bergenre transnasional dan heritage. …”
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Gurinder Chadha’s Bride and Prejudice: A Transnational Journey Through Time and Space by Elena Oliete-Aldea

“…Chadha’s transnational movie Bride and Prejudice (2004) includes elements of Hollywood, Bollywood and British cinematic traditions to create a hybrid transnational film that metaphorically represents the re-emergence of past prejudices in contemporary encounters of Eastern and Western cultures. …”
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Familiarisation et dé-familiarisation : la figure de l’« étranger » dans la comédie indo-britannique by Amandine Ducray

“…This article, which focuses on three British-Asian comedies – East is East (Damien O’Donnell, 1999; screenplay by Ayub Khan Din), Bend It Like Beckham (Gurinder Chadha, 2002) and Bride and Prejudice (Gurinder Chadha, 2004) – aims, through a comparative analysis, at highlighting common discursive and iconographic trategies. …”
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Bhadžis paplūdimyje: hibridinė tapatybė ir populiarieji diskursai Didžiosios Britanijos diasporiniame kine | Bhaji on the Beach: Hybrid Identity and Popular Discourses in British D... by Deimantas Valančiūnas

“…Gurinder Chadha is a British South Asian diasporic director who attained international acclaim releas­ing films Bend it like Beckham (2002) and Bride and Prejudice (2004). However, her first feature film Bhaji on the Beach (1993) is one of the finest exam­ples of British diasporic films. …”
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