The British film industry and the market for feature films in Britain 1932-37 by Sedgwick, John

“…The regeneration of the British Film Industry after the Cinematograph Act of 1927 was remarkable. …”
Get full text

Financial and political aspects of state intervention in the British film industry, 1925-1939 by Street, S, Street, Sarah

British film production by H. FRENCH

Subjects: “…British film industry…”
Get full text

Exploring the aspirations of young people to work in the British film industry through comparative focus groups in London secondary schools by Rebecca McSheaffrey

“…This article explores the findings of research conducted with two focus groups of English high school students in 2018 that centred on the aspirations of young people to work in the British film industry. First identifying the conceptions of ‘aspiration’ articulated within British public and policy discourses associated with the film industry, this article goes on to explore some of the different factors shaping participants’ knowledge and expectations of what a film industry career looks like. …”
Get full text

Kitsch, classes sociales et multiculturalisme dans My Beautiful Laundrette (Stephen Frears, 1985) by Lionel Souquet

“…Innovative in a positive and militant representation of homosexuality, My Beautiful Laundrette is emblematic of the renaissance of the British film industry of the 1980s. Finally, the typically postmodern aesthetics of kitsch (or camp) which characterizes the film invites to reflect on the links between taste and social status.…”
Get full text

Cinematic London: Brexit and symbolic power by Rahoul Masrani

“…In particular, I provide an assessment of the current state of the British film industry, highlighting the ways in which EU-funded programmes, like Creative Europe, provide filmmakers in the UK with access to funds and potentially wide distribution. …”
Get full text

Black British Women Filmmakers in the Digital Era: New Production Strategies and Re-Presentations of Black Womanhood by Herbert Emilie

“…In the 2010s, it seems that the British film industry remains mostly white and masculine. …”
Get full text

From the Margins to the Mainstream? The Eastmancolor Revolution and Challenging the Realist Canon in British Cinema by Sarah Street, Keith M. Johnston, Paul Frith, Carolyn Rickards

“… This article focuses on Eastmancolor’s introduction in the British film industry from 1954 to the complete adoption of colour by the end of the 1960s. …”
Get full text