Children of the world on British television: national and transnational representations by Jonathan Bignell

“…This article analyses comparative representations of childhood in British television programmes shortly after 1968, focusing on transnational broadcasting and international co-productions. …”
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Sexual Content in Chinese and British Television Commercials:A Cross-Cultural Comparison by Ye Hao

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Brand Placement on Turkish and British Television Soap Operas. A comparative content analysis. by Burcu OZBAY

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“…will you show that on your British television?” Acceptable Levels as Historiographic Metafiction: Problematising Historical Reconstruction by Tadhg Dennehy

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Ethnic Minorities, Comedy and British Television. Interview with Sharat Sardana. London, Friday 26 of November 2004 by Amandine Ducray, Sharat Sardana

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A European Football Family? German and British Television Broadcasts of the 2010 Football World Cup and the Representation of Europe by Dennis Lichtenstein, Cordula Nitsch

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Identity, Interculturality, and Language Learning on British Television: A Case Study of International Crime Drama and Its Reception in the UK by Rachel Haworth

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Kitsch and Avant-garde Television in Blackpool (Peter Bowker, BBC, 2004) by Nicole Cloarec

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“Soldiers in petticoats” on the British screen: a mirror to historiography by Nicole Cloarec

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Whatever Happened to Vera? by Henderson, Jo

“…The road to technological progress is littered with unsuccessful prototypes and their inventors, and in British television there is perhaps no better example than John Logie Baird, universally recognised as the inventor of the technology, but not the successful business model. …”
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Watching the box with Wittgenstein: the formal limits of television genre analysis by Murray, Martin

'Plundering' the Archive and the Recurring Joys of Television by Kerrigan, Lisa

“…The seemingly unlimited digital landscape and the current proliferation of the use of archive footage on British television invite the notion that the appreciation of archive material as a historical object is a rather contemporary popular development. …”
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Deregulation and the future of commercial television

“…Four papers illustrate how a radical change in the market structure of British television calls for modes of economic analysis which, while familiar to economists in the United States are relatively unfamiliar to their British counterparts. …”

Television and anthropology: an unhappy marriage? by Banks, M

“…This paper surveys ethnographic film as it has been presented over the years on British television, particularly in the <em>Disappearing World</em> series. …”

Small pleasures: adaptation and the past in British film and television Small pleasures: adaptation and the past in British film and television by John Caughie

“…The adaptation of classic literature, or more precisely the&#13; construction of certain literary works as classic—the classic serial—has een a characteristic of British television almost since television began. Certainly, since television resumed its normal service after the break in transmission enforced by World War II, the novels of Jane Austen, the Brontë sisters, Conrad, Dickens, and occasionally Henry James, have&#13; been adapted and sometimes readapted. …”
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In Conversation with Walter Presents by Helena Chadderton, Rachel Haworth

“…In November 2018, at the “Watching the Transnational Detectives: Showcasing Identity and Internationalism on British Television” conference at the Institute of Modern Languages Research, Walter Iuzzolino and Jo McGrath sat down with Dr Helena Chadderton and Dr Rachel Haworth from the University of Hull and talked about their experiences of establishing Walter Presents. …”
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Against interactivity. Phenomenological notes on Black Mirror: Bandersnatch by Adriano D'Aloia

“…Black Mirror: Bandersnatch (2018), a stand-alone episode of the acclaimed British television series available on Netflix, has restarted the debate around this genre. …”
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Continuity and Change in British Public Service Television’s Engagement with Mental Health by Selby, Hannah

“…It argues that British television has had a long commitment to educating the public about mental health, periodically examining mental health policies, and providing air-time for a range of perspectives. …”
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Downton Abbey: a Cultural Phenomenon. History for the Many by Jane Mattisson

“…This article discusses Downton Abbey, the most popular series in the history of British television. The series is a means of bringing history to the many and thus an important feature of collective cultural memory. …”
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“The Art Game”: Television, Monitor, and British Art at the turn of the 1960s by Michael Clegg

“…It explores Monitor’s place in the evolution of approaches to visual art on British television and assesses Monitor’s wider impact on the “art support system” (in Margaret Garlake’s phrase) of the late 1950s and 1960s. …”
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