Claudia Quinta (Pro Caelio 34) and an altar to Magna Mater by Eleanor Winsor Leach

“…The dedicator is one Claudia Syntyche and the sculpture alludes to the legends attached to a much honored woman of the Claudian family whom Cicero, in his oration pro Caelio brought on stage in a cameo appearance to bolster his case against the controversial contemporary woman Clodia Metelli as one of the accusers of his client M. …”
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Alasdair Gray’s Lanark as an Act of Literary Resistance by Markéta GREGOROVÁ

“…Gray figures in Lanark not only as the author of the text and the creator of the accompanying original illustrations, he also makes a cameo appearance as the morose and mean writer of the work-in-progress, who engages in an intellectual discussion with his protagonist concerning the plot of the very novel. …”
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A study of the woman in the crowd and her desperate courage (Mark 5:21–43) by Robin G. Branch

“…This article examines the cameo appearance of an unnamed woman in the gospel of Mark, a member of a crowd following Jesus (Mk 5:24b–34). …”
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The Habit in Cohabitation by Kath Weston

“…One alternative is to approach more-than-human animals as what Mahesh Rangarajan calls "animals with histories," instead of treating them as members of species with fairly set characteristics who make cameo appearances in ecological histories, ethnographies, and field studies.  …”
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Leonora Carrington on and off Screen: Intertextual and Intermedial Connections between the Artist’s Creative Practice and the Medium of Film by Lora Markova, Roger Shannon

“…The analysis focuses on the artist’s cameo appearances in two 1960s Mexican productions—There Are No Thieves in This Village (Alberto Isaac 1964) and A Pure Soul (Juan Ibáñez 1965)—which mark her creative collaborations with Surrealist filmmaker Luis Buñuel and Magic Realists Gabriel García Márquez and Carlos Fuentes. …”
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来自南洋的早期华人明星 ：以姚萍为例 = An early Chinese artist from Nanyang : a case study on Yiu Ping by 张铭珈 Chong, Ming Jia

“…Yiu Ping returned to Hong Kong again in the 1970s and signed a three-year contract with Shaw Brothers, where he then not only appeared again in Hong Kong films but also made cameo appearances in television programmes. This thesis examines Yiu Ping’s initiative and the decisions he made under the star system and the contexts of different places and times in order to refine the aspect of the research of male film stars which is often ignored. …”
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