Die offene Editionswerkstatt: Carl Maria von Webers Briefe in der digitalen WeGA by Torsten Roeder

“…This review focuses on the digital edition of correspondence by the German composer Carl Maria von Weber (1786-1826). In addition to his famous opera "Der Freischütz" and a huge repertory of other esteemed compositions, Weber left behind a vast number of documents that help to understand his musical works and the musical culture of the early Romantic period. …”
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Leaving the Wolf’s Glen: Measuring Decanonization in the Digital Age by Stephen Meyer

Subjects: “…Carl Maria von Weber…”
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Kako inter/nacionalna je opera? by Tatjana Marković

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Effects of variability of practice in music: A pilot study on fast goal-directed movements in pianists by Marc eBangert, Anna eWiedemann, Hans-Christian eJabusch

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Emotional cherry picking: the role of personality and goal orientation in selective emotion regulation for musical practice by Gerard Breaden Madden, Steffen A. Herff, Scott Beveridge, Hans-Christian Jabusch

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ROMANTICISM AND THE NEW MUSICAL DRAMATURGY OF THE PIANO DUO IN THE CREATION OF FELIX MENDELSSOHN-BARTHOLDY by ENOIU-PĂNZARIU, ANDREI

“…His style harmoniously blends Carl Maria von Weber’s breath with Wolfgang Amadeus Mozart’s sigh and smile.…”
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Towards a Model for Encoding Correspondence in the TEI: Developing and Implementing <correspDesc> by Peter Stadler, Marcel Illetschko, Sabine Seifert

“…Two TEI customizations present exemplary models: DALF: Digital Archive of Letters in Flanders and Carl Maria von Weber—Collected Works (WeGA). These were the basis of the work of the TEI Correspondence Special Interest Group that formed a task force—consisting of the three authors of this article—for developing encoding guidelines. …”
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Sensory trick phenomenon improves motor control in pianists with dystonia: prognostic value of glove-effect by Jakobine ePaulig, Hans-Christian eJabusch, Michael eGrossbach, Laurent eBoullet, Eckart eAltenmüller

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Expertise-Related Differences in Cyclic Motion Patterns in Drummers: A Kinematic Analysis by Eckart Altenmüller, Wolfgang Trappe, Hans-Christian Jabusch

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Fingers phrase music differently: trial-to-trial variability in piano scale playing and auditory perception reveal motor chunking by Floris Tijmen Van Vugt, Floris Tijmen Van Vugt, Hans-Christian eJabusch, Eckart eAltenmüller

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Individuality that is unheard of: systematic temporal deviations in scale playing leave an inaudible pianistic fingerprint by Floris Tijmen Van Vugt, Floris Tijmen Van Vugt, Hans-Christian eJabusch, Eckart eAltenmüller

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What Early User Involvement Could Look Like—Developing Technology Applications for Piano Teaching and Learning by Tina Bobbe, Luca Oppici, Lisa-Marie Lüneburg, Oliver Münzberg, Shu-Chen Li, Susanne Narciss, Karl-Heinz Simon, Jens Krzywinski, Evelyn Muschter

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