Carlo Scarpa by Scarpa, Carlo

Carlo Scarpa and the Castelvecchio / by 362392 Murphy, Richard

Carlo Scarpa : architecture and design / by Scarpa, Carlo, 1906-1978, Beltramini, Guido, Zannier, Italo, Battistella, Giannantonio, Forster, Kurt Walter, Abbondandolo, Ilaria, Orsini, Laura

Carlo Scarpa : The complete work / by Dal Co, Francesco, 1945-, Mazzarol, Guisseppe

Querini stampalia foundation : Carlo Scarpa / by 362392 Murphy, Richard, Scarpa, Carlo

The time of wood in the Carlo Scarpa pavilion by Margherita Ferrari

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Carlo Scarpa: architecture, abstraction and museology by Andrés Ros Campos

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The blue of the sky: Carlo Scarpa a Palermo by Santo Giunta

“…Seek the blue of the sky – this is an exhortation from Carlo Scarpa to comprehend being part of a place. In particular, in the re-adaptation of Palazzo Abatellis, he proposed solutions and hypotheses for its re–use in order to redefine an organizational principle upon which to base the existing space and from which rules emerge which, in his treatment, give meaning to the entire physical and visible environment.…”
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Carlo Scarpa, connections in design : a generic attitude by Soroka, Ellen C. (Ellen Carole)

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Carlo Scarpa and the story of Castelvecchio. Narratological analysis of the Sculpture Gallery. by Filippo Bricolo

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Carlo Scarpa e la Galleria Regionale della Sicilia by Andrea Sciascia

“…Above all, we must ask why Carlo Scarpa is present in Palermo at the beginning of the 1950s. …”
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Carlo Scarpa. Dalle magistrali progettazioni museali ai raffinati allestimenti espositivi del contemporaneo by Pamela Ladogana

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Poetic Emergence and Insight from the Trace of the “Line”: A Reading on Carlo Scarpa’s Castelvecchio Museum Drawings by Hande Asar

“…The study’s sample group is the selected sketches of Carlo Scarpa’s Castelvecchio Museum. These sketches have been evaluated using the content analysis technique. …”
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“Andrea Palladio e la villa veneta. Da Petrarca a Carlo Scarpa”, un viaggio alla scoperta della civiltà della villa. (II) by Giulia Tettamanzi

“…From Petrarca to Carlo Scarpa) offers a trip through the history of the villa, in places of time, space and culture. …”
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“Andrea Palladio e la Villa Veneta. Da Petrarca a Carlo Scarpa”, un viaggio alla scoperta della civiltà della villa. (I) by Giulia Tettamanzi

“…From Petrarca to Carlo Scarpa) offers a trip through the history of the villa, in places of time, space and culture. …”
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Staging of the Costume Sector in the Italian Pavilion of Expo 67 in Montréal, Canada (1966-1967). From “Urschrei” to “Correalism”. Considerations on Some Motifs in Leonardo Ricci (... by Matteo Cassani Simonetti

“…The design of the Italian pavilion at Expo 67 in Montréal, Canada (1966-1967) was the result of a choral effort which involved Giulio Carlo Argan, Cosimo Carlucci, Umberto Eco, Leoncillo Leonardi, Bruno Munari, the Passarelli studio, Arnaldo Pomodoro, Leonardo Ricci, Carlo Scarpa, Emilio Vedova and Bruno Zevi. Leonardo Ricci designed the Staging of the costume sector by creating cavernous concretions that housed an exhibition curated by Umberto Eco. …”
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«No house should ever be on a hill or on anything». La chiesa di Corte di Cadore e i dettami dell’architettura organica by Michele Merlo

“…The architecture described in this essay through the memories of one of the designers, Edoardo Gellner, is a testament to the collaborative brilliance of two architects, Gellner and Carlo Scarpa, whose collaboration contributed to the creation of architectural works rich in meaning and references.…”
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MIT boathouse proposal : a study of referential components by Paturzo, Paul John

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Maredolce-La Favara Park in Palermo: the Conservation Project of an Arab-Norman Landscape Area by Clelia La Mantia

“…The research work, begun in 2016 with the participation in the Workshop of the Benetton Studies and Research Foundation which in 2015 had awarded on the park the "Carlo Scarpa International Prize for the garden" (XXVI edition), was later concretized in the thesis for the Specialization in Architectural and Landscape Heritage (Politecnico di Milano). …”
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Orientalismi all’origine dell’architettura veneziana by Fontana, Vincenzo

“… Between 1964 and 1968 Carlo Scarpa designs the small, precious «patio» of the Fondazione Que- rini Stampalia, in which both Mondrian and Mies van de Rohe, and ancient China and Japan, as well as Venice and the Alhambra, are finally re-read through modern eyes. …”
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