Showing 1 - 5 results of 5 for search '"Cave of Forgotten Dreams"', query time: 0.20s Refine Results
  1. 1

    The Prehistoricity of Cinema: Werner Herzog's Cave of Forgotten Dreams by Daniel Spaulding

    Published 2023-06-01
    “…This article argues that Werner Herzog's 2010 film Cave of Forgotten Dreams both enacts and undermines a desire for origins that was characteristic of 20th century modernist discourse. …”
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  2. 2

    Motion Capture: Drawing and the Moving Image (2012) [Exhibition] by Jill Murphy

    Published 2012-12-01
    “…This is manifest in Werner Herzog’s Cave of Forgotten Dreams (2010), in which the director is granted rare access to the Chauvet caves in southern France. …”
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  3. 3

    The immersive cave: the multimediality of prehistory between drawing, photography, cinema and 3D by Valentina Bartalesi, Tommaso Casini, Annamaria Ducci

    Published 2022-02-01
    “…From the first scientific illustrations of the 19th century through the exhibition strategies of the first half of the 20th century and the images of mass culture, the remediation of prehistoric art finds a crucial turning point in the moving images advent, culminating with the employing of 3D technologies in Werner Herzog's opus The Cave of forgotten dreams (2011).…”
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  4. 4

    Writing towards absence with Herzog, Barthes and Calvino by Pang, Jeannette Ru Yan

    Published 2020
    “…This will be explored in relation to Werner Herzog’s documentary film Cave of Forgotten Dreams, Roland Barthes’s non-fiction work Empire of Signs, and Italo Calvino’s novel Invisible Cities – works which show how reflecting absence itself speaks to memory, loss and death.…”
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    Thesis-Master by Research
  5. 5

    Surface Explorations: 3D Moving Images as Cartographies of Time = Exploraciones de superficie: Imágenes 3D en movimiento como cartografiáis del tiempo by Nanna Verhoeff

    Published 2016-05-01
    “…Taking Werner Herzog’s film <em>Cave of Forgotten Dreams</em> (2010) as a theoretical object, the main question addressed is how the creative exploration of new technologies of visualization – here: from rock painting, principles of animation, to 3D moving images – entails an epistemological inquiry into, and statements about, the power of images, technologies of vision, and the media cartographies they make. …”
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