Christina Rossetti. Poems and Prose by Fabienne Moine

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The representation of the “emotive-I” of Christina Rossetti’s identity in her children’s poetry by Anna Pikalova

Subjects: “…Christina Rossetti…”
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‘Thou Whole Burnt-Offering!’ The Mystical Ecstasy in Christina Rossetti’s Poems by Bertrand Lentsch

“…Christina Rossetti has come to the wrong place: there is no answer. …”
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EKSISTENSI PEREMPUAN DALAM PUISI 'BRIDE SONG' KARYA CHRISTINA ROSSETTI by Winarti Winarti

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“Our Self-Undoing”: Christina Rossetti’s Literary and Somatic Expressions of Graves’ Disease by Mary Arseneau, Emery Terrell

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Fantastic Metamorphoses and the Subversion of Traditional Gender Roles in Christina Rossetti's Speaking Likenesses by Merve SARI

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“Behind Those Screens” — Bringing Women Forth: Christina Rossetti and Elizabeth Siddal by Mariana Bicudo Castelo Branco Cunha

“…This article explores the connections between two Pre-Raphaelite women: Christina Rossetti and Elizabeth Siddal. Although they are remembered quite differently, the former as a celebrated poet, the latter as the eternal model, both women share common sufferings and artistic themes. …”
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Norming the female body: discourses of sexuality in Dante Gabriel Rossetti, Christina Rossetti and Algernon Charles Swinburne by Lai Sai Acón-Chan

“…Some literary works of Dante Gabriel Rossetti, Christina Rossetti and Charles Swinburne related with these issues are discussed. …”
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Christina Rossetti (1830-1894). Poemas. Selección y versión al español de Hernán Bravo Varela by Hernán Bravo-Varela

Subjects: “…Christina Rossetti…”
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L’Italie au miroir : bilinguisme et auto-traduction dans la poésie de Christina Rossetti by Mélody Enjoubault

“…Christina Rossetti, known as one of the greatest British poets of the 19th century, also wrote poems in Italian, the language of her origins. …”
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Karen Dieleman, Religious Imaginaries: The Liturgical and Poetic Practices of Elizabeth Barrett Browning, Christina Rossetti, and Adelaide Procter by Mélody Enjoubault

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The female space : a paradox by Teo, Cheryl Suet Yi

“…This final-year essay aims to explore the contradictions that are present when we compare the texts Virginia Woolf’s “A Room of One’s Own”, Christina Rossetti’s “Goblin Market” and Charlotte Gilman’s “The Yellow Wallpaper”. …”
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The Pre-Raphaelite city and the trap of modernity by Raphaël Rigal

“…We shall base our demonstration on a set of four poems: Christina Rossetti’s “The Dead City” (1840) and “Goblin Market” (1862), Dante Gabriel Rossetti’s “Jenny” (1848-1869), and William Bell Scott’s “Maryanne” (1854), and compare them with D. …”
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Illustrating Victorian Poetry: The Dynamics of Photographic Tableaux Vivants by Gwendoline Koudinoff

“…The three Victorian artists created living pictures, which are commonly referred to as tableaux vivants and which offered visual interpretations of the following poems: Idylls of the King and The Lady of Shalott by Lord Alfred Tennyson, Tristram and Iseult by Matthew Arnold and The Goblin Market by Christina Rossetti. Traditional arts such as painting, engraving and drawing attempted to illustrate the poems but the interdisciplinary nature of 19th-century photographic tableaux vivants enabled artists to associate real-based imagery with the metaphorical language of poetry. …”
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Beyond the Gendered Stereotypes: The Conflict of Motherhood in Dollie Radford’s Poetry by Hadeel Azhar

“…It positions Radford’s depiction of the theme within Victorian conventions, and simultaneously in line with the radical meanings embraced by her contemporary women poets, including Christina Rossetti, Alice Meynell and Augusta Webster. In doing so, the article approaches the representation of motherhood at different levels, thereby eschewing a fixed reading of the selected poems. …”
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The Notion of Wind on Rossetti’s and Damono’s Literary Work by Vidia Lantari Ayundhari

“…Christina Rossetti and Sapardi Djoko Damono are two poets born in different nationalities. …”
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Poetry for Students. Presenting Analysis, Context and Criticism on Commonly Studied Poetry / by LaBlanc, Michael L., Gale Group (Online service) 651863

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Use of the Theory of Conceptual Metaphor in Two Sonnets by Victorian Female Poets by Asst. Prof. Baidaa Abbas Ghubin (Ph.D)

“…The quantitative and qualitative results of the textual analysis have clearly revealed that Elizabeth Barrett Browning’s sonnet 23 centres around the conceptual mapping of the journey of love and life with that of possession. In contrast, Christina Rossetti’s sonnet Remember tackles the central conceptual mapping of death as a journey in relation to its further experiential connections. …”
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The aesthetics of sugar: concepts of sweetness in the nineteenth century by Tate, R

“…Throughout this study, which spans the period 1780-1870, I draw on a range of sources across a variety of genres, including abolitionist pamphlets, medical textbooks, the novels of Charlotte Brontë and Wilkie Collins, the cultural criticism of Matthew Arnold and Walter Pater, and the poetry of Christina Rossetti and Algernon Charles Swinburne. I conclude that literary cultures in the nineteenth century increasingly use discourses of sugar to relate to the mass market and explore the commercialisation of literature, at a time when a growing commodity culture was seen as a threat to literary integrity.…”

Ecstasy or justice? The sexual author and the law, 1855-1885 by Wolf, NR

“…The Sexual Author and the Law, 1855-1885," also examines the impacts of laws criminalizing publications with sexual themes, and laws criminalizing same-sex offences, as background for analysis of certain texts by Symonds' contemporaries, including Algernon Charles Swinburne, Dante Gabriel and William Michael Rossetti, Christina Rossetti, the painter Simeon Solomon, the activists for women's rights Josephine Butler and Annie Besant, and later, the young Oscar Wilde. …”