Three experiments in Cinéma Vérité by McElwee, Ross Simonton

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Truth and lies in cinema verite by Majoros, Michael A

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Necessary Fictions: From Cinéma vérité to Ciné, ma vérité(s) by Rowena Santos Aquino

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An experiment in form : the merging of cinema-verite documentary and narrative filmmaking by Hrechdakian, Karine

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Communication and development : between the hammer and the mirror, the use of cinema verite in the Third World by Shankardass, Sharad

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Potência e arrefecimento do direto no documentário by Laécio Ricardo de Aquino Rodrigues

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Cabra Marcado para Morrer - cinema contando História por meio de histórias (e memórias) by Verônica Dias

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The weaponisation of the camera: filmic interventions into (and out of) extraordinary political events by McKinnie, GL

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Como explicar o ímpeto do documentário musical brasileiro? by Luciano Ramos

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Od prawdy życia po rewoltę estetyczną. Kilka aspektów czechosłowackiej Nowej Fali by Jadwiga Hučková

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The Disorder of Life: James Baldwin on My Shoulder, Part Two by Karen Thorsen

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The Public James Baldwin by Herb Boyd

Subjects: “…The Price of the Ticket, Karen Thorsen, cinéma-vérité, Harlem Renaissance, “Sonny’s Blues,” NY Council of the Humanities, Library of America, democracy…”
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Mish mabsoota: on teaching with a camera in revolutionary Cairo† by Mark R. Westmoreland

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Image Pragmatics and Film as a Lived Practice in the Documentary Work of Hani Susumu and Tsuchimoto Noriaki by Justin Jesty

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TRANSFORMATION OF VISUAL STEREOTYPES ON TV: NONFICTIONAL TV-FORMATS OF THE USA AND CANADA OF THE 1960th / Трансформация зрелищных стереотипов на малом экране: неигровые телеформаты... by KAZYUCHITS M.F. / КАЗЮЧИЦ М.Ф.

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Entries from a trip home by Schaetzel, Ann.

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It is all fiction? Jean Rouch's cinema and Hunter Thompson's journalism by Julio Carlos Bezerra

“…The purpose of this article is to trace a movement of approach and strangeness between documentary and journalism. On one hand, the cinema-verité of Jean Rouch, and on the other, the gonzo journalism of Hunter Thompson. …”
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Relics of the Unseen Presence? Evocations of Native American Indian Heritage and Western-Hero Road Poems in Bruce Baillie’s Mass for the Dakota Sioux and Quixote by Boczkowska Kornelia

“…Taking such an assumption, I argue that although frequently referred to as epic road poems obliquely critical of the U.S. westward expansion and manifest destiny, the analyzed works’ use of plot reduction, observational and documentary style as well as kinaesthetic visual modes and rhythmic editing derive primarily from the cinéma pur’s camerawork, the cinéma vérité’s superstructure, and the city symphony’s spatial arrangement of urban environments. …”
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Jean Rouch: sign, true and thought by Ana Paula Oliveira

“…<p>This article is based on a fundamental question: thinking cinema verite documentary created by Jean Rouch<em> </em>from Deleuze’s power of the false problematic to highlight the singularities of images and signs that make it up. …”
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A mobile interactive robot for gathering structured social video by Reben, Alexander James, Paradiso, Joseph A

“…We developed an autonomous method for capturing structured cinéma vérité style documentaries through an interactive robotic camera, which was used as a mobile physical agent to facilitate interaction and story gathering within a ubiquitous media framework. …”
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