Boaz Hagin (2010) Death in Classical Hollywood Cinema by Richard Lindley Armstrong

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Arne Lunde. Nordic Exposures: Scandinavian Identities in Classical Hollywood Cinema. by Ágúst Guðmundsson

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Postmodern Philosophy and the Impact of the Other in Jim Jarmusch's Films by Rajko Petković, Krešimir Vuković

“…The new style became known as the classical realist cinema, and Classical Hollywood Cinema became the leading representative.…”
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Greta Gerwig's Gestures: Agamben in the Land of Stardom by Janet Harbord

“…It is impossible, he argues, to separate the actor from the character in the thorough commodification of the star, drawing examples from classical Hollywood cinema. Yet consideration of contemporary film provides for a different account of stardom in which the common language of performance is seen to be an inheritance to be inhabited critically and citationally by the star. …”
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The Category of System in David Bordwell’s Concept of Film Aesthetics by Mirosław Przylipiak

“…In Film Art: An Introduction (1979), all elements of film form have a systemic character, which is visible in the chapter titles, such as “Form as System” or “Narration as a Formal System”. In The Classical Hollywood Cinema, the film aesthetics is based on systems of narrative logic, time and space. …”
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Dick Tracy, o filme high concept e o cinema brasileiro by Fernando Mascarello

“…Caracterizados pelo excesso estilístico e pela fragilização da narrativa, e considerados a manifestação central de um suposto cinema hollywoodiano pós-clássico ("post-classical Hollywood cinema"), estes filmes são o produto de uma inédita determinação da forma por aspectos mercadológicos e industriais. …”
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El cine norteamericano durante la Gran Depresión (1929-1939) by Carmen Mainer

“…The communist and fascist regimes used the cinema to spread their doctrines and in the American democracy, during the New Deal period (1933-1939), the classical Hollywood cinema will perform the same propaganda function, but using different languages ​​and genres, and often much more sophisticated. …”
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Atmospheric Moon River by Matthew Rader

“…The poem also draws a line from the first erotic love poem in English to the work of cultural theorists such as Michel Foucault and Judith Butler and “classic” Hollywood cinema.   “Sweet Air” links a story of personal illness and the loss of reproductive potential to the drama and climate anxiety of dramatically unseasonable weather. …”
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Lições de roteiro, por JLG Lessons on screenplay writing, by JLG by Anita Leandro

“…<br>If written screenplay allowed the apogee of the classic Hollywood cinema and the great moments of dialogue of the French cinema, the tradition to write previously what will be filmed also gave rise to closed narratives based on psychological identification, in the Aristotelian model. …”
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