Computational mechanics of the classical guitar / by Bader, Rolf, 1969-

TO THE PROBLEM OF STUDYING THE PROTOTYPES OF THE CLASSICAL GUITAR by VITIUC, ALEXANDR

“…This article discusses the genesis of the classical guitar. The author investigates the design features of the main stringed plucked instruments such as the guitar and their relationship with the modern guitar model. …”
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THE CLASSICAL GUITAR IN THE MIRROR OF THE RUSSIAN MUSICAL HISTORIOGRAPHY by AGAFITA, MIHAIL

Subjects: “…: modern classical guitar…”
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Effectual Entrepreneurship in the Arts: The Story of Austin Classical Guitar by Jonathan Gangi

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Sound board's Frequency Response Analysis of Classical Guitars by Milton Ernesto Romero Romero, Rafael Pedrosa Salgado, Evandro Mazina Martins

Subjects: “…classical guitars…”
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Digital modeling of 1930 Santos Hernandez classical guitar geometry by DeShields, Andrew(Andrew D.)

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The Effect of String Tension Variation on the Perceived Pitch of a Classical Guitar by Wanda Jadwiga Lewis, James Raphael Smith

“…In this paper, we examine the possible influence of string tension variation on tonal response of a classical guitar. We use a perturbation model based on the classical result for a string in general vibration in conjunction with a novel method of assessment of plucking force that incorporates the engineering concept of geometric stiffness, to assess the magnitude of the normal force exerted by the string on the bridge. …”
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Classical Guitar Study as Creativity Training: Potential Benefits for Managers and Entrepreneurs by Jonathan Gangi

Subjects: “…classical guitar study…”
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Analysis of Structure and Techniques of Pancula Ndeme By Justinus Hokey on Classic Guitar Composition by Juanita Theresia Adimurti, Fery Virgiawan Tampatonda

“…This study aims to describe the structure and techniques of playing Pancula Ndeme by Justinus Hokey on classical guitar composition. This study uses a qualitative approach. …”
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Experience, authority and tradition in the making and playing of classical guitars: a hermeneutic interpretation by Rudi Bower

“…This article links the building of classical guitars, or luthiery, in a South African and global manifestation, with the writings of hermeneutic thinker Hans-Georg Gadamer. …”
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Experience, authority and tradition in the making and playing of classical guitars: a hermeneutic interpretation by Rudi Bower

“…This article links the building of classical guitars, or luthiery, in a South African and global manifestation, with the writings of hermeneutic thinker Hans-Georg Gadamer. …”
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Model-predicted geometry variations to compensate material variability in the design of classical guitars by Alexander Brauchler, Sebastian Gonzalez, Manuel Vierneisel, Pascal Ziegler, Fabio Antonacci, Augusto Sarti, Peter Eberhard

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Characterization of acoustic and mechanical properties of common tropical woods used in classical guitars by Robert Sproßmann, Mario Zauer, André Wagenführ

“…With the results it is possible to look for new ‘tonewoods’ or to specifically modified woods, e.g. thermally treated wood, to substitute tropical wood species. Keywords: Classical guitars, Acoustic properties, Mechanical properties, Tropical woods, Modal analysis…”
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The Patterns of Music Learning in Phenomena of Valerio International Guitar Festival by Birul Walidaini, Suminto A Sayuti, AM Susilo Pradoko

Subjects: “…classical guitar, music education, music learning…”
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Idiomatic resources of the classical guitar as a vehicle for composition: analysis of selected Brazilian composers by Pedro Loch Gonçalves, Ricardo Futre Pinheiro

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Ryuji Kunimatsu Guitar Arrangement on the Oblivion by Astor Piazzolla: A Critical Analysis by Andre Indrawan, Noer Iskandar Albarsani, Kustap Kustap, Suryati Suryati

Subjects: “…musical form, arrangement, classical guitar, piazzolla, interpretation…”
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Port-Hamiltonian fluid–structure interaction modelling and structure-preserving model order reduction of a classical guitar by Johannes Rettberg, Dominik Wittwar, Patrick Buchfink, Alexander Brauchler, Pascal Ziegler, Jörg Fehr, Bernard Haasdonk

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Audiovisual by Humberto Amorim, Ricardo Dias, Felipe de Almeida Ribeiro, Fabio Guilherme Poletto

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Estudio de las guitarras Torres - Parte I: innovación y evolución en el contexto del siglo XIX by Daniel Gil de Avalle, Enca González

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(Re-) Presenting an altered interactive system. On et ego, a piece for classical guitar, two piezoelectric microphones and electronics by D. Fantechi

“…The performerhas to interact with these microphones and with a differently amplified classical guitar: the piezoelectric microphones makevery tiny sounds audible and emphasize percussive sounds while feeding the patch for the live electronics. …”
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