THE THEME OF THE PRODIGAL SON’S RETURN IN CLASSICAL MUSIC I: CLAUDE DEBUSSY by Petruța-Maria COROIU

“…The work signed by Claude Debussy is the best known and most valuable of those presented, which is why we think it is necessary to focus on it from an analytical point of view. …”
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Delphi in Schwarz und Weiß.. Bilder der Antike in Claude Debussys Klaviermusik by Tihomir Popović

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Corte y conexión. Montaje y forma musical en Canope, de Claude Debussy by Luis Menacho

“…Se analiza el caso del preludio Canope, número diez del segundo libro de Claude Debussy y la incidencia de su concepción musical para nuevas poéticas.…”
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Paralelismo conceptual entre el Impresionismo pictórico y la composición musical de Claude Debussy by Mónica Susana Mestanza Revoredo

“…La importancia de la obra Preludio a la siesta de un fauno, en el contexto artístico de su época, radica en las innovaciones que realizó Claude Debussy, en las que se puede apreciar el espíritu de libertad del compositor. …”
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Douze Études para piano de Claude Debussy: territórios de performance e experimentação composicional by Ricardo Henrique Serrão, Denise Hortência Lopes Garcia

“…Como exemplo, os Douze Études (1915) de Claude Debussy favorecem uma discussão que convergem um enfoque entre performance e composição musicais, principalmente no âmbito da análise de suas construções sonoras e uma consequente atenção à escuta concentrada do performer. …”
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A Fragment on the Emotion, “Mathesis” and Time Dimension of the Purely Musical. Marginalia with Prelude to the Afternoon of a Faun by Claude Debussy by Tijana Popović Mladjenović

“…This is shown, at least partly, on a characteristic and (in many respects) paradigmatic example – the music of Prelude to the Afternoon of a Faun by Claude Debussy. Therefore, rationalism of the magic inspiration of music (and/or: in music; by music; and possibly /by music/ about music), as a “mathematized emotion” or “emotionalized mathesis” in the time dimension, makes it – in a purely musical sense, based on purely musical logic – a unique form of non-conceptual cognition.…”
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Debussy’s Old Hindu Chant (La Boîte à joujoux): Exotic Humorous Fakery and Rejuvenation of Music by Benjamin Lassauzet

Subjects: “…claude debussy…”
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Diabolus in memoria: pripazke o rabi tritonusa v Debussyjevih zaključkih by Andrea Malvano

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Estética e ética do imaginário, educação fática e hermenêutica simbólica em Le martyre de Saint-Sébastien de Claude Debussy by Denis Domeneghetti Badia, J.C. de Paula Carvalho

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Da Mallarmé a Bozzetto: un percorso didattico interdisciplinare sul “Prélude à l’après-midi d’un faune” di Claude Debussy by Andrea Malvano

“…This teaching application focuses on Claude Debussy’s Prélude à l’après-midi d’un faune (1892-1894). …”
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Claude Debussy’s La Cathedrale Engluite and Claude Monet’s La Parliament; the correlation between two form of arts during the impressionism era / Siti Lina Mastura Zulrani by Zulrani, Siti Lina Mastura

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<i>Des pas sur la neige</i>: Technique-Compositional Aspects of the Prelude by Caude Debussy by Sergio Molina

Subjects: “…Claude Debussy…”
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Pelibatan Idiom Musik Tradisi Dalam “Game Land No.5” Karya Slamet Abdul Sjukur by Maria Octavia Rosiana Dewi

“…Claude Debussy berinovasi dengan menjadikan gamelan sebagai sumber utama inspirasi estetik dalam berkarya. …”
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Bouvier et le quatuor cingalais, ou les ambivalences de la « magie » by Jean-Xavier Ridon

“…The study focuses on the expression of musical structure in travel writing and the way in which Bouvier includes a series of repetitions and echoes, directly modelled on the music of Claude Debussy.…”
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2. Debussy’s Préludes as Cultural Mediators Between East and West by Marisi Rossella

“…This study analyzes Claude Debussy’s Préludes, discussing how and why this work combines traits of Western and Eastern music cultures, and can therefore be considered as an example of cultural mediation.…”
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MAURICE RAVEL BETWEEN IMPRESSIONISM, SYMBOLISM AND NEOCLASSICISM by Boglárka Eszter OLÁH

“…Maurice Ravel together with Claude Debussy are considered the two great impressionist composers of the twentieth century, however both of them refused this appellation. …”
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KODÁLY AND IMPRESSIONISM. THE INFLUENCE OF DEBUSSY by Miklós FEKETE

“…By analyzing the piano works Méditation, sur un motif de Claude Debussy and Épitaphe (Seven pieces for piano, Op. 11, No. 4) the paper highlights a few impressionistic compositional techniques that appear in these works, then examines those ones, which Kodály takes on and fits in his latter, predominant neoclassical-folkloric style.…”
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D’Annunzio e Venezia negli studi di Guy Tosi by Rasera, Maddalena

“…First, Venice is the city where d’Annunzio met French writers and artists: his translator Georges Hérelle, the musician Claude Debussy, the writer Maurice Barres, the dancer Ida Rubinstein. …”
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Benarkah Musik Klasik Bertempo Lambat Mengganggu Pemahaman Bacaan Mahasiswa? by Christ Billy Aryanto, Silvester Bambang Aditama

“…The classical music used in this research was called Clair de Lune by Claude Debussy and used TKD-1R to measure reading comprehension. …”
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The diachronic development of Debussy’s musical style: a corpus study with Discrete Fourier Transform by Sabrina Laneve, Ludovica Schaerf, Gabriele Cecchetti, Johannes Hentschel, Martin Rohrmeier

“…Abstract Claude Debussy’s personal style is typically characterised as a departure from earlier diatonic tonality, including a greater variety of pitch-class materials organised in fragmented yet coherent compositions. …”
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