Random Thoughts on the Preludes of Claude Debussy by Irwin Freundlich

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Laurence David Berman- The Evolution of Tonal Thinking in the Works of Claude Debussy by Mark DeVoto

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THE THEME OF THE PRODIGAL SON’S RETURN IN CLASSICAL MUSIC I: CLAUDE DEBUSSY by Petruța-Maria COROIU

“…The work signed by Claude Debussy is the best known and most valuable of those presented, which is why we think it is necessary to focus on it from an analytical point of view. …”
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Delphi in Schwarz und Weiß.. Bilder der Antike in Claude Debussys Klaviermusik by Tihomir Popović

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Corte y conexión. Montaje y forma musical en Canope, de Claude Debussy by Luis Menacho

“…Se analiza el caso del preludio Canope, número diez del segundo libro de Claude Debussy y la incidencia de su concepción musical para nuevas poéticas.…”
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Paralelismo conceptual entre el Impresionismo pictórico y la composición musical de Claude Debussy by Mónica Susana Mestanza Revoredo

“…La importancia de la obra Preludio a la siesta de un fauno, en el contexto artístico de su época, radica en las innovaciones que realizó Claude Debussy, en las que se puede apreciar el espíritu de libertad del compositor. …”
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Douze Études para piano de Claude Debussy: territórios de performance e experimentação composicional by Ricardo Henrique Serrão, Denise Hortência Lopes Garcia

“…Como exemplo, os Douze Études (1915) de Claude Debussy favorecem uma discussão que convergem um enfoque entre performance e composição musicais, principalmente no âmbito da análise de suas construções sonoras e uma consequente atenção à escuta concentrada do performer. …”
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Rubén Darío y Claude Debussy. La catedral sumergida y la Sinfonía en gris mayor by José Manuel Rojas González

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A Fragment on the Emotion, “Mathesis” and Time Dimension of the Purely Musical. Marginalia with Prelude to the Afternoon of a Faun by Claude Debussy by Tijana Popović Mladjenović

“…This is shown, at least partly, on a characteristic and (in many respects) paradigmatic example – the music of Prelude to the Afternoon of a Faun by Claude Debussy. Therefore, rationalism of the magic inspiration of music (and/or: in music; by music; and possibly /by music/ about music), as a “mathematized emotion” or “emotionalized mathesis” in the time dimension, makes it – in a purely musical sense, based on purely musical logic – a unique form of non-conceptual cognition.…”
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Debussy’s Old Hindu Chant (La Boîte à joujoux): Exotic Humorous Fakery and Rejuvenation of Music by Benjamin Lassauzet

Subjects: “…claude debussy…”
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Diabolus in memoria: pripazke o rabi tritonusa v Debussyjevih zaključkih by Andrea Malvano

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Sur le mode mineur – Ein Mondbild in Moll. Eine analytische Annäherung an Claude Debussys Verlaine-Lied Clair de lune by Wendelin Bitzan

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Direcionalidade em duas melodias do século XX: Syrinx, de Claude Debussy e a primeira das Três peças para clarinete solo, de Igor Stravinsky Directionality in two melodies of the twentieth century: Syrinx, by Claude Debussy and the first of Three pieces for solo clarinet, by Igor Stravinsky by Matheus Bitondi

“…O presente trabalho analisa a estruturação melódica das peças Syrinx, de Claude Debussy, e a primeira das Três peças para clarinete solo, de Igor Stravinsky, em busca dos procedimentos geradores de direcionalidade no discurso. …”
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Estética e ética do imaginário, educação fática e hermenêutica simbólica em Le martyre de Saint-Sébastien de Claude Debussy by Denis Domeneghetti Badia, J.C. de Paula Carvalho

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Da Mallarmé a Bozzetto: un percorso didattico interdisciplinare sul “Prélude à l’après-midi d’un faune” di Claude Debussy by Andrea Malvano

“…This teaching application focuses on Claude Debussy’s Prélude à l’après-midi d’un faune (1892-1894). …”
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Claude Debussy’s La Cathedrale Engloutie and Claude Monet’s La Parliament; the correlation between two form of arts during the impressionism era / Siti Lina Mastura Zulrani by Zulrani, Siti Lina Mastura

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A música vocal francesa no contexto da Primeira Guerra Mundial by Danieli Verônica Longo Benedetti

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Andreas Bernnat, Grundlagen der Formbildung bei Claude Debussy. Ein analytisches Modell für die Klavierwerke von ›Pour le piano‹ bis zu den ›Etudes‹, Tutzing: Schneider 2003 by Hans Aerts

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<i>Des pas sur la neige</i>: Technique-Compositional Aspects of the Prelude by Caude Debussy by Sergio Molina

Subjects: “…Claude Debussy…”
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Aleksander Tansman o muzyce nowoczesnej w czasopiśmie awangardy artystycznej „Blok” by Jolanta Guzy-Pasiak

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