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AS - Poetic Justice, Endings and Epilogues in Sense and Sensibility
Published 2016-11-01“…The novel was adapted to the screen by Ang Lee in 1995 in a big-budget Columbia pictures film and we shall also examine what happens to this ambiguity regarding poetic justice in the film considering adaptations often lose in subtlety and prefer to promote a marked happy ending. …”
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The Language of Colours. A Semiotic Analysis of Colours and Symbolic Imagery in Francis Ford Coppola’s "Bram Stoker’s Dracula" (1992)
Published 2011-10-01“…Reviews referring to Francis Ford Coppola’s Columbia Pictures Bram Stoker’s Dracula classic of 1992 recurrently mention the images owing to the camera work of Michael Ballhaus as the striking feature of the movie and highly praise them for their thematically coherent effect.. …”
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The Thin Blue Line: How can we destroy actuality with editing?
Published 2012-04-01“…Reviews referring to Francis Ford Coppola’s Columbia Pictures Bram Stoker’s Dracula classic of 1992 recurrently mention the images owing to the camera work of Michael Ballhaus as the striking feature of the movie and highly praise them for their thematically coherent effect.. …”
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An Analysis of the Relation between One's Worldview and Sexual affairs and Chastity in the cinema; Case Study of Sausages Party Animation
Published 2019-09-01“…This research has extracted some messages from the 3D Sausage Party animation (2016) produced by Hollywood's Columbia Pictures and analyzed it with an educational approach and use of quality content analysis. …”
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