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81
La fortuna dell’iconografia di Pulcinella all’inizio degli anni Venti del Novecento : Pablo Picasso e Gino Severini
Published 2017-06-01“…Such versatility will also be the main feature of entertainers represented from 1915 onwards, when some aspects of the Commedia dell’Arte will be rediscovered and reinterpreted in a modern way, leading to a kind of “revival” of Pulcinella’s mask. …”
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82
¿(Des)enmascarando identidades? Una aproximación a la lucha libre mexicana / (Un)masking Identities? An Approximation to Mexican Catch
Published 2017-12-01“…A través de un cotejo con el mundo de la <em>commedia dell’arte </em>italiana, de las reflexiones de Roland Barthes, Carlos Monsiváis y Bolívar Echeverría, dedicamos particular atención al papel de las máscaras.…”
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83
Life is an inverted circus: Grupo Galpão’s Romeu e Julieta adapted from pennafort’s translation of Shakespeare’s Life is an inverted circus: Grupo Galpão’s Romeu e Julieta adapted...
Published 2008-04-01“…Combining elements of circus, the improvisation of commedia dell´arte, the exuberant creativity of classic and Renaissance dramaturgy, and the vanguard movement of contemporary theatre with the production of the regional-cultural imagination inscribed in the Brazilian performative code, the members of this group represent a new generation of directors and actors whose work, as it reveals Brazil as an apparently not serious carnavalesque nation, also challenges the public to reflect on present and past concerns. …”
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84
O processo criativo da encenação "Brosogó, Militão e o Diabo": Uma proposta de metodologia do ensino de teatro para a criação de montagem cênica com discentes
Published 2019-11-01“…Palavras-chave: Processo criativo. Encenação. Commedia Dell’arte. Montagem cênica.…”
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85
Perseguindo Arlecchino
Published 2009-05-01“…Este texto é um relato do processo de treinamento da Commedia dell’Arte, dando uma atenção maior a Máscara do Arlecchino. …”
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86
Vincenza Armani
Published 2020-05-01“…Vincenza Armani was one of the first actresses in the Commedia dell’Arte of whom we have some news. Endowed with excellent oratory and musical skills, her legacy can be traced in the reports of Mantuan shows of the late Sixties of the Sixteenth century and in the dedications of contemporary poets, scholars and theatre men.…”
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87
Las transformaciones del duende (sobre los orígenes italianos de la comedia de magia)
Published 2009-11-01“…La obra se presenta como imitación de las comedias italianas de los Trufaldines, compañía de commedia dell’arte que había llegado a Madrid en 1702 con Felipe V. …”
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88
Las transformaciones del duende (sobre los orígenes italianos de la comedia de magia)
Published 2009-11-01“…La obra se presenta como imitación de las comedias italianas de los Trufaldines, compañía de commedia dell’arte que había llegado a Madrid en 1702 con Felipe V. …”
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89
Komedie Goldoniego w polskim oświeceniu: Aspekty metateatralne
Published 2016-09-01“…The translators of La moglie saggia and L’avvocato veneziano who, in keeping with the idea of domesticating adaptation advocated by the Enlightenment, stripped Goldoni’s plays of virtually all culturally foreign elements diminished the aspects related to the commedia dell’arte tradition as well. Only Marianna Maliszewska retained the names of stock characters associated with commedia dell’arte in her Miłość żołnierska, where she even laid stress on the metatheatrical qualities of the scenes with Trufaldyn (Arlecchino). …”
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90
Barbara Flaminia detta Hortensia
Published 2020-05-01“…Barbara Flaminia was the first actress in the Commedia dell’Arte of which we have documented news. Endowed with excellent artistic qualities, she performed in comedies, tragicomedies, pastorals and in singing spectacles. …”
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91
The "Teatro Fantástico" of Jacinto Benavente in the European theatre
Published 2017-02-01“…<p>The novice theater of Jacinto Benavente followed in the footsteps of the commedia dell'arte and the French theater of the nineteenth century. …”
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92
O teatro de Vakhtângov: fundamentos de uma prática teatral
Published 2017-06-01“…Este artigo aborda aspectos da trajetória do encenador Evguiêni Bagratiónovitch Vakhtângov na elaboração de sua poética da cena, principalmente no que concerne à apropriação de elementos da commedia dell’arte e do sistema de Stanislávski. Busca também identificar a permanência de alguns procedimentos utilizados por Vakhtângov em propostas teatrais contemporâneas.…”
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93
A necessidade da mudança na continuidade da tradição do mamulengo
Published 2019-12-01“…O texto2 aborda a tradição do mamulengo, suas modificações ao longo do tempo e sua relação com a Commedia dell’Arte. Também reflete sobre alguns conflitos entre mestres e aprendizes e sobre a relação dessa manifestação popular com a academia.…”
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94
Payasos, pierrots y saltimbanquis: su dimensión autobiográfica y social en Picasso y Federico García Lorca
Published 2012-01-01“…<p>Picasso y Federico García Lorca confluyen estética y poéticamente en el errabundo mundo del circo y de la «Commedia dell´arte». Un melancólico y triste universo poblado de payasos, saltimbanquis, arlequines y pierrots, que mostrará una singular iconografía, identificando simbólica e intrínsecamente a los dos artistas andaluces como los auténticos protagonistas de sus propias obras plásticas y líricas.…”
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95
L’INSPIRATION ROMANTIQUE DE "GASPARD DE LA NUIT"
Published 2011-01-01“…It is also in the 18th century that some works about the “Commedia dell’arte” and caricature concede to the grotesque a significant part in the formation of art, extending it to the supernatural and the absurd.…”
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96
Тип служанки в русской комедии XVIII века | XVIII amžiaus rusų komedijos tarnaitės tipas
Published 2010-01-01“…Teigiama, kad tarnaitės rusiškasis įvaizdis susiformavo įtakojant Vakarų teatro tradicijai (itališkoji commedia dell arte ir prancūziškoji klasicizmo komedija). …”
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97
EM QUE SÉCULO, AFINAL, SE ENCONTRA O CORPO DO ATOR GAÚCHO?
Published 2009-06-01“…Em meados do Século XVIII, com o final da tradição da Commedia dell’Arte, o corpo do ator foi partido em dois: some o ator-bailarino para surgir o ator e o bailarino, separados. …”
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98
Baśń dramatyczna − zapomniane ogniwo
Published 2019-12-01“…What matters here is a specific type of folklore and links with the fairy-tale play and commedia dell’ arte. …”
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99
Harlequin Bioethics, Servant of Two Masters
Published 2022-06-01“… Bioethics, like the sixteenth-century commedia dell’arte, is a master of revelation. At the heart of this is a propensity to highlight that what we see is as much truthful and elegant as it is made up of pretence and staging. …”
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100
Ipotesi inedite di Claudio Meldolesi intorno alla pre-regia dell'attore-regista
Published 2020-10-01“…In one unwritten work, Meldolesi focuses on the Italian actor role from the Commedia dell’Arte decline up to the rise of the “pre-direction” phenomena. …”
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