Konkrete Kunst in Europa nach 1945 = Concrete art in Europe after 1945 / by Lauter, Marlene

Subjects: “…Concrete art…”

Culture in concrete : art and the re-imagination of the Los Angeles River as civic space by Arroyo, John C. (John Christopher)

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Concrete craft notebook / by 379338 Richardson, J. G.

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Tensiones entre arte / política en la Asociación Arte Concreto Invención. Entre el comunismo, el peronismo y el diseño by Daniela Lucena

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A crítica de arte e suas mediações: Mário Pedrosa e a construção de uma plataforma estética concretista no Rio de Janeiro entre as décadas de 1940 e 1950 by Tarcila Soares Formiga

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François Morellet et la scène géométrique française des années 1950 : du formalisme à la formativité. by Roxane Ilias

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The art text as didactic and lingvocultural unit by I A Pugachev

“…On an example of work with the concrete art text the system of tasks on development communicative abilities of students is offered.…”
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Antologia di poesie e testi teorici brasiliani, con scritti di Augusto de Campos, Haroldo de Campos e Décio Pignatari by a cura di Sergio Romanelli

“…The translations by Sergio Romanelli, Silvana de Gaspari, Patricia Peterle and Andrea Santurbano for the first time give Italian readers the opportunity of reading four texts dating from the 1950s up to the present available in Portuguese in the collection Teoria da poesia concreta: textos críticos e manifestos (1965), consisting of a short essay by Décio Pignatari dealing with concrete art (arte concreta: objeto e objetivo) and a statement (depoimento) on the function of poetry; a useful definition of the specific domain of concrete poetry (Poesia concreta) by Augusto de Campos and finally the extraordinary creative poetic manifesto: olho por olho a olho nu (manifesto) by Haroldo de Campos.…”
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Un mundo continuo by Alejandro Crispiani

“…Crispiani gives us a vision of Bill's work starting from an analysis of the concepts that the Swiss developed around the "concrete art" and the "good form", among others…”
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THE SPECIFICS OF ART INFORMATION AND COMMUNICATION IN ART CLASSES by Maja Hrvanović

“…Art education accorded with development of technology and visual communication is necessary for human development of young individuals and improvement of their general level of culture. Conceptually – concrete art can uncritically be understood as direct and „comprehensible“. …”
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Wie entwirft man „mit Geschichte“? Über Gion A. Caminada oder wie Architekten historische (Vor-)Bilder rekonzeptualisieren by Bettina Schlorhaufer

“…At the same time, the study of his projects reveals other historical references in the field of international art and architecture of the past, an aspect that is clear for example in its similarity to concrete art, neoplasticism, and constructivism, through a strong interest in the creation of plastic and sculptural spaces. …”
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THE SPECIFICS OF ART INFORMATION AND COMMUNICATION IN ART CLASSES by Maja Hrvanović

“…Art education accorded with development of technology and visual communication is necessary for human development of young individuals and improvement of their general level of culture. Conceptually – concrete art can uncritically be understood as direct and „comprehensible“. …”
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Unfoldings by Johnson, Caryn L. (Caryn Lindani)

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Algunas consideraciones sobre la estética materialista de la Asociación Arte Concreto-Invención A few Considerations on the Materialist Aesthetics of Asociación Arte Concreto-Inven... by Daniela Lucena

“…As noted by the artists themselves, the aesthetic-political program of Concrete Art begins from the premises of historical materialism. …”
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Un centro de investigaciones estéticas en el siglo XXX: una utopía de Francisco de Asís Cabrero = A center of aesthetic investigations in the 30th century: An utopia by Francisco d... by José de Coca Leicher

“…The collective buildings of the avant-garde: the Unité d’Habitation, the Hele module by R. Leoz and the concrete art of M. Bill. Concepts such as «graphical science», «space grids», the «cubic figure» and «form-function inherence» allow us to understand the resulting form. …”
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Consideración del factor Percepción Visual en el material bibliográfico sobre by Letelier Parga, Sofía

“…A point of view that focuses in Visual Perception to analyze the mobility is used because it is a necessity for the sustainability philosophy to come up with concrete "arts", displays, signals, etc., that must be seen from a distance so that they may persuade a change in conducts and behavior. …”
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