Emotional Priming: effects of consonant and dissonant chords on emotion word judgments by Raquel Aline Ramos Motta, Maurílio Nunes Vieira, Antonio Jaeger

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Understanding Musical Consonance and Dissonance: Epistemological Considerations from a Systemic Perspective by Nicola Di Stefano, Marta Bertolaso

“…Different accounts have been given in order to face the problem of the emergence of musical consonance and dissonance. Getting a more adequate comprehension of such phenomenology may require a systemic view to integrate such multidimensionality into a unitary picture in which every partial solution enlightens a particular aspect of the very same problem. …”
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RETROSPECTIVE REVIEW OF THE DEVELOPMENT OF THE CONCEPTS OF CONSONANCE AND DISSONANCE: ON THE PROBLEM OF MUSICAL AND AESTHETIC AS WELL AS PHYSICAL AND MATHEMATICAL INTERPRETATION by Nataliia BIELIAVINA, Volodymyr BIELIAVIN

“…The periodization method was used to find out individual stages in the development of science in order to discover the leading directions of scientific thought, identify new elements relating to various aspects of “consonance” and “dissonance”. The study of the retrospective review of the development of the notions of consonance and dissonance in the physical and mathematical interpretation involved an interdisciplinary method a way of organizing research work, providing for the interaction of music and mathematics in the study of consonance and dissonance. …”
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Consonance and Dissonance of Simultaneous Trichords in Western Music: A Listening Experiment to Test Models of Harmonicity and Roughness by Richard Parncutt, Isabelle Engel, Lazar Radovanovic

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Consonance and Dissonance of Simultaneous Trichords in Western Music: A Listening Experiment to Test Models of Harmonicity and Roughness by Richard Parncutt, Isabelle Engel, Lazar Radovanovic

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Consonant and Dissonant Experiences—Young Migrants’ Understandings of Integration: A Cross-Country Comparison between Germany, Luxembourg, and Norway by Dorothea Biaback Anong, Jan Skrobanek, Leonie Wagner, Birte Nienaber

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COGNITIVE MODELING OF FINANCIAL AND ECONOMIC PROVISION OF QUALITY ACTIVATION OF HIGHER EDUCATION by V. Ostapenko, V. Tyshchenko, O. Rats, O. Omelchenko

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Culture influences conscious appraisal of, but not automatic aversion to, acoustically rough musical intervals. by James Armitage, Imre Lahdelma, Tuomas Eerola, Rytis Ambrazevičius

“…There is debate whether the foundations of consonance and dissonance are rooted in culture or in psychoacoustics. …”
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Singing Planets Don't Sing; They Speak by Joanna R. Lauer

“…Specific examples of such evidence are the inherent order of sound laid out in pitches, interval ratios, the overtone series, the circle of fifths, and the effect of consonance and dissonance. The structure of music from the ground up reveals a pre-existing model that man developed and turned into music. …”
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"Tonal" dodecaphony and sentential form: extracts from Humphrey Searle's Symphony No. 2, Op. 33 by Chandler, O

“…Using extracts from his Symphony No. 2, Op. 33, I demonstrate how movement from relative consonance to dissonance and back (effected by means of pitch class–set expansion, shifts of macroharmony, and/or functionally suggestive row-area transpositions) can serve both to generate and to resolve structural tension. …”

The Fundamenta compositionis Jean Kuhnaus 1703. Edition, Translation, and Commentary by Frederik Kranemann, Derek Remeš

“…Therefore the ultimate value of the Fundamenta is not its originality, but rather its explication of topics such as consonance and dissonance, modes, clausulae, cadences, invertible counterpoint, and fugue in a highly condensed, practical manner with numerous musical examples. …”
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Hearing as adaptive cascaded envelope interpolation by Etienne Thoret, Sølvi Ystad, Richard Kronland-Martinet

“…It allows simulating a broad range of psychophysical phenomena from virtual pitches and combination tones to consonance and dissonance of harmonic sounds. It further predicts the properties of the cochlear filters such as frequency selectivity. …”
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Le concept d’ethos by Bernard Fusulier

“…Permettant de comprendre ce que les espaces d’insertion “font aux individus” ainsi que la façon dont les principes organisateurs de pratiques entrent en transaction (en consonance, en dissonance ou en concurrence), il garde toute sa pertinence dans la boîte à outils théoriques du sociologue et de l’anthropologue d’aujourd’hui.…”
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Increasing the complexity of isolated musical chords benefits concurrent associative memory formation by Nawras Kurzom, Ilaria Lorenzi, Avi Mendelsohn

“…Chords, defined as two or more simultaneously played notes, differ in the number of tones and inter-tone intervals, yielding varying degrees of harmonic complexity, which translate into a continuum of consonance to dissonance percepts. In the current study, participants heard four different types of musical chords (major, minor, medium complex, and high complex chords) while they learned new word-image pairs of a foreign language. …”
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Evaluating the Influence of Musical and Monetary Rewards on Decision Making through Computational Modelling by Grigory Kopytin, Marina Ivanova, Maria Herrojo Ruiz, Anna Shestakova

“…However, within the musical task, individual preferences for consonance over dissonance explained some aspects of learning. …”
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Multimodal meaning-making of aggression in English song narrative: A cognitive-pragmatic perspective by Tetiana Krysanova, Oleksandra Herezhun

“…The musical component is characterized by the lower register, alternating consonance and dissonance, and a fast tempo. The lighting includes the play of light and shadow, and flashes. …”
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GUEST EDITORS' NOTE by Ana Butković, Valnea Žauhar

“…Research questions include perception of consonance and dissonance in music, perceived and induced emotions with music and moving images, music-evoked emotions in children, importance of self-determination theory concepts for solo-performance, personality and creative self-beliefs, multicultural effectiveness and artistic preferences, social influence in rating music, role of singing in well-being and comparison of funeral music characteristics in different cultures. …”
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GUEST EDITORS' NOTE by Ana Butković, Valnea Žauhar

“…Research questions include perception of consonance and dissonance in music, perceived and induced emotions with music and moving images, music-evoked emotions in children, importance of self-determination theory concepts for solo-performance, personality and creative self-beliefs, multicultural effectiveness and artistic preferences, social influence in rating music, role of singing in well-being and comparison of funeral music characteristics in different cultures. …”
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Caricature textuelle et visuelle française du XIXe siècle. Enjeux sémiologiques d’une analyse icono-textuelle by Cécile Guinand

“…À ce titre, la consonance ou dissonance entre l'image et son titre/sa légende sont deux types de rapports qui concourent à la naissance du rire comme à la richesse sémantique de la caricature. …”
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Pleasantness Ratings of Musical Dyads in Cochlear Implant Users by Andres Camarena, Grace Manchala, Julianne Papadopoulos, Samantha R. O’Connell, Raymond L. Goldsworthy

“…The present study examines consonance and dissonance perception in nine cochlear implant users and eight people with no known hearing loss. …”
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