The Influence of the Characteristic Style of Guangdong Traditional Music on the Structure of Guangdong Piano Music Works: A Study of Cultural Typology by Jia Niu, Ping Heng Tsai

“…The findings, presented with the aid of figures and tables, offer a comprehensive view of the intricate relationships and cultural typologies that have emerged over time.This study contributes to a deeper understanding of the cultural dynamics in music composition, emphasizing the significance of Guangdong traditional music as a living heritage that continues to shape and inspire contemporary artistic expressions. It also underscores the broader implications of cultural typology in the context of music studies, opening doors for further research into cross-cultural music influences. …”
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W przestrzeni wymiany. Obrazy Jacka Goldsteina i fotografie Olivera Wasowa by Filip Pręgowski

“…The frame of reference are analyses conducted by American critics and art historians who redefined the concept of the medium in contemporary artistic practices, examined the role of photography, and considered the subjection of the late twentieth-century art to the logic of spectacle, such as Rosalind Krauss, Douglas Crimp, and Hal Foster.…”
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Blackfaced white: rasowe przypadki negatywu by Witold Kanicki

“…Such avant-garde photographers as Hans Bellmer, Man Ray, and Alexandr Rodchenko used the inversion of tone in their works critiquing colonial and racist stereotypes. Contemporary artists use the negative convention to subvert the dominant positive, realism, light, day, the white male, and other concepts associated with one of the poles constituting the binary value system. …”
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THE PLASTIC AND CONCEPTUAL DIMENSION OF THE ART OF CONTEMPORARY PORTRAIT AS AN INDICATOR CULTUREAL IDENTIFTY by Seham Abd El Aziz Hamed

“…The aim of the research mechanism is to clarify the entrances to the use of portraiture art to confirm the Arab cultural identityTherefore, research suggests that it is possible to develop a contemporary artistic approach that enriches creative thought in the expression of cultural identity through the art of portraitureThe research aims to- Studying and analyzing selections from the art of contemporary portraiture to identify the plastic and mural concepts that can contribute to the confirmation of cultural identity- The experience of self-study, which emphasizes the possibilities of the art of portraiture in emphasizing cultural identity as an input to the expression in contemporary painting…”
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Edgar Wind i oblicza sztuki nowoczesnej. Na marginesie książki Bena Thomasa by Ryszard Kasperowicz

“…Although many art historians reacted very negatively to their own contemporary artistic phenomena, of which Justi’s aversion to Impressionism was perhaps the most notable example, the issue is by no means clear-cut. …”
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Sidelong thinking. Disobedient geographies and subaltern cultures by Nicoletta Vallorani

“…Starting from Hall’s statement that  the postcolonial may be intended as “sign of desire or  signifier of danger” (1996) and also exploiting the notions of rhizoma (Deleuze & Guattari 1980), subalternity (Spivak 1988) and “Thinking plural” (Said 1993), I’m approaching a number of written, visual and performative texts, from Conrad’s Heart of Darkness to tightly contemporary artistic experiences, to show how both the postcolonial and the decolonial paradigms eventually prove inadequate to the reading of our present condition in terms of the ability to go beyond the traditional Western attitude to the post-colonies.…”
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CHILDREN’S FAIRY TALES BETWEEN ILLUSTRATIONS AND CONCEPTUAL ART VISIONS OF STORYTELLING by Eman Osama Mohamed Salem

“…This research presents an analytical study in the development of telling children’s fairy tales as a creative stimulus for the works of contemporary artists through the development of art movement, to reach the features of renewal in the field of visual storytelling, and the cultural role of art museums in the communication between children and contemporary conceptual works of storytelling.…”
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THE ROLE OF THE MURALS OF TASSILI IN INFLUENCING THE CONTEMPORARY ART MOVEMENT AFTER INDEPENDENCE IN ALGERIA by romeissa yasser elkabeer

“…This rich artistic heritage was able to influence a whole generation of contemporary artists who had faith in their identity and roots and made a great effort to revive it, preserve its survival and spread it around the world through various artistic forums and exhibitions, especially after Algeria gained its independence. …”
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Christian stucco decoration in southern Mesopotamia and the Persian gulf region, sixth to ninth centuries by Lic, A

“…It was especially among the Gulf communities of Sir Bani Yas, al-Qusur and other sites that this transformative approach towards traditional and contemporary artistic models manifested itself within a short period between the late seventh and the early ninth centuries. …”

Anatomy and poses of the human figure in Attic art from the last quarter of the sixth to the first quarter of the fifth centuries B.C by Tsingarida, A, Tsingarida, Athéna

“…This new approach may have influenced the way contemporary artists looked at, and represented the human figure, since it is probable that they knew these theories either from lay-texts, which often reproduce passages of philosophical or medical treatises, or from public lectures and readings.…”

Divine genius, subversive hero, or creative entrepreneur? Exploring various facets of the artist as a mythical figure by Mevorah Vera, Guga Jelena, Markov Čedomir

“…In this paper, we set out to analyze various tropes used persistently to describe artists and explore how relevant the resulting myths are in (self) perceptions of Serbian contemporary artists. Our multidisciplinary approach to this topic combines a historical-theoretical and empirical perspective. …”
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Non-Invasive Study of the Pigments of a Painting on Copper with the Inscription “<i>Boceto di Pablo Veronese</i>” on the Back by Rosario Blanc, Eloisa Manzano, Ana López-Montes, Nazaret Domínguez-Gasca, José Luis Vílchez

“…These results are compared to Veronese’s other paintings, as well as to those of certain contemporary artists, and the use of the resulting pigments in 16th and 17th century Italian painting techniques is discussed.…”
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Discoursing Asia: the regional contemporary and historical fracture in Asian contemporary art symposia, 1997–2002 by Wee, C. J. Wan-Ling

“…An emphasis on present-day art established a relational approach to temporality in which the recognition that contemporary artistic formations occupied a coeval time zone with contemporary western art in turn implied increased equality with the western metropole. …”
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The City on the Rails by Nikoleta Slováková

“…The main goal of the project is to bring back the attractiveness of the region with the usage of contemporary artistic concepts, technologies and strategies.…”
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An artistic interpretation of the first museum non-object by Jokanović Milena

“…The integration of contemporary artists' interventions into museum exhibitions and the artistic interpretation of heritage have become increasingly common practices over the last three decades of the 20th century. …”
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Towards sustainable conservation science in cultural heritage: bridging the gap between contemporary conservation theory and the philosophy of science in approaches to authenticity... by Tomas Markevicius, Nina Olsson, Nina Olsson

“…As contemporary artists’ practices evolve to incorporate ever-newer forms and approaches, conservators are encountering challenges not met before, that influence the development of sustainable and green treatment methods and materials. …”
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Color synesthesia in modern female poetry by Валерія Володимирівна Корольова

“…A display of synesthesia in the poetic speech of contemporary artists is analyzed. The lack of special studies of synesthetic linguistic representation in modern poetry determines the relevance of the proposed investigation. …”
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The usage of morbid themes and imageries in contemporary art: a case study of “12: a group exhibition in anticipation of the 2012 apocalypse” by Syed, Kanwal, Abdullah, Sarena

“…Using the exhibition as a case study this article examines the obsession of contemporary art with the mortality and transience of life and floats an apprehensive thought, is the sense of hopelessness and apocalypse on individual or collective level the only message contemporary artists have or is it just a commercial hype, in sync with the same capitalist consumer society it criticizes? …”
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«Illuminare il senso delle ricerche di oggi». Marisa Volpi Orlandini, critica militante negli anni sessanta/'Illuminating the meaning of today's research'. Marisa Volpi Orlandini,... by Sonia Chianchiano

“…The essay aims to investigate the role of militant criticism played by Marisa Volpi Orlandini during the 1960s and her contribution to update the Italian public on contemporary artistic research, affirming her point of view in a constantly changing artistic-cultural scene. …”
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Forgery of artists’ signatures on paintings or print from the perspective of Polish law by Olivia Rybak-Karkosz

“…However, as established in the paper, the Industrial Property Law and Act on Fair Trading do not apply to contemporary artistic creativity. The reason is that a signature would have to be registered in the Patent Office of the Republic of Poland as a trademark. …”
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