Art, history and tourism: The role of the travelling artist by Bruna Alves Lobo

“…From the nineteenth century onwards, contemporary artists sought to observe how travel became an artistic discourse. …”
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Who Is an Artist? Identity, Individualism, and the Neoliberalism of the Art Complex by Amelia G. Jones

“…Citing key works by a range of contemporary artists who have challenged these value systems—Cassils, rafa esparza, James Luna, Guillermo Gómez-Peña, and Susan Silton—this article foregrounds the critique of whiteness and masculinity and the interrogation of capitalism and neoliberalism necessary to interrogating these structures of value attached to artistic authorship.…”
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La posmodernidad en la poesía contemporánea española: la búsqueda de los orígenes / Postmodernity in contemporary Spanish poetry: The search for origins by Eva Álvarez Ramos

“…s stone of the arts. There is no contemporary artistic manifestation that does not come endorsed by this label, standard-bearer of an idea that is somewhat fluid and resistant to solidification. …”
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Composing with Analog Tape in a Post-Digital Age by Sean Russell-Hallowell

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Using money to suspend heavy or fragile objects by Ela, Jedediah Smith, 1979-

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A taxonomy of touch: tactile encounters in Renaissance Italy by Johnson, G

“…The collection brings together a rich and diverse set of approaches, with essays tackling subjects from prehistoric figurines to the work of contemporary artists, from pre-modern ideas about the physiology of touch to tactile interaction in the museum environment, and from the phenomenology of touch in recent philosophy to the experimental findings of scientific study. …”

Freedom as Virus: A Critique of the Neoliberal Notion of Freedom and an Analysis of Its Cultural Consequences by Aaron Michael Mulligan

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Inside out: ogled iz umetnosti mimova i mimovanja umetnosti by Ana Knežević

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Il camouflage nel campo allargato. Variazioni su Disruptive Pattern Material e Dazzle Painting nella cultura visiva contemporanea by Maite Méndez Baiges

“…If the camouflage was in its origins and early history a form of disclosure of modern art on a global scale, the use of DPM and Dazzle by contemporary artists, is a form of dissemination of military camouflage to civil level. …”
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Memória e mitos. O touro na obra de Jorge Vieira. A exposição como campo alargado by Raquel Henriques da Silva

“…Thus, an anthropological vision of a contemporary artistic practice was proposed, breaking chronologies and historical contexts that question the usual modes of art historiography. …”
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TikTok as a New Player in the Contemporary Arts Market: A Study with Special Consideration of Feminist Artists and a New Generation of Art Collectors by Anne Gerlieb

“…The study examines this process of professional self-positioning by using interviews with contemporary artists, curators, and observations on TikTok, artist talks, and secondary interviews with artists on online platforms. …”
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Rhizomatic Remediation: Adaptation in a Web-Based Art Praxis During Time(s) of Crises by Noah Travis Phillips

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Studying Problems of Art Interpretation in Music at University of Culture by S. Yu. Lysenko

“…The necessity of scientific understanding of the problem of the classical heritage representation and interpretation in contemporary artistic practice has now become particularly relevant. …”
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Dialectics of Remembering & Forgetting: Photography, Memory & US Normal Schools by Emily Voelker, Anjuli Lebowitz

“…In transhistorical revisitations of these archives, however, the contemporary artistic strategies of Simmons, Weems and Goshorn equally harness memory in embodied practices of remembering, where material revisitation and remaking serve as a method of recovering, processing, and transfiguring unfinished histories and intergenerational trauma.…”
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The politics of subterranean atmospheres in China: a study of contemporary chinese mining art by Marijn Nieuwenhuis

“…I analyse this “geologic politics” (Clark, 2013) through the artwork of filmmaker Zhao Liang and the painter Yang Shaobin, both contemporary artists working on subterranean lives, bodies, emotions and atmospheres. …”
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The Readymade as Social Exchange: Everyday Tactics of Resistance in Conceptual Art by Arthur Aghajanian

“…In the work of many contemporary artists, we have witnessed the tendency—inspired by Pop art’s engagement with consumer culture, to heighten the fetishistic nature of the commodity image. …”
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What does Music mean to Spotify? An Essay on Musical Significance in the Era of Digital Curation by Asher Tobin Chodos

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Rediscovering Caroline Avery: Submerged Narrative, Affect, and the Legacy of Minor Cinema by Marta

“…In the second half of the essay, I turn to the work of two contemporary artists, Michael Robinson and Mary Helena Clark, to argue that their similar ideas about affective narrative environments demonstrates the degree to which the ‘minor cinema’ has contributed to the establishment of a shared language within the avant-garde that younger artists can borrow from, revise, and extend. …”
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Crisis of art knowledge development in Malaysia contemporary visual arts by Mat, Mohamad Faizuan

“…In addition, Malaysian contemporary artists appear to have insufficient intellectualism values and no shared vision. …”
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WATCH ME MOVE : THE ANIMATION SHOW / by Hilty, Greg, editor 635515, Pardo, Alona, editor 635516, Barbican Art Gallery, editor 635517

“…It brings together industry pioneers, independent film-makers and contemporary artists including Etienne-Jules Marey, Harry Smith, Jan Svankmajer, William Kentridge and Nathalie Djurberg alongside the creative output of commercial studios such as Walt Disney, Aardman, Studio Ghibli and Pixar. …”