“Atlas der gesamten Musik und aller angrenzenden Gebiete”: Austrian Stereotypes, Music, and Material Agency as a Relational Model in Georg Nussbaumer’s Concert Installations by Christa Brüstle

“…Nussbaumer, as one of the outstanding contemporary artists in Austria, has worked with this musical performance format since the 1980s. …”
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Employing Aesthetic Possibilities of Compu Dobby loom’s weavings into fashionable women designs by Samia El Sheikh, Doha EL Demerdash, Nazkter Elreedy

“…Research importance: -          The importance of the research: -          Enable the Contemporary artists to use the dobby loom in the handmade fabric designs. -          Open a new field to the Wearable Art in Egypt and introduce it to the art men and the fashion designers as one of the modern arts in the contemporary arts field and business. …”
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Creative connections: the value of digital information and its effective management for sustainable contemporary visual art practice by Molloy, LA

“…Further findings include the critical value of digital technologies and digital objects to the workflows of contemporary artists in a range of ways across these fields. …”

Menas viešosiose miesto erdvėse: kūrėjo, užsakovo ir publikos vertybių sandraugos klausimas by Elona Lubytė

“…To this end, the focus is turned to the reasons of contradictions between values in various contemporary artistic programs and partnership patterns (post-soviet, liberal, new left-wing, learning from Las Vegas, political appropriation). …”
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ARTISTIC TRINITY: LITERATURE – CINEMA – MUSIC (THE FILM “EARTH” BY O. DOVZHENKO) by Larysa M. Gorbolis, Anna Ye. Chernysh

“…The corpus of methods was applied in the research: the cultural-historical method contributed to the understanding of the place, role, and meaning of film, music, and literary texts in contemporary artistic realities; the intermedial approach helped in identifying and characterizing the common, different and peculiar in the pictorial, mood, ideological and thematic, content filling of scenes, micro-episodes, symbolic images and details in samples belonging to various types of arts; the hermeneutic method is applied to reveal and interpret the traditional and innovative in stylistic specificity of the ethno-chaos performance of the “DakhaBrakha” band. …”
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CORPO FEMININO, CORPO POLÍTICO: DE FUSTIGADO À DEVORADOR DO INSTITUÍDO by Ana Maria Colling, Ana Carolina Acom

“…In this way, we can think of the feminine body as resistance and also as a war machine: nudity in contemporary artistic performances, political expressiveness, as well as in trans bodies, without definitions, but constituting aesthetics that compose different forms of existence. …”
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MEDIA-REALITY IN THE VISUAL ARTS / МЕДИАРЕАЛЬНОСТЬ В ИЗОБРАЗИТЕЛЬНОМ ИСКУССТВЕ by YUGAY INGA I. / ЮГАЙ И.И.

“…The author stems from the fact that in the works of contemporary artists the influence of media reality becomes more and more discernible on the level of theme, means of presentation and application of expressive means. …”
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La memoria y el archivo digital de arte contemporáneo: El caso del Archivo Español de Media Art by Juan Alonso López Iniesta

“…Taking as an example the so-called Media Art and departing from the experience of the project “Archivo Español de Media art / Spanish Archive of Media art (aema / saoma)”, this article aims to consider digital reality, contemporary artistic production, and its possibilities of archive and memory in order to approach the historiographical task of contemporary art. …”
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Kūrybinio eksperimento sampratos architektūroje by Tomas Grunskis

“…But still, the interdisciplinary aspect, common to contemporary artistic experimentation, draws art and science closer together. …”
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The Method of Participation of Architectural Elements in Conveying the Meaning of "Truth" in the Painting "Yousef's Escape from Zulaikha" by Kamal Al-Din Behzad by Alireza Bvandiyan

“…What are the special artistic and semantic advantages of this work and what are the findings for contemporary artists?The research method is descriptive-analytical and the method of data collection is documentary and library-based. …”
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The Ascension of Sultan Mohammad and Its Derivation in Three Contemporary Iranian Paintings with Genette’s Hypertextuality Approach by Maniejeh Kangharani, bahman namvarmotlagh, mohammad ali khabari, Mohammad Reza Sharif Zadeh

“…Being Inspired by other works of art – especially traditional painting – Iranian contemporary artists are still creating modern works, that can play a significant role in bonding the contemporary art to Iran’s traditional art and transmitting the ancestors’ contents, experiences, and artistic traditions. …”
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Typology of Line and Form in the Pattern of Bismillah Bird (Case Study of Professor Reza Mafi’s Work) by Seyed Nezamoddin Emamifar, Farzane Ramezanniay Kinchah

“…Reza Mafi is a leading Saqakhane school artist who implemented script in drawing images, and has created most works among contemporary artists around bird of Bismillah. Questions of the survey are: 1- What are the concepts of the script and image in bird of Bismillah regarding visual symbolism? …”
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Comparison of the Viewpoints of Jalal Al-e Ahmad and Dariush Shayegan on Iranian Contemporary Art Emphasizing the Issue of Identity by Seyed ehsan Rooholamin, Morteza Afshari

“…On the other hand, some kind of connection between some contemporary artists and contemporary scholars have been found, in order to finally identify the intellectual roots of Jalal Al-e Ahmad and Dariush Shayegan, with an emphasis on their type of approach, and the influence of these roots on the formation of the readings that led to the writing of articles in the field of theoretical studies of contemporary Iranian art, as well as the approach regarding these two thinkers’ thoughts about the Iranian contemporary art and the impact of these approaches on their writings in this case.According to the studies presented in this paper, the thinking of Jalal Al-e Ahmad and Dariush Shayegan has been formed on the subject of identity, which can be clearly traced back to the common roots of the formation of these ideas in "Fardidiyeh" meetings held at the house of "Amir Hossein Jahanbegloo". …”
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INSTALLATION IN THE POST-INTERNET ERA / ИНСТАЛЛЯЦИЯ В ЭПОХУ ПОСТИНТЕРНЕТА by BOKHOROV KONSTANTIN Y. / БОХОРОВ К.Ю.

“…Thereby, the methodology of Groys makes it possible to describe and critically evaluate various types of installations laying claim to the status of art in contemporary artistic culture. В современной культуре инсталляция стала ведущим жанром художественного творчества. …”
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The Subject of the Paintings by Reza Badrossama by nahid jafari dehkirdi

“…<br />The revival of traditional arts and the creation of a growing field of painting require that the works of contemporary artists be evaluated and criticized. Obviously, in the light of attention to them, one can expect their prosperity. …”
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МІФ ЯК БАЗОВИЙ ФАКТОР ФОРМУВАННЯ ТРАДИЦІЙ / MYTH AS A BASIC FACTOR OF FORMATION OF TRADITIONS by Ігор ЗВАРИЧ, Ганна КРАВЧЕНКО

“…So all that that contemporary artistic thinking is capable of, has its genesis in tradition. …”
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Déchirer la fiction. Le livre d’artiste pour apprendre à lire la photographie by Leszek Brogowski

“…The second part analyses the work of three contemporary artists &lt;/span&gt;&lt;span style="line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-size: 12.5pt;" lang="EN-GB"&gt;(Mathieu Tremblin, Jean-Baptiste Ganne, Hubert Renard) in the light of the accomplishments of the 1960s and 1970s. …”
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