Relire, réécrire et réinterpréter les textes et les images.Étude sémiotique de cas by Lynn Bannon

“…To explain this, we take as example the emblem In Senatum boni principis by André Alciat and the translation that proposed the sixteenth century writer and poet Simon Bouquet, as well as the eatching entitled El sueno de la razon produce monstruos by Francisco Goya and, finally, the photographic series Sleep/Dream of the Reason realized by the contemporary artist Yinka Shonibare who’s revisiting and updating the ideas of Goya’s etching. …”
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Landscape Painting. Rewriting Painting in the Postmedium Condition by Gal, Nissim

“…To answer this question the article examines the work of the contemporary artist Yehudit Sasportas. Sasporas offers a unique kind of written-drawn landscape painting that moves between the manual and the mechanical. …”
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THE VALUE OF LITHOGRAPHY IN ARTISTIC CREATION by DIACONU-CATAN,OXANA

“…At the same time, are mentioned the most representative plastic artists who have approached the lithographic technique in their works, which influences and helps the contemporary artist in his own work, marked by the active interaction of technology, science and art. …”
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Elemental aesthetics: On artistic experiments with solar energy by Engelmann, S, McCormack, D

“…Our argument is developed via participatory engagement with the work of contemporary artist and architect Tomás Saraceno, central to which is the ongoing attempt to craft aesthetic works that mobilize the elemental energy of the sun to generate novel modes of sensing, traveling, and living in the air. …”

Reaching imaginary places: resonance and reverberation by Kristupas Sabolius

“…Based on Bachelard’s phenomenological take on the temporality of imagination, this paper analyzes a few works by Marcos Lutyens, a contemporary artist. Bachelard offers two concepts that bring about an altered temporality of material imagination: resonance and reverberation. …”
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WorldView: Cultural Intersections in Contemporary Art by Dionne Custer Edwards

“…Each year, WorldView examines a new theme with social impact around the globe, and inserts experience with work by a contemporary artist and study as a way for learners to access and explore both pertinent global issues and topical contemporary art. …”
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The internet and contemporary visual culture: balancing aesthetics and politics in museums during the global era by Christine Bernier

“…Particular attention is paid to the Internet presentation of a work by the contemporary artist Chris Ofili entitled No Woman, No Cry , which was selected by Tate Britain to be part of the Google Art Project. …”
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WorldView: Cultural Intersections in Contemporary Art by Dionne Custer Edwards

“…Each year, WorldView examines a new theme with social impact around the globe, and inserts experience with work by a contemporary artist and study as a way for learners to access and explore both pertinent global issues and topical contemporary art. …”
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“Daddies” in Controversial Memoirs and Confessions: Laurie Sandell and Sylvia Plath by Michaela Weiss

“…Based on an analysis of two texts dealing with the image of a father - the comics memoir The Impostor’s Daughter (2009) by contemporary artist Laurie Sandell and the confessional poem “Daddy” (written 1962, published in 1965) by Sylvia Plath (1932–1963) – this paper explores the nature of memoir, confessional writing and the main features thereof including objectivity and distancing and the emphasis on factual fidelity. …”
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From Greek Original to Modern Pastiche: the Reformulation of the Classical Statue in Contemporary Art by Bente Kiilerich

“…When referring to earlier art, the contemporary artist often makes use of the multiple, in this way questioning the concept of the original and unique work of art. …”
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Wolfgang Tillmans and the Wandering Image by David Evans

“…<p align="left"><strong>Abstract (E):</strong> This paper explores, and relates, two aspects of the work of contemporary artist Wolfgang Tillmans: his fascination with what he terms ‘the wandering image’ whose meaning changes depending on how and where it is used; and his celebratory records of alternative lifestyles.…”
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Inspiration of environmental and popular symbols in the creation of modern mural works by Marwa Hassan

“…The artist aims at what is indirect, because he wants to make his dream multifaceted, he must know his hidden motives, yet he should not reveal it, instead he must catch symbolic radiations and link them together in an artistic form in such a way that the public is captured With the power of the sublime, without the destruction of the vital illusion, otherwise art would become grand The contemporary artist has worked on signs and symbols and joined them to his work after revealing their aesthetic secrets, imagined and understood together, so that the symbols form a wide knowledge space and become a reference and a reference to the artists, and broadcast their ideas and expression of their beliefs and social attitudes, and perhaps represent symbols imaginary world to face the reality of living, Artworks depend on complex symbols that enrich the aesthetic experience.…”
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“Mother and son: Reality versus art in virtual reality. Staging an atmospheric performance with immersive technologies” by Maxime Le Calvé

“…Picture yourself spending several years studying the artistic activity of a famous contemporary artist. Someday you are told that the artist, Jonathan Meese, is going to produce a work in virtual reality (VR) for the ARTE channel and one of Berlin’s leading institutions specializing in immersive artworks, the Berliner Festspiele. …”
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Displaced Ornaments: Naiza Khan's Critique of Sexual Difference in Muslim South Asia by Ali Altaf Mian

“…<p class="first" id="d53135e67">This article brings together a Muslim theologian from colonial India and a contemporary artist from postcolonial Pakistan, namely Ashraf 'Alī Thānvī and Naiza Khan, respectively. …”
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Art Struggles: Confronting Internships and Unpaid Labour in Contemporary Art by Panos Kompatsiaris

“…Grappling with the predicaments of work in contemporary art, a labouring practice that does not follow typical processes of valorization and has a contingent object and an extremely loose territorial unity, this article argues that while the identity of the contemporary artist is systemically and conceptually moving towards fluidity and open-endedness, these groups work to reaffirm a collective in whose name it is possible to advance certain claims, assumptions, and demands. …”
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It’s All in the Reading by Déirdre Kelly

“…It seems inherent in the nature of contemporary artist&#8217;s book production to continue to question the context for the genre in contemporary art practice, notwithstanding the medium&#8217;s potential for dissemination via mass production and an unquestionable advantage of portability for distribution. …”
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Installation Art and the Elaboration of Psychological Concepts: A Definition of the Term ‘Excursive’ by Lilyana Georgieva Karadjova

“…In this paper I refer to these registers of artistic perception in order to explore the concept of ‘excursive object’, which was introduced by the contemporary artist and theorist Peter Tzanev in a site-specific installation (Credo Bonum Gallery, Sofia, 2018). …”
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The Art of the Masses: Overviews on the Collective Visual Heritage through Convolutional Neural Networks by Pilar Rosado-Rodrigo, Ferran Reverter

“…One of the responsibilities of the contemporary artist is to adopt a position that will help to provide sense, to project meaning onto the accumulation of images that we are faced with. …”
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Palimpsestes ou l’image au second degré : Gail Albert Halaban, Hopper Redux, et Laetitia Molenaar, Here comes the Sun [it is all right] by Helena LAMOULIATTE-SCHMITT

“…Two contemporary artists, the American photographer Gail Albert Halaban and the Dutch painter and photographer Laetitia Molenaar, have decided to use Edward Hopper’s paintings as the starting point of art projects. …”
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Translating Warhol: turbamento, transmutation, transference by Reva Wolf

“…‘Translating Warhol’ aims to fill this gap, developing the topic in multiple directions and in the context of the reception of Warhol’s work in various countries. The contemporary artist Ai Weiwei has often said that the first book he read in English was The Philosophy of Andy Warhol because it was easy for a non-English speaker to understand. …”
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