Entre a criação e a exposição: o museu como ateliê do artista. Breve introdução ao tema by Teresa Azevedo

“…I thereby intend to suggest possible avenues for a future discussion regarding the contribution of a transdisciplinary study of the artist’s studio to a greater knowledge of contemporary artistic production, as well as its reception, documentation or musealization.…”
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Dans la vallée des tombes temporelles : monumentalité, temporalité et histoire dans la science-fiction by Raino Isto

“…While art history has sometimes examined the influence of sf ideas on modern and contemporary artists, a more sustained consideration of the relationship between monumentality and sf is lacking. …”
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“You Can Do This”: Working with the Artistic Legacy of El Lissitzky by Willem Jan Renders

“…The collection of the Van Abbemuseum in Eindhoven comprises works by some 800 modern and contemporary artists, and El Lissitzky is one of the most important among them. …”
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BANKSY: STREET ART FOR THE NEW GENERATION. by Paulo César Rodrigues Diógenes

“…The present paper overtake the work of the so-called artist known as Banksy, bordering (by means of graffiti culture) the phenomenom known as street art, a word that describes a great range of different contemporary artistic manifestations that takes place in the everyday public space, a space seen as a privileged environment for expression, a perfect place for appearances and insubordinations. …”
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Creating In-between Times and Identities: Expressions of Contemporary Theatre in Guatemala by Regina Solis Miranda, Luis Antonio Morales Rodríguez

“…By recognizing Mayan and Ladino/mestizo theatrical trends, we can explore alternative ways of thinking that shape contemporary artistic production in the country.…”
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Un art de résister ? Marges de manœuvre et mémoires à Douala by Maïa Ghattas

“…This article focuses on the place of contemporary artists in the government of the city of Douala through the study of the re-appropriation of spaces outside the walls and including a place, the Café artistique. …”
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Innovative Applications for Presenting Heritage in the Visual Arts Medium: A Case Study of the Omani Legends and Stories Exhibition by Nada Al-Ajmi

“…In transforming the folk tale into a visual medium, contemporary artists have illuminated the remarkable flexibility of this cultural heritage. …”
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Curadoria em arte/arqueologia: processos de proto e pós-escavação by Pedro da Silva, Inês Moreira

“…These case studies refer to examples of Portuguese contemporary artistic creation, namely from the collective Pedra no Rim and the artist João Gomes Gago. …”
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التعامل الدعوي للإمام النورسي مع القوميات التركية والعربية والكردية = Al-tta`amul al-da`awi li al-Imam al-Nursy wa Ma`a aAl-qawmiyat al-Turkiyyah wa al-Arabiyyah wa al-kurdiyyah)... by Jassim, Layeth Suud

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Transformation: Troublemaker by Marina Tkacheva

“…It speaks about the eclecticity of contemporary artistic perception and the diversity of interpretations of the artistic spirit of the sculpture.…”
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De l’usage postcolonial de l’archive. Quelques pistes de réflexion by Crystel Pinçonnat

“…The purpose of the project is to highlight the various ways, in which archives are used by contemporary artists – writers primarily, but also filmmakers and visual artists – in a postcolonial perspective.…”
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Donald Barthelme’s “Report” and Michal Rovner’s Decoy series, or the Ongoing Art of Telling It Slant by Sandrine Dechaume

“…This article examines how two contemporary artists, American writer Donald Barthelme and Israeli filmmaker and photographer Michal Rovner use overexposure in order to denounce forms of televisual “brain damage.” …”
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SHOAH: CATASTROPHE AND REPRESENTATION by Arthur Nestrovski

“…On the basis of an analysis of the film Shoah, by Claude Lanzmann, as well as of Paul Celan's poetry, this essay discusses problematic modalities of representation in contemporary culture. For many contemporary artists, the denial of representation is the only means not to betray an experience which demands and, at the same time, resists interpretation. …”
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ART AS SOCIAL-CULTURAL PHENOMENON by FLOREA ELEONORA

“…Against the background of the multiple contemporary artistic manifestations we realize that the famous artistic creations, from the first masterpieces of the prehistoric caves to the great painters, sculptors and architects of all time (like Phidias and Praxiteles, Raphael and Michelangelo, Leonardo da Vinci and Caravaggio, Bernini and Bramante, Rubens and Rembrandt, Picasso and Brâncuşi etc.) constituted the millenary spiritual culture of the human society.…”
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Digital appropriated neo-dada art by Chen, Carvey YongXiang

“…This final year project examines current social issues concerning our digital personas, social networks and internet privacy whilst introducing contemporary artists who have utilised the digital sphere as a source to explore and exploit identity. …”
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Contemporary Nigerian Artists' Response to Postmodernist Trends and Its Implications for Effective Artistic Growth by Giles Gambo Duniya, Kehinde Adewumi

“…To proffer answers to these questions, the paper enunciates a historical overview of contemporary African art and artists vis-à-vis the generalized concept of post-modernity, from the subjective view that its conceptualization and understanding, have a direct influence on contemporary artistic practice and expression. The paper then interrogates certain arts, within the context of their postmodern trend. …”
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Literature in production of visual art. by Fun, Michelle Lai Ling.

“…By referencing literature, local contemporary artists have created multiple dimensions in their work. …”
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ANALYSIS OF THE FORMATION AND DEVELOPMENT OF ORTHODOX THEMES IN NATIONAL STILL LIFE (FROM THE 19TH CENTURY TO PRESENT) by Kuznetsova Evgenia Yu.

“…The author maintains that Orthodoxy themes are present in the still-life paintings of contemporary artists.…”
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Caricatura y Perfomance en los dialogos interculturales. by Juan Carlos Guerrero

“…This article analyzes the role of caricature in performances by contemporary artists James Luna, Guillermo Gómez Peña, and Roberto Sifuentes. …”
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R.U.A.: Augmented Urban Reality. When the meeting turns into an artistic, collective and expanded territory by Lilian Amaral

“…The present discussion aims to investigate ways of making collaborative art configured as a field of a liquid geopolitical, appropriate “space-time” before a participatory model and shared networks, trough territories transformation processes, considering its cultural, ecological, political, social and technological implications, based on social creativity, collective action and contemporary artistic practices as thematic platforms for innovative urban interventions.…”
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