“Bitting the real”: commitment before representation by Eduardo Pellejero

“…This paper aims to explore, in a dialogue with some contemporary artists, critics and philosophers, what is at stake in that peculiar relation with the real.…”
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THE CREATION OF PAINTER LI BAO YI: MODERN WAYS OF THE JIANZHI TECHNIQUE DEVELOPMENT by IAN TSZUNYU

“…Based on the examples of the jianzhi paper cutting technique, it is demonstrated how traditional themes and techniques can be applied in the creation of contemporary artists. Among them is Li Bao Yi, a well-known Japanese painter, who creates her conceptual works focused on the theme of the interaction between nature, technology and the modern aspect of urbanization.…”
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Aesthetics and the Meaning of Artworks by Matilde Carrasco

“…When the conceptualist emphasis on meaning encouraged the divorce between art and the aesthetic over contemporary artistic practice and theory, recent broad conceptions of aesthetic experience and value are trying to reinvigorate the identification between them. …”
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Finding an Artistic Identity: Uses of Contemporary Art’s Strategies for the Making of Meaning in a Day Hospital by Gabriela A. Victoria

“…In this paper the author examines the use of certain artistic operations that had been validated by contemporary artists in the context of teaching art to young people who suffers from different disorders around the construction of the self. …”
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Hegel's Symbolic Stage: An Old Perspective on Contemporary Art by Laura T. Di Summa-Knoop

“…My belief is that an analysis of Hegel’s conditions for the affirmation of art opens the door to a discussion of contemporary artistic trends, a discussion that also takes distance from the (perhaps) abused question of what defines art. …”
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Spatial dialogues and Holocaust memory in contemporary Polish art: Yael Bartana, Rafał Betlejewski and Joanna Rajkowska by Uilleam Blacker

“…The paper analyses how the work of three contemporary artists deal with the memory of Poland’s pre-war Jewish population and the Holocaust. …”
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Prisonniers du Soleil. La part maudite de la modernité by Guillaume Désanges, Thomas Golsenne

“…Guillaume Désanges, art curator, is asked by Thomas Golsenne, art historian, to explain his understanding of ornament as modernism “dark side” and its analytical use by contemporary artists as Corey McCorkle or Isabelle Cornaro. …”
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CULTURE AND TECHNOLOGY: AUTOMATION IN THE CREATIVE PROCESSES OF NARRATIVE by Fernando Fogliano

“…The objective here is to think on the problem raised by the progressively opaque presence of technology in the contemporary artistic production. Automation is the most evident aspect of technology of devices used for production, post-production and dissemination of this cultural activity. …”
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From conception to exhibition: the ‘iNTERFACES’ competition by Cristina Sá

“…This competition was created to foment the development of digital and interactive art, by valuing contemporary artistic practice. I have had the opportunity of following the development process and the privilege of being a jury member of iNTERFACES. …”
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Using the basics of Les Kurbas’s directing skills in the training of future specialists in higher education by L. Svanidze, V. Levytskyi, O. Venher

“…Les Kurbas is a personality whose views and principles of acting and directing can be a guide for contemporary artists, and therefore they should be used in the professional training of students of theatre and film education. …”
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Advantage of Aesthetics of the Islamic Art in the work of "Omar El - Nagdi" for the Design of Artistic Glass Products. by Sahar Mohamed, Hagar Ahmed

“…Advantage of the Formative Construction in the Contemporary work of "Omar El - Nagdi" in Design of Contemporary Artistic Glass Products to emphasize the Islamic identity and sticking with the heritage in terms of the ideological and design side.   …”
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Human curiosities in contemporary art and their relationship to the history of exhibiting monstrous bodies by Nichols, C

“…Concurrently, a remarkable number of contemporary artists have also turned to the history and imagery of these spaces to explore the politics of display in exhibitions of non-normative bodies. …”

Contemporary aesthetic forms and scientific museology (Italian original version) by Alessandra Drioli

“…Furthermore, it examines the considerable overlap apparent between the themes addressed by contemporary artists and current scientific developments. …”
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Visual order of Chinese ink paintings by Zhen-Bao Fan, Kang Zhang

“…This paper reports the results of evaluating the influence of extracted features on visual order in Chinese ink paintings, using a regression model. We use nine contemporary artists’ paintings as examples and extract features related to the visual order of their paintings. …”
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L’art public altruiste dans l’Espagne contemporaine by Anne Puech

“…Eventually, we'll try to find common points between the thought process of some contemporary artists and the social change the "libertarian educational model" expects.…”
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Les images animées au Musée de l’histoire de l’immigration, des dispositifs pour le patrimoine immatériel de l’immigration ? by Marie Caquel

“…Today, the moving pictures are very present in the permanent exhibition called "Repères", under the shape of photographic movies, archives images, filmed testimonies and contemporary artists videos. Describing these devices we want to show that frontiers between disciplines and its approaches to transmit an immaterial heritage are not seals. …”
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John Singleton Copley and the World of Prints by Jules David Prown, Mark Hallett

“…Yet he was involved with prints throughout his career and beyond, from his earliest exposure to art in the Boston studio of his stepfather to the sale four years after his death of his collection of around 1,125 prints by and after old master and contemporary artists, and many engravings after his own paintings.…”
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“Euripidean dilemma”: Nietzsche’s influence on Danto’s philosophical understanding of performance art by Benjamin Riado

“…Danto finds in Nietzsche a critical tool for engaging with contemporary artists: what he calls the “Euripidean dilemma”. …”
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Greta Alfaro, le rituel à l’épreuve de l’animal by Vincent Lecomte

“…Many animal societies display relational logic and collective practices that can be compared to those of humans, as it has been noticed by ethology. Contemporary artists have considered a transfer between human and animal susceptible to question the phenomenology of a social group. …”
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L’ecosistema digitale Artence basato su blockchain per la valorizzazione e scambio di Non Fungible Tokens (NFT) by Redazione Archeomatica

“… Artence is an international project as it aims to bring together in a single environment resources from all over the world of contemporary artists (digital or traditional), collectors, art galleries, foundations, public museums and private museums. …”
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