Charles III et les cabinets de porcelaine de Portici, Aranjuez et Madrid : Transferts technologiques et artistiques dans le contexte méditerranéen by Tobias Locker

“…By highlighting the specificity of the Mediterranean context in which they were created, an important facet will be added to their history, allowing not only a better understanding of their successive creations, but also of the multifaceted influence they exerted on contemporary artistic production in Spain.…”
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1. Simultaneo Ensemble – Bringing Our History Into the Future / A New Pedagogical Approach of Music-Making Developed from “Bottega Dell'arte” by Franchini Cecilia

“…How much can contemporary artists and audiences learn from the past? The mission and activity of Simultaneo Ensemble - SIM - is presented. …”
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L’ecosistema digitale Artence basato su blockchain per la valorizzazione e scambio di Non Fungible Tokens (NFT) by Redazione Archeomatica

“… Artence is an international project as it aims to bring together in a single environment resources from all over the world of contemporary artists (digital or traditional), collectors, art galleries, foundations, public museums and private museums. …”
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L’ecosistema digitale Artence basato su blockchain per la valorizzazione e scambio di Non Fungible Tokens (NFT) by Redazione Archeomatica

“… Artence is an international project as it aims to bring together in a single environment resources from all over the world of contemporary artists (digital or traditional), collectors, art galleries, foundations, public museums and private museums. …”
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Augmented Reality and the Dematerialization of Experiential Art by Dawna Schuld

“…This essay explores how digital enhancement disengages self-awareness by masquerading as immersion. In contrast, contemporary artists Karin Sander, Janet Cardiff, and Chris Salter employ desynchronizing and dislocating tactics to challenge naïve notions of what comprises an aesthetic experience, in order to requaint viewers with their own perceptual and ethical agency.…”
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Issues and problems in Malaysian contemporary visual arts by Mat, Mohamad Faizuan, Baharuddin, Mohd. Nasir

“…In fact, Malaysian contemporary artists appear to have insufficient intellectualism values and less discourse activities. …”
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Representation of creation and death in occidental ceramic art (the second half of the twentieth century to today) by mehrnoosh shafiei sararoudi

“…It is the case, formed by western contemporary artists, in different artistic frameworks including installations, performances, etc. that has been analyzed in this paper. …”
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Contemporary Trends of the Interpretation of the Ukrainian Folk-Song Performance Paradigm by Yu. I. Karchova

“…Research methodology of this paper is based on the principles of the musical and interpretive approach and stylistic analysis. Results. Contemporary artistic incarnations of folk-pop song performances demonstrate their ability to function in different style contexts. …”
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Performative Geschichte, Apódeixis und das Problem der Fürsprache by Eva Kernbauer

“…Discussing the recent performative and historiographical “turns” in art as complementing and reinforcing each other, the term apódeixis, as conceptualized in Johann Gustav Droysen’s theory of history to connect research and representation, is proposed to describe contemporary artistic engagements with history. The examined works by Wendelien van Oldenborgh, Erika Tan, and Bouchra Khalili critically engage with performativity and historiography. …”
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Edgar Allan Poe illustrated by Silvina Sartelli

“…The purpose of this article is to analyze the way Poe’s texts were captured by classic, modern, and contemporary artists. The focus of attention is put on the identification of the similarities and differences between their works, and their approximation to the selected texts.…”
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Le discours politique de la Galerie nationale des beaux-arts de Jordanie : une contestation autorisée ? by Thomas Richard

“…It pays particular attention towards regional contemporary artists and brings them to a global audience, and insists on the questions of war and cultural imperialism. …”
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Art education and contemporary practices: producing the relationship with art, science and technology by Fernando Miranda

“…Analysis is proposed on the basis of a teaching laboratory condition and public mediation associated to contemporary artistic production, with a format linked to an educational curatorship of the exhibition under a visual culture perspective.…”
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For a Typology of Participation in Community Artistic Practices: the experience of three theater groups in Brazil and Portugal by Hugo Cruz, Isabel Bezelga, Isabel Menezes

“… The article aims to address the participatory dimension as a central feature in contemporary artistic creation, deepening the relationship between processes and results. …”
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EXERCÍCIO DE DESCONSTRUÇÃO APONTAMENTOS SOBRE GESTÃO AUTÔNOMA E O CAMPO ARTÍSTICO CONTEMPORÂNEO by Ilze Petroni

“…“Dismantling Exercise: Notes on Autonomous Initiatives And The Contemporary Artistic Field”EXERCÍCIO DE DESCONSTRUÇÃO:APONTAMENTOS SOBRE GESTÃO AUTÔNOMA E O CAMPO ARTÍSTICO CONTEMPORÂNEO…”
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ZNACZENIE PERSONALISTYCZNEJ KRYTYKI ARTYSTYCZNEJW POSZUKIWANIU SENSU SZTUKI by Joanna Winnicka-Gburek

“…It is possible to ask question about the sense of art only on the basis of philosophy including, among others, peronalism.In this text, the concept of Tymon Terlecki’s personalistic criticism based on Emmanuel Mounier’s philosophy is analyzed to assess the usefulness of its main assumptions and design a model of the contemporary artistic critic. Theanalysis of such concepts as person, personal movement, freedom, transcendence, symbol andview leads to the conclusion that a critic-personalist is not supposed to be satisfied only with deciphering the sense of art. …”
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Image: from the cinema to the performance by Carina Sehn, Paola Zordan (Federal University of Rio Grande do Sul, Porto Alegre /RS, Brazil)

“…With Deleuze’s philosophical studies on cinema, we bring his image taxonomy, which passes from a movement-image to a time-image, and we also consider theater to analyze how an image is launched from a stratified and moralizing representation to a performative and resonating image. The work of contemporary artists allows and makes us think an image in its relation with the new, with what is impossible to restrain, with images produced by the art of performance, by a body which creates images successively. …”
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Do you believe in what exists? by Claudia Rodríguez-Ponga Linares

“…Dialoguing with the work of various contemporary artists who are either interested in these issues or practitioners of forms of mediumship, one can glimpse an intricate mesh in which ecology, magic and decolonial thought come together.…”
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‘Art that explores history: Reconceptualizing contemporary art’s historicity in the global framework’. Review of: Eva Kernbauer, Art, History, and Anachronic Interventions Since 19... by Birgit Hopfener

“…Eva Kernbauer’s book Art, History, and Anachronic Interventions Since 1990 argues that contemporary artistic historiographies can potentially help us to reconceptualize historiography and to rethink contemporary art’s historicity. …”
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Artistic practices in contemporary Asia by Abdullah, Sarena

“…Under the geographical premise of Asia, this issue focuses on the selection of papers that address the artistic practice that linked art to the broader shifts of political, social and public spheres. The contemporary artistic practices in Asia have long evolved and have grown exponentially since the 1990s, with the increasing regional biennials and triennials, the establishment of new contemporary art museums and the success of various Asian artists. …”
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5. From an Exhibition Gallery to a Space for Contemporary Art Projects. Aparte Gallery of Unage Iași by Soreanu Cătălin, German Lavinia

“…The multitude of artistic events formats includes exhibitions, workshops, conferences, book launches, residencies, bachelor and dissertation exams, and highlights the versatility of the gallery that has evolved, over time, into a real space of contemporary artistic projects, which encourages the artistic research and experiment in all FAVD’s specializations. …”
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