Così fan Tutte by Clarita Costa Maia

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Così fan tutte: Brilliance or Buffoonery? by Sarah Whitfield

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Mozart, Da Ponte, and Censorship: Don Giovanni and Così fan tutte at the Vienna Court Theater, 17981804 by Nedbal, Martin

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Mesmer et Mozart: un rapport (apparemment) simple by Stile, Alessandro

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O século XVIII é mais avançado que o XXI: uma experiência de autoetnografia by Fabio Akcelrud Durão, Ana Karla Canarinos

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«Io ho bisogno di animali teatrali» by Matteo Paoletti

“…So, Giorgio Strehler, in 1997, gave indications to the musicologist Carlo de Incontrera for the distribution of Così fan tutte, a production that in his own mind should have marked the crossing of the boundaries between straight and opera theater, by creating in the new headquarters of the Piccolo Teatro the «lyric theater of art» he had been pursuing for a large part of his career. …”
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Adaptacja libretta operowego na potrzeby realizacji scenicznej – kilka uwag od tłumacza by Agnieszka Muszyńska‑Andrejczyk

“…Adaptation of the operatic libretto to the needs of stage presentation – a few translator’s remarks The paper presents my reflections concerning translations of two operatic librettos from different ages: Lorenzo da Ponte’s text to Così fan tutte by W.A. Mozart and Giovacchino Forzano’s to Suor Angelica by G. …”
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