DRACULA / by Stoker, Bram, 1847-1912, author 405898

“…From the back cover, "English lawyer Jonathan Harker journeys to Count Dracula's Transylvanian castle to discuss a routine real estate transaction. …”

Tracciare i corpi oltre l’umano. Dal mostro di Frankenstein a noi cyborg by Antonio Tursi

“…So the Frankenstein's creature and Count Dracula have opened a reflection about the power relationships that designed their and our bodies. …”
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The face of the mask. The “Bela Lugosi” biofiction by Edgardo Franzosini by Federica Gianni

“…The book Bela Lugosi by Edgardo Franzosini presents itself as a particularly fruitful text for analyzing the dialectic between reality and fiction, since the writer chooses to tell the story of an actor, Bela Lugosi, who confuses his life with that of the character he plays, Count Dracula. This mirroring game lends itself to investigating the intertwining, as interesting as it is problematic, between true and false. …”
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The art of transgressing religion through the guise of vampirism. by Lim, Lesli Sheue Huah.

“…In Dracula, however, Bram Stoker focuses on only Catholicism and through it, explores the possible fallacies the Catholic religion may have through the titular vampire, Count Dracula of Transylvania.…”
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The Sympathetic Vampire:A Study of Anne Rice’s Interview with the Vampire by QASSIM SARHAN, ZAHRAA' SAHIB

“…The cornerstone upon which all the vampire characters now turn was established in 1897 byBram Stoker in his novel Dracula which, since its publication, has never been out of print and its title character, Count Dracula, has become an icon of terror that inspired many subsequent novels and stories of the vampire fiction genre. …”
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Beyond Emptiness: A Critical Review by Halla Kim

“…Finally, Lee suggests that the general philosophical theory he introduces and develops actually works for literary works including the Book of Job, Count Dracula and Frankenstein.…”
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FUNCTIONING OF THE SPEECH CONSTITUENTS OF THE LEXICAL SEMANTIC FIELD “FACE” IN BRAM STOCKER’S NOVEL DRACULA by І. Ю. Онищук, О. О. Матович

“…We focus on the depiction of the vampire characters to identify the set of typical traits as they are represented in the novel, special attention is paid to the traits attributed to Count Dracula. We adopt the definition of the portrait offered by Elena Kalinjuk, where portrait description is understood as a variation of the compositional speech forms “description” which studies a literary character, his/her appearance, clothes, manners, speech and psychoemotional behavior. …”
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Creeping from the Grave – The Return of Dracula by Emilia Musap

“…Sam George’s paper, on the other hand, draws a parallel between the two most powerful archetypes of the 19th century – Bram Stoker’s Count Dracula and the Pied Piper, originally published as Die Kinder zu Hameln (1816-1818) by the Brothers Grimm. …”
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