The Impact of Force Majeure on the Development and Organisation of Film Festival Activities in Ukraine by Alina Lytvynenko

“…Organising film festivals is an important process for the country's film industry development. This process requires specific skills on the part of the organisers, as well as careful attention to the organisation as a whole. …”
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The portrayal of technology and propaganda through the lens of World War II films by Lim, Yan Quan

“…As World War II started to break out in the different countries, film acted as one of the biggest mediums that governments utilized to spread their ideologies and beliefs to the common people. …”
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The impact of cultural industries on national economy / Herwina Rosnan and Mohd Nazari Ismail by Rosnan, Herwina, Ismail, Mohd Nazari

“…In the case of third world countries, film industry has been neglected in the academic literature despite its huge potential contribution to the economy. …”
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Message films in Africa: A look into the past by Rachael Diang′a

“…This study therefore investigates possible roots of message film-making in Africa that directly influence the tendencies in Kenya by making references to other African countries’ film experiences. My assumption is that Kenya’s cultural experiences are shared by other African countries.…”
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Films “of Eastern Life” of the 1920s in the Light of Intercultural Communication among the Peoples of the USSR by Elena V. Dianova

“…The aim of this piece is to expose the communicative functions of cinematography as a medium for information exchange and to ascertain the cognitive possibilities of silent cinema for the communicative interaction of the peoples of our country. Films “from Eastern life” had to conform to certain criteria, taking into account the idiosyncrasies of the national mentality of the inhabitants of the eastern outskirts. …”
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Symbols of Heroes in the Indonesian and Chinese Movies by Woro Januarti

“…The theme of heroism in the two countries’ films has a striking differences, such as Chinese films are more concerned with collective characters’ obligations and interests, the film does not have an element of humor, and the theme emphasizes conflicts with other countries. …”
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Are Audience Preferences for Electronic Cinema Affected by Preferences in Indonesian Movie Choices? by Endik Hidayat, Daniel Susilo, Mujiono Mujiono

“…It bridges conventional movie-watching habits with the digital age, providing significant information into Indonesia’s and other countries’ film consumption. Keywords: Audience preferences, electronic cinema, movie choices   ABSTRAK Sinema elektronik telah mengubah industri film di seluruh dunia dengan menyediakan berbagai film kepada penonton konten di platform digital. …”
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