Slika Bogorodice s Djetetom u The Courtauld Institute of Art u Londonu - prijedlog za Petra Jordanića by Emil Hilje

“…U potrazi za podacima koji bi mogli dodatno rasvijetliti problematiku slike Bogorodice s Djetetom u The Courtauld Institute of Art dragocjene informacije pruža Fondazione Federico Zeri u Università di Bologna. …”
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Disciplining the Digital: Virtual 3D Reproduction, Pilgrim Badges, and the Stuff of Art History by Amy Jeffs, Fern Insh, Erich Hatala Matthes, Tom Flynn, Daniel Pett, Tim Ayers, Sofia Gans, Lucy Splarn, Tom Nickson, Robert Hawkins, Gabriel Byng

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British Art after Brexit by Jenny Gaschke, Sarah Gould, Gill Perry, Francesco Ventrella, Kimberly Lamm, Jackson Davidow, Isobel Harbison, Edwin Coomasaru, James Alexander Cameron, Imogen Hart, Corinne Fowler, Alexander Massouras

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A study of cadmium yellow paints from Joan Miró’s paintings and studio materials preserved at the Fundació Miró Mallorca by Mar Gomez Lobon, Marta Ghirardello, Enric Juncosa Darder, Carlos Palomino Cabello, Marta Bauza, Marine Cotte, Aviva Burnstock, Austin Nevin, Silvia Rita Amato, Francesca Caterina Izzo, Daniela Comelli

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Becoming Alfonso VI: the king, his sister and the "arca santa" reliquary by Rose Walker

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Defying the Predictable: Donatello and the Discomfiture of Vasari by Harris, J

Correction: Denysova (2022) From Folk Art to Abstraction: Ukrainian Embroidery as a Medium of Avant-Garde Experimentation. <i>Arts</i> 11: 110 by Katia Denysova

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Art and nature: Studies in medieval art and architecture by Wimmer, H, Woodworth, M, Nickson, T, Olympios, M, Victoir, G, Gearhardt, H, Lucchini, F, Gerry, K, Cleaver, L, Bartal, R

A Preliminary Study on the Differentiation of Linseed and Poppy Oil Using Principal Component Analysis Methods Applied to Fiber Optics Reflectance Spectroscopy and Diffuse Reflecta... by Silvia Rita Amato, Aviva Burnstock, Anne Michelin

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Serenade to a Cat: An Iconography of Laughter by Minerva Keltanen

“…Sheila McTighe (The Courtauld Institute of Art) ja kustoksena Prof. Ville Lukkarinen (Helsingin yliopisto).…”
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Una Insalata Di Più Erbe: A Festschrift for Patricia Lee Rubin by Campbell, C, Gregory, S, Henry, T, Nuttall, P, Brooke, I, Childs, K, Nethersole, S, Rumberg, P, Gray, E, Korman, S, Milk Macfarland, J, Burke, J, Dent, P, Harris, J, Nutall, G

<i>Film – náš pomocník. České krátké filmy 50. let. Film – Our Helper. Czech Short Films of the 1950s</i> by Jonathan Lyndon Owen

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Thomas Becket: Murder and the Making of a Saint, British Museum, 20 May–22 August 2021 by Tom Nickson

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Subjectivity, historical imagination and the language of art history by Thomas Hughes

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“Looking Out”: The 2018 Association for Art History’s Annual Conference by Gillian McIver

“…With forty sessions, more than three hundred papers and three “blockbuster” keynotes, the Annual Conference for Art History and Visual Culture co-hosted by the Courtauld Institute of Art and King’s College, London on 5–7 April 2018 was the biggest the Association of Art Historians (AAH) has mounted to date. …”
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Positivism, Impressionism and Magic: modifying the modern canon in America and France from the 1940s by Gavin Parkinson

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The Englishness of English Sedilia by James Alexander Cameron

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Philosophy as a vanitas: Lyotard’s exploded Sublime by Sarah Wilson

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New information on the 19th century provenance of Albertinelli's Old Testament cycle by Dulibić, Ljerka, Tržec, Iva Pasini

“…Buchanan and his agents, has provided new evidence of the 19th century provenance of Mariotto Albertinelli's paintings The Expulsion from Paradise in the Strossmayer Gallery in Zagreb, and The Creation and Fall of Man in the Courtauld Institute of Art Gallery in London. The material analysed provides an insight into the then common practice of fragmenting artworks, sometimes very violently, and enables a revision of some assumptions and claims concerning the fate of the two paintings by Albertinelli, ultimately suggesting some guidelines for conclusions as to the original appearance of his Old Testament cycle.…”
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Countenances of the deepest attentiveness: the historical reputation of Jan van Scorel’s portraits by Albert Godycki

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