On-site colour removal at courtaulds textiles/ by 251357 Reid, Rebecca

Subjects: “…Courtaulds textiles…”

Britain’s first migrant strike: migration, labour militancy, and racial politics at Courtaulds, Preston, 1965 by Hepworth, J

Essential Components of Synthetic Infectious Prion Formation De Novo by Kezia Jack, Graham S. Jackson, Jan Bieschke

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A study of cadmium yellow paints from Joan Miró’s paintings and studio materials preserved at the Fundació Miró Mallorca by Mar Gomez Lobon, Marta Ghirardello, Enric Juncosa Darder, Carlos Palomino Cabello, Marta Bauza, Marine Cotte, Aviva Burnstock, Austin Nevin, Silvia Rita Amato, Francesca Caterina Izzo, Daniela Comelli

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Defying the Predictable: Donatello and the Discomfiture of Vasari by Harris, J

John White’s and John Shearman’s Viennese Art Historical Method by Ian Verstegen

“…John White and John Shearman were two of Johannes Wilde’s most brilliant students at the Courtauld. Although Wilde did not espouse a method his own concentration on site-specifics of works of art and interest in reconstruction, which was such an important component in his students’ work, can be traced back to Vienna school interests in intense knowledge of the artwork and parallels some of the classic pronouncements of the ‘second’ Vienna school of Hans Sedlmayr and Otto Pächt. …”
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Correction: Denysova (2022) From Folk Art to Abstraction: Ukrainian Embroidery as a Medium of Avant-Garde Experimentation. <i>Arts</i> 11: 110 by Katia Denysova

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Art and nature: Studies in medieval art and architecture by Wimmer, H, Woodworth, M, Nickson, T, Olympios, M, Victoir, G, Gearhardt, H, Lucchini, F, Gerry, K, Cleaver, L, Bartal, R

A Preliminary Study on the Differentiation of Linseed and Poppy Oil Using Principal Component Analysis Methods Applied to Fiber Optics Reflectance Spectroscopy and Diffuse Reflecta... by Silvia Rita Amato, Aviva Burnstock, Anne Michelin

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New information on the 19th century provenance of Albertinelli's Old Testament cycle by Dulibić, Ljerka, Tržec, Iva Pasini

“…Buchanan and his agents, has provided new evidence of the 19th century provenance of Mariotto Albertinelli's paintings The Expulsion from Paradise in the Strossmayer Gallery in Zagreb, and The Creation and Fall of Man in the Courtauld Institute of Art Gallery in London. The material analysed provides an insight into the then common practice of fragmenting artworks, sometimes very violently, and enables a revision of some assumptions and claims concerning the fate of the two paintings by Albertinelli, ultimately suggesting some guidelines for conclusions as to the original appearance of his Old Testament cycle.…”
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Una Insalata Di Più Erbe: A Festschrift for Patricia Lee Rubin by Campbell, C, Gregory, S, Henry, T, Nuttall, P, Brooke, I, Childs, K, Nethersole, S, Rumberg, P, Gray, E, Korman, S, Milk Macfarland, J, Burke, J, Dent, P, Harris, J, Nutall, G

Bergson(-ism) Remembered: A Roundtable by Mark William Westmoreland and Brien Karas, eds.

“…Bergson(ism) Remembered: A Roundtable Curated by Mark William Westmoreland with Brien Karas (Villanova University, USA) Featuring Jimena Canales (University of Illinois-UC, USA), Stephen Crocker (Memorial University of Newfoundland, Canada), Charlotte De Mille (The Courtauld Gallery, UK), Souleymane Bachir Diagne (Columbia University, USA), Michael Foley (University of Westminster, UK), Hisashi Fujita (Kyushu Sangyo University, Japan), Suzanne Guerlac (University of California, Berkeley, USA), Melissa McMahon (Independent Scholar, Australia), Paulina Ochoa Espejo (Haverford College, USA), and Frédéric Worms (L’École Normale Supérieure, France)…”
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An Edition of Jacobus Colius, ‘Tractatus de fictis charateribus’ or ‘Tractate on Ciphers' by Poole, W

“…I have assembled a study of this manuscript and its intellectual significance for The Journal of the Warburg and Courtauld Institutes, but for reasons of space I cannot publish the edition on which that study is based there. …”

Thomas Becket: Murder and the Making of a Saint, British Museum, 20 May–22 August 2021 by Tom Nickson

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Exile and subjectivity: words and images in the writings of Sadakichi Hartmann by David Peters Corbett

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Philosophy as a vanitas: Lyotard’s exploded Sublime by Sarah Wilson

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The Alfonso X’s patronage of Gothic architecture by Tom Nickson

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<em>All the Missiles Are One Missile</em> Revisited: Dazzle in the Work of Zofia Kulik by Sarah Wilson

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Re-visioning St. Sebastian: Nicoletto da Modena’s Reworked Engravings of St. Sebastian by Bartlett-Rawlings, Bryony

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Whose Perspective? Andrea del Castagno, Paolo Uccello and the Patron's Point of View by Harris, J