Review of Cult Fiction and Cult Film: Multiple Perspectives edited by Marcel Arbeit and Roman Trušník Palacký University in Olomouc, 2008 by Christopher E. Koy

“… Review of Cult Fiction and Cult Film: Multiple Perspectives edited by Marcel Arbeit and Roman Trušník Palacký University in Olomouc, 2008 …”
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Psychosemantics of the Character Attraction in the Cult Films and Symbolic-Mythological Contexts of Subject’s Identification by V.G. Gryazeva-Dobshinskaya, S.Y. Korobova, Yu.A. Dmitrieva

“… <p>The personalization of art communication provides a situation of openness, that&acute;s how cult films as well as psychological studies of this phenomenon appear. …”
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Cinefilia, Cult Movies e o filme Bastardos Inglórios, de Quentin Tarantino by Marina Soler Jorge

“…Este artigo tem como objetivo discutir as aproximações entre a cinefilia e os cult movies a partir de uma análise do filme Bastardos Inglórios, de Quentin Tarantino (2009). …”
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Analysis of Iranian Cult Movies:The Study of Cultists of Five Selected Iranian Cult from50s until 80s by Farnam Moradi Nejad, marzieh piravi vanak, Ahmad Alasti

“…The definition of cult movies as "sometimes deserted films which have so –called serious fans and followers who never forget their beloved bed-movie during the time and Repeatedly discuss about it and feel joy by frequent viewing", is one the accepted definition in context of cinematic studies and history. …”
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Le cas du metal symphonique, entre dégénérescence d’un art de l’extrême et exaltation du culte de la puissance by Jason Julliot

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Situating mean girls as post-feminist cult chick flick cum fantasy guide-to-life by Lim, Melanie Mei Hsia

“…When "Mean Girls" was first released to the public in 2004, neither screenwriter Tina Fey nor film director Mark Waters had any idea that it would become a pop-cult phenomenon in the years to come. …”
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The Boundaries of the Image of Hannibal Lecter (on the Example of the Hannibal TV Series). Part 1 by Gurov Oleg N.

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Film Propaganda: Ikonografi Kekuasaan by Perpustakaan UGM, i-lib

“…By using various genres of Indonesian cinema from different eras as a case study, this article argues that Indonesian propaganda films have monolithic representation which can be described as a cult of "bapakisme" (patronism), "kultur komando" (command culture), marginalisation of women' role in Indonesian revolutionary movement and demonization of progressive women organisation, and glorification of the role of Soeharto in Indonesian revolutionary movement. …”

Film festivals, cultural events for territorial and touristic development: the case study of Taormina Film Fest by Enrico Nicosia

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Cartoons and Education: A World Told Through the Animated Films by Alessia Rosa

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Blockbuster Remakes by Constantine Verevis

“…Typically, blockbuster remake is an industrial term, one that refers to the production of large-scale movies adapted from previously filmed properties. In this definition, modest (cult) properties – such as, Planet of the Apes (1968, 2001), King Kong (1933, 1976, 2005), and War of the Worlds (1954, 2005) – are revived through massive production budgets as cultural juggernauts, with strong marketing campaigns and merchandising tie-ins. …”
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‘Wheels of Tragedy’: Death on the Highways in Carnival of Souls (1962) and the Highway Safety Film by Bernice M. Murphy

“…It directly confronts one of the most pervasive taboos in modern American life: the horrific death toll associated with mass automobility. In Herk Harvey’s cult film, the protagonist is killed but finds herself unwilling to accept her fate. …”
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Reimagining Queer Female Histories through Fandom by Ellie Turner-Kilburn

“…Carol (2015), a film directed by Todd Haynes that is set in the 1950s, has quickly become a cult classic among queer audiences and has garnered industry prestige. …”
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<b>Writing the mother, the mother writing: the space of motherhood and feminine <em>écriture in Alien</em> and <em>The Matrix</em></b> - DOI: 10.4025/actascilangcult.v32i1.5629 by Eva Paulino Bueno

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The Power of Parody: Went With the Wind (1976), a Film Classic Revisited by The Carol Burnett Show (CBS, 1967-1978) by Taïna Tuhkunen

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Communicative Behavior of Mass Culture Icon Villain and the Influence on Destructive Behavior in Youth. Joker’s Case by Daniil V. Osipov

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Restoring the Past, Forging the Present: Scapegoating and Redemption in <i>Calvaire</i> and <i>These Are The Names</i> by Peter G. A. Versteeg, Edwin Koster

“…Both works are characterized by crucial references to religious phenomena. In the Belgian cult horror film <i>Calvaire</i> and the bestselling Dutch novel <i>These Are The Names</i>, stories are told about the desire to restore what was lost. …”
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<b>Modern narratives and film adaptation as translation</b> - doi: 10.4025/actascilangcult.v35i3.17238 by Carlos Augusto Viana da Silva

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That’ll Teach’em to Love Their Motherland!: Russian Youth Revisit the Battles of World War II by Olga Kucherenko

“…The cult of World War II once again occupies a hegemonic position in the frigid, increasingly militaristic cultural climate of modern-day Russia. …”
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«Io sto bene, io sto male, io non so cosa fare». Generazione X, alternative rock e film di formazione anni Novanta by Maria Teresa Soldani

“…The paper investigates the “90s cult movies” compilation soundtracks of Enza Negroni’s “Jack Frusciante è uscito dal gruppo” (1996) and Davide Ferrario’s “Tutti giù per terra” (1997), both produced by Consorzio Produttori Indipendenti. …”
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