Poetics of assembly Albert Kahn and D.W. Griffith in the birth of the Machine Age by Luis Pancorbo Crespo

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Poéticas del montaje Albert Kahn y D.W.Griffith en el nacimiento de la era de la máquina by Luis Pancorbo Crespo, Inés Martín Robles

“…Resumen Esta investigación trata de establecer un doble paralelismo entre cine y arquitectura moderna, centrándose en un momento de refundación de ambas disciplinas, los primeros años del siglo XX y apoyándonos en dos personajes seminales: D.W. Griffith y Albert Kahn. Exploraremos primero un paralelismo temporal y geográfico en sus líneas evolutivas principales, que recorren un camino similar en sus inicios, desde los Estados Unidos hasta la URSS, para volver al lugar de origen. …”
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A Numerate Film History? Cinemetrics Looks at Griffith, Griffith Looks at Cinemetrics by Mike Baxter | Daria Khitrova | Yuri Tsivian

Subjects: “…D. W. Griffith…”
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Réécrire l’histoire du/au cinéma : The Birth of a Nation de Nate Parker, et l’ombre de D.W. Griffith by Emmanuelle Delanoë-Brun

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Francesca da Rimini nel cinema muto americano by Massimo Ciavolella

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Recognising Women’s Work as Creative Work by Karen Pearlman, Adelheid Heftberger

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Nate Parker's The Birth of a Nation: Classical Hollywood cinema or independent rebellion? by Caroline V. Schroeter

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Afrofuturism Unbound: tobias c. van Veen in conversation with Paul D. Miller by tobias c. van Veen

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Diegetic Invisible/Vanishing in Silent Cinema and its Origins / Диегетическое исчезающее/невидимое в немом кино и его корни by SALNIKOVA EKATERINA V. / САЛЬНИКОВА Е.В.

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21L.011 The Film Experience, Fall 2012 by Thorburn, David

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21L.011 The Film Experience, Fall 2007 by Thorburn, David

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Spectacles of American Nationalism: The Battle of Atlanta Cyclorama Painting and The Birth of a Nation

“…The late nineteenth-century cyclorama painting of the Civil War Battle of Atlanta served as a technological, thematic, and commercial forerunner to D. W. Griffith\'s landmark 1915 film <em>The Birth of a Nation</em>. …”
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Camera Distance and Max Linder at Pathé-Frères by Charles O’Brien

“…This tendency, which was a transnational development involving the main production companies in Europe and the U.S. at around the same time, is approached through a comparative framework, with a focus on similarities between staging in the Linder Films and in the films directed contemporaneously by D.W.Griffith (Biograph). The analysis employs statistical methods in combinationwith conventional practices of film-historical research to show that Linder's films devoted more running time to shots featuring a reduced camera distance than Griffith's, and that the difference can be explained with reference to Linder's persona as a comic performer. …”
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Flashsideways: a evolução da montagem paralela em Smoking/No Smoking by Fabiano Pereira de Souza, Lívia Silva de Souza

“…Para tanto, além de uma revisão desses conceitos, cabe compará-la à montagem dos filmes Intolerance: love's struggle throughout the ages (Intolerância, 1916), de D. W. Griffith, e Citizen Kane (Cidadão Kane, 1941), de Orson Welles. …”
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From “Plain Abe” to Mythical Mr. Lincoln. Constructing various representational modes of a screen icon by Anne-Marie Paquet-Deyris

“…How then is the Lincoln persona shaped in three central films, D. W. Griffith’s 1930 Abraham Lincoln, John Ford’s celebrated 1939 Young Mr. …”
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Pequeno inventário da montagem soviética by Dionatan Daniel da Rosa

“…Trata também da influência da escola americana na formação do conceito soviético, uma vez que a primeira definição do termo montagem foi construída na pratica cinematográfica de D. W. Griffith. Apresenta-se o tema em suas relações com a sociedade russa e as incursões artísticas que influenciaram sua constituição como conceito artístico, evidenciando a relação entre Griffith, Eisenstein e Meyerhold. …”
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The great war and the cinema by Tom Burns

“…For example, silent films made during the war, like D.W. Griffith’s Hearts of the World (1918), which used actual footage, were propaganda evidently intended to induce the United States to progress from economic assistance to active military participation on the side of the Allies. …”
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"Esse nome nunca valerá nada": imagem de Poe no cinema by Helciclever Barros da Silva Sales, Emron Esplin

“…O trocadilho muito usado de "Poe" e "pobre" é uma lente através da qual o autor vê retratos de Poe em filmes que variam do curta de Edgar Allen [sic] Poe de D. W. Griffith em 1909 a versão de 2012 de James McTeigue. …”
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Dalla ‘compilazione d’autore’ al ‘poema lirico-sinfonico’ by Sala, Emilio

“…Manlio Mazza’s compiled score paved the way to the comparable orchestral accompaniment of D.W. Griffith’s The Birth of a Nation (1915), written by Joseph Carl Breil. …”
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Cinema and Cinematicity in Ralph Ellison’s Three Days Before The Shooting … by Sam Halliday

“…The article relates Ellison to non-literary figures such as filmmaker D.W. Griffith, declared influences Sergei Eisenstein, V.I. …”
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