Traduzir O estrangeiro, de Albert Camus: pensar a luz estrangeira na literatura em prosa by Gilles Jean Abes

“…A análise do protagonista é crucial e tem como base obras de José Régio, D. H. Lawrence ou ainda cartas de Mário de Andrade. Num segundo momento, pretende-se detalhar o gesto singular que emana da tradução dessa obra e que busca assimilar conscientemente aquele elemento estrangeiro. …”
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Aldous Huxley's ideological development, 1919-1936 by Bradshaw, JD

“…The contribution various figures made to the formation of Huxley's opinions, such as Vilfredo Pareto and D.H. Lawrence, is assessed in full. Chief among these influences were H.L. …”

Exultemur et laetemur. Riscritture inglesi e angloamericane della storia di Cristo by Paola Di Gennaro

“…The starting point is the examination of constants and variants in the representation of Christ in the discourse developed in the period that stretches from the last decades of the nineteenth century to the end of the last century (Renan, Wallace, Papini, Mauriac, D. H. Lawrence, Moore, Graves, Kazantzakis, Artaud, Moorcock, Bulgakov, Endō, Saramago) – rewritings that have reinterpreted historical and religious facts in order to transform them into something else: epitome, metaphor, objective correlative, scapegoat. …”
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Lawrence, Douglas Goldring, and Plays for a People’s Theatre by Keith Cushman

“…In 1920 Thomas Seltzer published D.H. Lawrence’s Touch and Go and Douglas Goldring’s The Fight for Freedom as Plays for a People’s Theatre by Thomas Seltzer. …”
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The twentieth-century English university and its exclusions: literature and the politics of expanding higher education by Lu, M

“…Chapters 1-5 shed light on those aspects of the writings of E. M. Forster, D. H. Lawrence, Virginia Woolf, Evelyn Waugh, and W. H. …”

An exploration of sight, and its relationship with reality, in literature from both world wars by Hodges, E, Elizabeth Hodges

“…It examines the war poetry of Wilfred Owen, Ford Madox Ford’s tetralogy <em>Parade’s End</em>, <em>The Return of the Soldier</em> by Rebecca West, Elizabeth Bowen’s <em>The Heat of the Day</em>, and Virginia Woolf’s novels <em>Mrs Dalloway</em> and <em>Between the Acts</em> alongside less well-known works such as David Jones’s prose-poem <em>In Parenthesis</em>, the two short stories ‘The Soldier Looks for His Family’ by John Prebble and ‘The Blind Man’ by D.H. Lawrence, as well as William Sansom’s collection of short stories <em>Fireman Flower</em>, and Louis Simpson’s war poetry. …”

The Ideological Ambiguity of Touch and Go by Simonetta De Filippis

“…The interest of D.H. Lawrence’s theatre lies not only in its experimental nature and formal research with reference to different theatrical traditions (naturalism, comedy of manners, epic theatre), but in its themes and characters which, considered in their historical perspective, appear rather innovative if not provocative. …”
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Animal Death and Religion: Revisiting Creaturely Vulnerability, Mourning and Sacrifice by Alina Mitek-Dziemba

“…Artykuł podejmuje te kwestie, argumentując na rzecz zwierzęcej religijności, opierając się na nieantropocentrycznym ujęciu żałoby w pracach Judith Butler oraz analizując literackie i artystyczne strategie przedstawiania śmierci zwierząt, które poprzez swoje akcentowanie wymiaru religijnego zyskują emancypacyjny charakter, w utworach D.H. Lawrence’a oraz Iana McEwana.…”
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The Writers of Angaray and Class Struggle by Rabab Syeda Zehra

“…All contributors of "Angarey" were highly educated and were inspired by the writings of James Joyce, Virginia Woolf,<span style="mso-spacerun: yes;">&nbsp; </span>D. H. Lawrence as well as from Marxist writings. They were critic of conservative elements within Indian society especially the Muslim community of India. …”
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“THEY ORDER…THIS MATTER BETTER IN FRANCE”. YORICK THE PHILOSOPHER AND SENTIMENTAL TRAVELLER by Elena V. Maksiutenko

“…Claiming a spiritual value for eroticism Sterne turns to be the precursor of D. H. Lawrence and the famous final chapters in A Sentimental Journey, “The Grace” and “The Case of Delicacy”, can be viewed as the paradigm of the novel’s leading theme – the human yearning for relationship, the quest for union and sociability. …”
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The Princeton reader : contemporary essays by writers and journalists at Princeton University / by McPhee, John, 1931-, Rigolot, Carol., Princeton University.

Journeys – an introduction by Rune Andersen, Knud Knudsen

“…Minjeong Kim examines D.H. Lawrence&acute;s novel The Lost Girl (1920) as a Bildungsroman, in which a journey to southern Italy is described as emancipation from patriarchal dominance and at the same time a cultural encounter between English (European) civilization and &ldquo;unrestrained primitivism&ldquo;. …”
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