Sound in Daniel Deronda by Michael Hollington

“…The aim of this paper is to explore the significance of sounds negative and sounds positive in Daniel Deronda, tracing a sequence of significant sounds from the near-silence of the opening scene in a gaming room to the jubilant licence of sound in the concluding wedding scene. …”
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Multiplicity of Spaces in Daniel Deronda by Alice Sukdolová

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Between nationalism, transnationalism, and cosmopolitanism in Daniel Deronda’s Klesmer by Roskams, VC

“…The composer Julius Klesmer in George Eliot’s Daniel Deronda, ‘a felicitous mix of the German, the Sclave, and the Semite’, and a self-confessed ‘Wandering Jew’, embraces a mode of transnational living and working that challenges the English narrowness of Gwendolen Harleth at the same time as it complicates the novel’s overall journey towards proto-Zionism through Mordecai and Daniel. …”

Lord Byron and George Eliot: Embracing National Identity in Daniel Deronda by Denise Tischler Millstein

“…Eliot uses both the Jewish plot of Daniel Deronda and Byron as agents to discuss how Victorian England could revive its own national character.…”
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Lord Byron and George Eliot: Embracing National Identity in Daniel Deronda by Denise Tischler Millstein

“…Eliot uses both the Jewish plot of Daniel Deronda and Byron as agents to discuss how Victorian England could revive its own national character.…”
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Embodied cognition and the project of the Bildungsroman: Wilhelm Meister’s Apprenticeship and Daniel Deronda by Morgan, B

“…To explore in more concrete terms the effect of reading Wihelm Meisters Apprenticeship, the article then turns to George Eliot’s response in Daniel Deronda (1876). Goethe’s novel appeals to the bodies of its characters and its readers. …”

"The extension of our sympathies": George Eliot and her readers in Middlemarch and Daniel Deronda by Wilcox, Emma Louise

“…This thesis examines to what extent George Eliot’s final novels, Middlemarch (1871-72) and Daniel Deronda (1876) marked a new departure in Eliot’s fiction and how her readers responded to the changes that she made. …”
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La scène internationale : les nouveaux horizons dans Daniel Deronda de George Eliot by Stéphanie Drouet-Richet

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MINISTERING IN THE WORLD: THE MAIN CHARACTER IN THE NOVELS «THE BROTHERS KARAMAZOV» BY F. M. DOSTOEVSKY AND «DANIEL DERONDA» BY GEORGE ELIOT by Ирина Федоровна Гнюсова (Irina F. Gnusova)

“…Alyosha Karamazov and Daniel Deronda – the heroes of their time with great ideas and desire for “feat” – assume the function of confessors who can hear and understand surrounding people. …”
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Répression et résurgence du judaïsme dans Daniel Deronda : les voies de la masculinité sont-elles impénétrables ? by Gilbert Pham-Thanh

“…George Eliot’s Daniel Deronda constitutes an inspiring testimony to 19th-century patriarchal society. …”
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La cantatrice juive by Laurent Bury

Subjects: “…Daniel Deronda…”
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George Eliot and the Cosmopolitan Cynic by Small, H

“…Middlemarch (1872) and Daniel Deronda (1876) have to date dominated critical debate about Eliot's engagement with the idea of a cosmopolitan ethical detachment. …”

Praga Magica: Prague as a Place of Memory and Vision in George Eliot, Anthony Trollope and George Sand by Zdeněk Beran

“…They used these motifs in some of their works: Eliot in The Lifted Veil and Daniel Deronda and Trollope in Nina Balatka. Their portrayal of Prague, however, is very much based on the image of Praga magica, the Prague of legends, mysteries and magic. …”
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The composer and musical identities in nineteenth-century fiction by Roskams, V

“…This thesis explores representations of the composer in nineteenth-century fiction, with a primary focus on fiction in English, discussing well-known novels such as George Eliot’s Daniel Deronda (1876) and George du Maurier’s Trilby (1894) alongside less familiar fictionalisations of composers, real and imaginary. …”

George Rliot and the religion of humanity by Wright, T

“…Positive elements are detected in her treatment of solidarity in Felix Holt, utopianism in Middlemarch, history in Romola, and continuity in Daniel Deronda. Her ethics revolved around a Comtean development of altruism through the famiiy and the worship of women. …”