La red social (David Fincher) by Jesús Miguel Sáez-González

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Masculinidad y violencia en "El Club de la lucha" de David Fincher by Leire Ituarte Pérez

“…En este trabajo se aborda un acercamiento hermenéutico a <em>El club de la lucha</em> de David Fincher. Apoyándose en algunos de los fundamentos metodológicos de la Teoría psicoanalítica y la Teoría <em>Queer </em>el análisis trata de desgranar los pormenores de la representación de la masculinidad en el filme. …”
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I am Sitting in a Room, Listening to Mank by Cormac Donnelly

Subjects: “…david fincher…”
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Cut! Von der Praxis der Grammatologie: Skripturalität in David Finchers SE7EN (1995) by Alessandro Barberi

“…Alessandro Barberi unterzieht David Finchers Serial-Killer-Film SE7EN (1995) einer eingehenden praxeologischen und grammatologischen Analyse und zeigt so, dass selbst ein (fehlender) Querstrich auf der Leinwand zwischen Sinn und Wahnsinn bedeutsam ist. …”
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Conquering the meatspace: the lonely nerd in David Fincher’s The Social Network (2010) and Baran bo Odar’s Who Am I (2014) by Schaper, B

“…This article analyses how Baran bo Odar’s film Who Am I: Kein System ist sicher (2014) productively engages with its US predecessor The Social Network (2010), directed by David Fincher, to undermine the notion of the lonely nerd. …”

Alteridad y paisaje urbano en El club de la lucha de David Fincher y El hombre duplicado de José Saramago by Pilar Andrade Boué

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Reconfigurations of the classical hero in the digital age: Aaron Sorkin’s The Social Network and Steve Jobs. by Marta Frago

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The Diegesis of Benjamin Button: A Method for Comparing Literature and Film (La diégesis de Benjamin Button: método para comparar literatura y cine) by Joe Montenegro Bonilla

“…Scott Fitzgerald’s short story “The Curious Case of Benjamin Button” and David Fincher’s film adaptation of it, a focus on the comparable diegetic structures of a narrative cinematic text and the literary work on which it is based is offered, along with an exploration of the semiotic codes that support their comparative textual analyses. …”
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ABOUT POLICE SORT: THE KNOWLEDGE'S METAPHYSICAL IN ZODIAC by Fernando de Mendonça

“…Being based on the Theory of the Knowledge of Hegel and on contributions of thinkers as Walter Benjamin, it raises as central corpus the film Zodiac of David Fincher (2007). From its object of study it verifies that the police sort allows reflections (inside of a Metaphysical order) much more complex of what the imagined one.…”
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A era da frustração: melancolia, contra-utopia e violência em Clube da luta by Paulo Jorge Ribeiro

“…A partir daí procura estabelecer relações não somente com a estética fílmica produzida pelo diretor David Fincher, mas também com as possíveis perspectivas que este filme pode constituir na problematização mais acurada do que Zizek denominou de "desertificaçao do real".…”
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Making Sense of Mind-Game Films: Narrative Complexity, Embodiment, and the Senses, by Simin Nina Littschwager by Luis Antunes

“…Night Shyamalan, 1999), The Others (Alejandro Amenábar, 2000), Memento (Christopher Nolan, 2000), Fight Club (David Fincher, 1999), Possible Worlds (Robert Lepage, 2000), and Source Code (Duncan Jones, 2011). …”
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Are You Watching Closely?: Cultural Paranoia, New Technologies, and the Contemporary Hollywood Misdirection Film, by Seth Friedman by Jordan Lavender-Smith

“…Night Shyamalan), The Blair Witch Project (Daniel Myrick and Eduardo Sánchez), Fight Club (David Fincher), and Magnolia (Paul Thomas Anderson), all released in 1999. …”
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Reflecting the doppelgänger. by Lam, Xue Ying.

“…Bearing in mind the various issues pertaining to the subject of madness, this paper will seek to delve into thematic explorations of the doppelgänger through analyses of three highly acclaimed works which draw our focus to the notion of the double: Sylvia Plath’s The Bell Jar, Chuck Palahniuk’s Fight Club, along with its film adaptation by David Fincher, and Black Swan (2010), as directed by Darren Aronofsky.…”
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Killing the Buddha: Ritualized Violence in Fight Club through the Lens of Rinzai Zen Buddhist Practice by Gregory Max Seton

“…David Fincher may not be an expert in Buddhism. But his description of Fight Club&mdash;as reprising the figurative admonishment to &ldquo;kill the buddha&rdquo; by Lin-ji Yi-xuan (9th cent.), the founder of the Rinzai Zen Buddhist school&mdash;illuminates the way that Fincher&rsquo;s own directorial choices mirror the ritualized practices of Rinzai Zen aimed at producing insights into the imaginary and subjective nature of reality. …”
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Fight Club: la pelea por la identidad by Anthony López Get

“…El presente estudio analiza los procesos de construcción de identidad en las sociedades de consumo expuestos en el filme Fight Club de David Fincher. Partiendo de la propuesta de Habermas sobre la individuación por medio de la socialización, vemos cómo esta película explora los efectos que la cultura material ejerce sobre los sujetos en su búsqueda por una identidad validada por el resto de la sociedad, una sociedad de consumo que construye identidades ficticias, simulacros –haciendo eco de Baudrillard- que tienen su base en objetos, no en sujetos. …”
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Women representation and intersemiotic relations in Sharp Objects and Gone Girl by Milena Ramos Pereira, Ana Carolina Negrão Berlini de Andrade

“…The research corpus is composed of Gillian Flynn's books Sharp Objects (2006) and Gone Girl (2013), as well as its homonymous syncretic versions, organized respectively by Jean Mark Vallée (2018) and David Fincher (2014). It is noted that in all Flynn’s literary works and its homonymous syncretic versions the striking female figures predominate. …”
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Reception, Circulation, Desire: Liv Ullmann and the Transnational Journeys of a Scandinavian Actress by Maaret Koskinen

“…Current examples abound­—for example, when David Fincher took the unusual decision to shoot, at an inordinate cost, <em>The Girl with the Dragon Tattoo</em> in Stockholm, and with international James Bond star Daniel Craig in the lead as Stieg Larsson’s literary hero Mikael Blomkvist.…”
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ALTEREGO E SUAS REFLEXÕES: UMA ANÁLISE DO FILME CLUBE DA LUTA E O ROMPIMENTO COM A SOCIEDADE by PAES, L. D., PINHEIRO, M. M., GONÇALVES, L. A, BUCHVITZ, P. A.

“…(Clube da luta [Fight club], Direção David Fincher, 1999) A fala acima do alterego expõe como é a dissociação, é uma criação de outra parte do indivíduo que critica o tempo todo, que aflige e controla. …”
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