Defferance: David Mamet’s Oleanna [In English] by Behnaz Amani

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The Dehumanizing American Dream in David Mamet’s Glengarry Glen Ross by Mehdi Sepehrmanesh, Ehsan Dehghani

“…It is also shown, through the analysis of David Mamet’s glengarry Glen Ross, that despite the promise of the dream it contains many contradictions. …”
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Perfiles heroicos en la filmografía de David Mamet by Pablo Echart

Subjects: “…David Mamet…”
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Artist on the Make: David Mamet’s Work across Media and Genres (BOOK REVIEW) by Thomas Irmer

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LIFE IS A PLAY: reading David Mamet's sexual perversity in Chicago and Glengarry Glen Ross through Cognitive Poetics by Ghaeli, Rosa, Pirnajmuddin, Hossein

“…Using the Conceptual Metaphor Theory (CMT), the present essay explores the conceptual metaphor of LIFE IS A PLAY in David Mamet's Sexual Perversity in Chicago and Glengarry Glen Ross. …”
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Oleanna: A Cognitive Poetic Reading by Rosa Ghaelizad, Hosein Pirnajmuddin

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I rimandi a Čechov nei titoli delle opere di Akunin, Sorokin, Głowacki e Mamet by Manfred Schruba

“…The peculiarity of the examined plays is their reference to the pre-text as a whole, unlike the quotation or the allusion, which refer to the pre-text in a particular manner: Boris Akunin’s Seagull combines elements of a sequel and a contrafaction of Chekhov’s Seagull; Vladimir Sorokin’s Jubilee is an example of collage of various plays by Chekhov; Janusz Głowacki’s The Fourth Sister can be seen as a transformation (adoption of the topic) of the Three Sisters; David Mamet’s Uncle Vanya combines some traits of an adaptation and a remake of Chekhov’s Uncle Vanya. …”
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AS DIVERSAS VOZES NOS ESTUDOS DA NARRATIVA CLÁSSICA PARA O ROTEIRO CINEMATOGRÁFICO by Marcos De Bona de Carvalho, Denize Araujo

“…Publicações bastante influentes foram escritas por autores como Syd Field, Blake Snyder, Robert McKee e Christopher Vogler, além de roteiristas como Paul Schrader, David Mamet e Jill Chamberlain. Essas diferentes vozes concordam e divergem ao analisar aspectos que compõem um roteiro. …”
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Conor McPherson's The Seafarer: tinkering with tradition by Roberto Ferreira da Rocha

“…In this his fourth full-length ensemble play to reach both the London West End and New York Broadway (the first being The Weir of 1999) McPherson critically dialogues with the modernist and postmodernist dramatic tradition mainly through the works of John Middleton Synge (1871-1909), Samuel Beckett (1906-1989), Harold Pinter (1930-2008) and David Mamet (1947- ), without losing, however, a genuine sense of deep Irishness.…”
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Is there drama in contemporary America? : is there postmodernism in American drama?: Shepard vs. Mamet - whose America is (more) real? by Vesna Bratić

“…A stage cohabitation of the postmodern experiment and a realist frame in the contemporary theatre is well illustrated by the two popular contemporary playwrights: Sam Shepard and David Mamet. By their creative opus, not only in the fields of drama and theatre, but also in other literary genres (poetry, essay) as well as in film, through a variety of different characters and situations, these two authors reveal a rich variety of the many possible variations of American social (con)text. …”
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